Photo Detective with Maureen A. Taylor - women

Further Clues in the Connecticut Photo Mystery

Maureen — Mon, 29 Apr 2013 21:05:13 GMT

Last week I introduced a photo mystery from the Derby (CT) Public Library with links to archaeological excavations. The big question is: "Who's in this photo?"

Let's look at some of the evidence in the picture.

The shed is of unknown use. A higher-resolution image might reveal what's inside the door. There appears to be items piled up. I'll wait for a clearer image to share that with you.
An elderly woman stands in the front yard. The front door is to her left.

Nancy Freeman lived in the house from the time of her marriage until her death in 1895. She has a cane in her right hand and a hat in her left. She wears an apron over her dress.

A ladder against the house suggests that she's having shingles replaced. The workman left his coat and hat draped over a pole.

Do you see the shadow on the grass? This is the photographer. I'm working on verifying a caption on a copy of this picture. It contains the name of the photographer.

The Freeman house is built on a hill. Behind the house the land drops off. Archaeologists found some of the foundation for the shed, but not enough to be able to determine its function or size. They found poultry wire on the site, which confirms stories about Nancy raising turkeys to support herself.

I'll keep digging for new data.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

A Piece of Connecticut History

Maureen — Mon, 22 Apr 2013 20:40:24 GMT

Photo courtesy of Derby (CT) Public Library

Could this woman be Nancy Freeman, widow of Roswell Freeman, who was one of Connecticut's "Black Governors"? That's the big question, and this query has a lot of pieces.

Janet Woodruff, an archaeologist with the Archaeology Laboratory for African & African Diaspora Studies at Central Connecticut State University, sent me this photo for analysis. Dr. Warren Perry, Prof. Gerald Sawyer, Woodruff, and students and volunteers have been conducting archaeological excavations at this homesite since 2010.

Photographs lie at the intersection of history, genealogy, family history and even archaeology.

The tradition of the Black Governors dates back to Colonial Connecticut. These individuals were elected by members of their communities. The Connecticut State Library has an interesting online article and bibliography.

Roswell and his father Quash were both Black Governors. This property may have been willed to Roswell when his father died. Roswell married Nancy (possibly Thompson) in 1826 and they had 13 children, although records have been found for only nine.

The elderly woman pictured stands in her front yard (the front door is next to the ladder). Behind her is a shed. Archaeologists aren't sure of the purpose of that building.

I'm trying to answer several questions about this image. Next week, we'll look at a few of the details. There is more research to be done, so watch for updates to this story.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Old Photos: Are These Sisters or Family Friends?

Maureen — Mon, 15 Apr 2013 13:47:11 GMT

A few weeks ago I featured Jim Cat's picture of women seated on the stoop in front of their house.

He recently wrote to tell me more about the women in the picture. His grandmother Mary Florence Filichia Catanzaro was born in Chicago on Feb. 18, 1894.

Mary had four sisters: Rose (born July 1892), Jennie (born 1900), Virginia (born circa 1902) and Constance (born circa 1906).

Based on the style of the women's dresses and hair in this image, and a tentative date of circa 1910, only the oldest sisters, Rose and Mary, could be depicted here. The other sisters would be too young.

If this image was taken at mid-decade, about 1915, the hairstyle of the woman seated second from left would be outdated, but not necessarily those of her companions. By 1915, Jennie was 15. If she's posed with her older sisters here, she'd be the youngest member of this group.

Clothing and hairstyles changed radically in the second decade of the 20th century. By 1920, many women had shorter hair and wore loose-fitting dresses with shorter hemlines than in recent years.

Assuming two of these women are sisters, the other two are likely friends. Despite the grainy quality of this type of tintype it should be possible to determine who's who by comparing later photographs of the sisters to this image.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Mind-Bending Photo Mystery: Part 2

Maureen — Sun, 07 Apr 2013 16:19:59 GMT

Last week I wrote about Pam and Art Crawford's family photo dilemma. With both the Crawford and Jones families claiming this couple as their relatives, it's a pixel puzzle.

This week I'm tackling the costume clues in the image.

Men's ties and collars can help pinpoint a date. This man wears an all-over patterned tie. The design has a slight diagonal pattern, which suggests it's from about 1930. The points in the collar look longer than a middle-pointed shape, which suggests it might be a 1930s style called the "California Collar." Clark Gable popularized it.

Lace collars were very popular in the 1930s. Around the woman's neck are pearls. Simulated pearls could be bought from the Sears catalog for approximately 95 cents. It's very difficult to see due to the shadows in this picture, but her dress has a soft flouncy sleeve.

Both husband and wife wear round glasses. Round shapes were common in the 1920s, but thin metal frames were also still available in the 1930s. Since they probably didn't change glasses very often, it's likely these are from the late 1920s.

The circa-1930s date eliminates Thomas Jefferson Jones and Mary Jane Williams from consideration. Mary Jane died in 1916.

When comparing their faces, I noticed that the husband looks older and more frail than his wife.

This couple could be Art's grandparent's Nathaniel Crawford and Lois Viola Henley. Nathaniel died in 1937.

The big questions remain: How did Pam's grandmother come to own a copy of this image, and why did she identify the couple as Thomas and Mary Jones?

Extensive family research by the Crawfords has yet to reveal an answer.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Mind-Bending Photo Mystery

Maureen — Mon, 01 Apr 2013 14:47:30 GMT

Isn't this a nice picture? It seems so innocuous. Yet this picture is BIG photo mystery that has a couple puzzled: I met Pam and Art Crawford at last month's RootsTech conference. Using my iPad as a voice recorder, I interviewed them about this picture. You can listen to the recording here.

Pam's grandmother gave her the image in 1975, in the family photo album. She was told it was Grandma and Grandpa Jones. Pam's grandmother was alive at the same time as the couple depicted, so she would have known them.

Thomas Jefferson Jones was born Nov. 8, 1843, in Christy Twp., Laurence Co., Ill. He married Mary Jane Williams in Lawrence Co. in 1865. Mary Jane was born May 4, 1850, in Covington, Kenton Co., Ky., and moved to Lawrence Co., Illinois as a child.

Thomas died March 1, 1934, and Mary Jane died Dec. 24, 1916. Both died in Bonpas Twp., Richland Co., Ill.

Here's the mystery:
A few months ago, Art's cousin started a Facebook group, "Descendants of David Crawford." Art joined the group and saw this photo, identified as Nathaniel Alpheus Crawford. When he showed it to Pam, she said, "I know that photo!"

Nathaniel Crawford was born Oct. 21, 1861, in Summerville, Chattooga Co., Ga. He married Lois Viola Henley in 1891. She was born May 27, 1871, in Georgia. They both died in Chattooga Co., Nathaniel on Sept. 13, 1937, and Lois on Aug. 4, 1956.

Obviously there are multiple mysteries:

Who's really in the photo?
How did it end up in both families?
Is there a relationship between Pam and Art's family?

It's a real stumper. Let's start with the picture: It's a 20th-century photo—after World War I, based the design of the woman's collar.

I'm off to the library to figure out the rest of the clues and double-check a few things. I'll be back next week with more details.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Intinerant Tintype Artists and Your Family

Maureen — Mon, 18 Mar 2013 14:12:06 GMT

Jim Cat found this photo when his grandmother died. It's one of those family photo mysteries—Jim doesn't know who these women are.

I love the way the photographer captured four young women sitting on their front stairs.

Jim labeled it a daguerreotype, but it's actually a tintype. The spontaneous pose reminds the viewer of a paper snapshot. In fact, tintype "snapshots" were available long before George Eastman invented his amateur negative camera. The word snapshot refers to taking an "instantaneous" image using a handheld camera. It generally means an amateur was taking the picture, but there were professional photographers who specialized in capturing these fleeting moments.

Itinerant tintypists traveled from town to town in wagons loaded with chemicals, plates and darkroom equipment. Tintype photographers also walked the streets of major cities enticing customers to memorialize their visit with a photo.

The tintype was usually presented to a customer in a paper sleeve. I've seen sleeves in bright pink, red, blue and just about every other shade. Some have embossed designs like this one, while others have printed decorations.

What they all have in common is a tendency to deteriorate. If you own one of these early 20th-century tintypes in a paper sleeve, you should scan it at a high resolution—at least 600 dpi—to preserve the content.

From the dress styles and the hair, the date of Jim's picture is circa 1910. The short sleeves and lightweight fabric suggest a warm weather month.

The woman second from the left has rested a hand on her adjacent companions, a clear sign these are close friends or relatives. Cat thinks these women may be family. I'm waiting for additional information to help with that detail.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

WDYTYA London and a Launch

Maureen — Sun, 03 Mar 2013 18:40:38 GMT

What a busy week! Last week at this time, I was walking through Shakespeare's birthplace recovering from two action-packed days of looking at photos at Who Do You Think You Are? Live! in London. I have some pictures to share.

As soon as I came home a new project launched: The Last Muster series of books that focus on images of Revolutionary War era folks is becoming a documentary. Genealogy Insider Diane Haddad shared the news.

If you're curious about what it's about, watch the trailer in Diane's post and read Judy Russell's blog post at The Legal Genealogist.

Back to London.

Guess who I saw when I was there? Lisa Louise Cooke of the Genealogy Gems and Family Tree Magazine podcasts AND Janet Horvoka of Family Chart Masters, aka the Chart Chick. It was cold in London, thus my fleece jacket and scarf.

English genealogists love a certain American product too. Couldn't miss this booth:

Love to Learn, an English company specializing in online education, gave us a nice place to work with photographs. James Morley of What's That Picture.com and I met with folks on Friday and Saturday. The lines were long again this year. People waited up to two hours to show us their photos.

We saw some amazing pictures, such as the pair of painted daguerreotypes held by these women.

This year I decided to count the number of pictures we saw. The total for the two days was over 500!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Clues in Old Photo Postcards, Part 2

Diane — Sun, 17 Feb 2013 19:09:52 GMT

Jennifer Bryan sent me a photo-postcard mystery and I featured part one in last week's post.

This week I'll share what I learned about the recipient of the postcard, Miss Flossie Howell of Baker City, Ore.

Flossie's friend Desca wrote:

Hello. Rec'd letter other day ans soon. What are you doing? Still working in store? Its snowing here today and is quite cold. I am feeling pretty good but can't stand much work. Lee is at work. Will come home soon. Do you like the pictures? Lo Desca.

I'd estimated the date for this card as circa 1910 based on the attire, so I used Ancestry.com to search the census for that year. I started my search by thinking that Flossie was a nickname for Florence and didn't find any good matches. I should have taken the direct approach. I immediately found a match for Flossie Howell in Baker City. The enumerator appears to have written her last name as "Hawell" rather than Howell.

She's living with Nathaniel B. Starbird, a janitor in a bank, and his wife Ada. Flossie works as a bookkeeper in a grocery store. She was 20 at the time of the census, suggesting a birth year of 1890. You can find this census record using the following link.

Flossie was born in Kansas, but she didn't know the birthplaces of her parents. The Starbirds were originally from Maine.

Flossie lived in Baker City from circa 1908. She appears in the Baker City, Ore., City Directory for that year, working as a domestic. You can view the city directory on Ancestry.com.

I'm still working on the identity of Desca, Hazel and Mabel. Desca turns out to have been a somewhat common name.

This week I'm at Who Do You Think You Are Live in London! Each year I share images from the event. I'm taking a few extra days in London, so watch for my images in two weeks.

Next week I'll write about how I'm helping to identify images from a photo album in a historical society. My new book, The Family Photo Detective, has a whole chapter on unraveling clues in photo albums. It's one of my favorite types of mysteries.

Cheerio!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Clues in Old Photo Postcards

Maureen — Sun, 10 Feb 2013 23:37:28 GMT

Last week I wrote about orphan photos and how you can reunite them with family. This week I'm featuring one such image that Jennifer Bryan bought. I'm hoping that a descendant will see this two-part story.

These three young women—Desca, Mabel and Hazel—sent this real photo-postcard to their friend Flossie. It's a postcard with clues on the front and back. Postmarks, postage stamps, address information and the message all add up to tell the story of these women.

I'll start with the front. The high necklines of these blouses suggest a time frame of circa 1910. These white lawn fabric blouses could be purchased through the Sears Catalog for 49 cents to $1.35. You can view the Sears Catalog pages on Ancestry.com.

I especially love the fashionable hairstyle of the woman on the right. She's rolled her hair away from the sides of her head. She's accessorized her appearance with a hairstyle she may have seen in a women's magazine, a watch pinned to her bodice, and a neck ribbon.

Just like the best- and worst-dressed issues of People magazine, ancestral fashion magazines had articles about fashion foibles. What do you think of this young woman's hair?

The other two women are not as fashion-conscious as their friend, based on their simpler hairstyles and lack of accessories. Their hair and blouses agree with the tentative time frame about 1910.

Next week, I'll examine the clues on the back of this photo-postcard to see how the clues add up.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Confirming Identities in Old Family Photos

Maureen — Mon, 28 Jan 2013 16:50:29 GMT

I'm working on a photo mystery that is making my eyes hurt and my brain spin. With any luck I'll be able to present it here next week.

In the meantime, Milah Goler Pasto contacted me through Facebook to ask about a couple of her family photos. She was hoping for confirmation that the mother and the child in this picture were who she was told they were.

Their dress styles, the wicker chair and the painted backdrop all suggest a date of circa 1900. In that period, women's sleeves could have a slight fullness at the shoulder and bodices were pouched and full at the waist. Wicker chairs were a popular studio accessory in the 1890s and in the early 20th century. While painted backdrops were common throughout the 19th and 20th centuries, at the turn of the century they often featured household scenes.

So who's in this lovely picture? Irish immigrant Margaret (Mahoney) Sullivan (born 1873) and her daughter Margaret (born 1892).

John Nathan Sullivan (born 1848), a "free person of color" married Margaret Mahoney and they had two daughters. He was a coachman for Dr. Hubbard of Taunton, Mass., and according to Milah, his obituary said "he was well and favorably known throughout the vicinity."

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Turn-of-the-Century Family Photos

Maureen — Mon, 14 Jan 2013 16:15:39 GMT

Terry Graham's mother showed him a few unidentified photographs and now he's using the power of the web to try to identify them. He's posted them on his Ancestry.com family tree so that family members can comment on them. He thinks the mother's maiden name could be Turgeon.

It's the little girl in this picture that captures our attention. The photographer posed her with head turned and eyes on the lens. It's a lovely picture of a turn-of-the-century family.

Women's Clothing
Women's fashion began to change circa 1900.

More women were employed, and clothing in washable fabrics became a necessity. This woman wears her "Sunday best" dress for this formal family portrait.
Wide high-necked lace collars were very popular before 1905. Skirts were worn approximately 2 inches off the floor.
Hairstyles puffed out from the face. Extreme hairstyles were often caricatured in magazines, but this woman has chosen wisely. Her hair frames her face. A large wide-brimmed hat would accessorize the outfit.

Men's Clothing
Styles varied from casual dress worn by laborers to suits. The man in the family portrait wears his best suit. Collars worn standing up with a variety of silk ties were fashionable in the period. Men's mustaches were trimmed and waxed in the 1890s; in this turn-of-the-century portrait, he's retained his full mustache.

Children's Clothing
Play clothes for children were introduced in the early 20th century, but this little girl wears a light-colored dress that mimics some of the design elements of her mother's dress, i.e. the wide collar.

Photo Details
Watch for the spontaneous moments in a family picture. The little girl looks like Mom has just brushed her hair for the portrait, but both parents have little wisps of hair sticking out from their heads: Look at the left side of Dad's head and the hair above the neckline of the mother's dress.

About the Photographer
Alfred Adt of Waterbury, Connecticut, took this photo. According to city directories of Waterbury found on Ancestry.com and details in census records, Adt was born in approximately 1863 and was a photographer in Waterbury from at least 1894 to 1909.

Use the comment field below to tell me how you came to own your family photos. Which relative gave them to you?

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Reader-Submitted Multi-Generational Pictures

Maureen — Mon, 03 Dec 2012 00:52:55 GMT

I've been thinking about holiday cards. On Thanksgiving all 14 members of my husband's family—three generations of relatives—stood in the yard and posed for a group portrait.

I find the thought of having even more generations represented in a single image amazing. Yet that's just what a reader submitted when I asked for multi-generation pictures.

Kay Haden sent me two five-generation images from her family. There is no duplication of people in the two pictures.

In the first, someone used a ballpoint pen to write the names on the people. I wish they'd written on the back with a soft pencil, but there are lots of family photos with inked IDs.

While the image states a date of 1907, Kay knows that it was actually taken two years later in 1909. This is based on the birth year of the baby.
The baby is Graydon Earl Comstock (1908-1983). He's sitting on his father's lap—Kenney Marcus Comstock (1887-1958). Kenney's father, James Monroe Comstock (1860-1928), stands behind him. Next to James is his mother, Miranda Jane (Brown) Comstock (1842-1912). The oldest person in the image is the 2x great grandmother of the baby, Rebekah Poindexter (Jones) Brown (1822-1912).

In this 1961 image, Kay is the young woman in the back row. Her mother stands next to her. The baby is her oldest son. In the front row is the baby's great-grandmother and his 2x great grandmother. I don't usually publish images of living individuals, so I've withheld their names.

There is so much family history in these photos! If you pose for one, please take time to also sit with the family members and reminisce about their lives. Bring along a voice recorder/video capture device so that you can relive the moment later on—as well as save a piece of your family history.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Multi-Generation Portraits, Redux

Maureen — Mon, 26 Nov 2012 16:04:45 GMT

Last week, I featured a multi-generation picture submitted by Mary Lutz. We've been communicating about this photo via email, and I have a few more details to share.

The original post mentioned that the baby is Mary Ruth Talbott Godwin. There is one problem with that identification. She was born in 1892. The clues in this picture (hairstyles and bodice styles) don't add up to that timeline. Instead, it's an early 20th century picture.

Thank goodness Mary also recognized the discrepancy. She provided an alternative identification for these women, one that makes sense based on the photo clues.

The baby is Ruth Waterstradt (born 1909). The mother is Pearl Godwin Waterstradt (born 1885). The grandmother in the center is Jennie Witten Godwin (born 1864) and on the left is great-grandmother Mary Brown Witten (born 1834). The baby is likely less than a year old which dates this image to circa 1910.

In addition to the four-generation picture, Mary sent in another group portrait. The two individuals in the center are Mary Brown Witten and her husband Samuel. The picture was taken in Grundy County, Mo.

The woman in the center is the same woman who appears on the left in the four-generation image.

This photo also dates from the early 20th century. Since Mary knows the identity of the two people in the center, the rest of the pieces should fall into place.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Multi-Generation Portraits

Maureen — Mon, 19 Nov 2012 13:50:16 GMT

It's Thanksgiving! If you're planning a family gathering and are wondering how to keep folks occupied until the meal is ready, try getting them to chat about family photos. It doesn't matter if they are identified images or a group of mystery pics. I'll be taking out a box of snapshots, setting up my digital tape recorder and hopefully capturing some "new" memories. Images can trigger all types of memories relating to the people depicted, not just the story of that photographic moment. Try it and see.

Mary Lutz Govertsen sent in a complicated multi-generational photo of several generations of her family. She's hoping that I can compare it to another of her images and identify the date and the people. Isn't it lovely?

On the back it says "4 generations: Granny [Mary Ruth Godwin, the baby], her mother, grandmother and great-grandmother." In the photo are the two Brown sisters who, due to marriage and disparate ages, are Mary Govertsen's grandmother's grandmother and great-grandmother.

Family trees are full of twists and turns. Mary's family is a little more complicated. Her family moved from Tazewell, Va., to Missouri; due to multiple re-marriages and inter-marriages everyone is related. This is a family tree that I can't wait to see.

It's a beautiful family photo that's sure to inspire some great family stories. I'll be back next week with more details on the group and the other image. If you have a multi-generational photo, I'd love to see it and feature it in this blog. The How to Submit Your Photo link provides details on how to send me your picture.

Hope you have a Happy Thanksgiving!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Old Family Photo Rediscovered After Three Decades

Maureen — Mon, 15 Oct 2012 14:34:06 GMT

This year Jackie Corrigan's sister-in-law opened a suitcase that once belonged to her father. It hadn't been opened in 33 years! Bertram Corrigan lived from 1884 to 1979. The suitcase was in his belongings that family split up after his death.

In the suitcase was a letter from 1892 and lots of pictures—a photographic treasure trove. It included pictures of his parents and other relatives, but also unidentified cartes-des-visite and tintypes. The most mysterious image is this one:

It's incredibly faded. The picture is on cardstock and measures 4x6-1/2 inches, and according to family, looks like it was cut along one edge. On the original writing is visible, but in this scan it doesn't appear.

There are enough details to date the picture. The woman wears a short cape and her dress has a small round collar. This type of head-and-shoulders image, combined with the clothing clues, suggests the original image dates from the 1860s.

Jackie and her sister-in-law think this might depict Elisabeth Davidson (1837-1905). It can be difficult to determine a person's age in a perfect print, and the condition of this picture makes it especially unclear. She could be in her 20s, making it possible this is Elisabeth.

The provenance—or history of ownership—of the pictures could help verify this woman is a family member.

Of course the most obvious proof would be to find another image of the woman later in life. In that suitcases of pictures might be a second one of her. Elisabeth's life overlapped with Bertram's, so it's quick possible there's other pictorial evidence.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Identifying Unknown Faces in Old Photos

Diane — Mon, 27 Aug 2012 14:11:56 GMT

Over the years, a lot of you have sent me emails talking about a "picture moment." Genealogists are taught to look at census records, city directories and vital records, but if you read this column then you know that a photo can trigger a genealogical response. Gazing at an ancestral face suddenly makes you want to know more about the person.

That's what happened to Julie Magerka of Ontario, Canada. This photo is the image that encouraged her to start researching her family tree. It's a nice image of an older woman surrounded by her descendants. In her email, Julie told me that her paternal roots "are in dark and mysterious Romania in a small village (now part of Ukraine) in the foothills of the Carpathian Mountains."

Julie's great-grandmother Catherine is the woman seated in the middle. Her dad is the boy on the right, with his mother behind him. Only her grandmother immigrated to Canada and sadly, never talked about her family. She's surrounded by her siblings in this picture, but no one in the family knows their names. Julie's father saved other photos of his aunts, but unfortunately, they are a mystery.

This picture, taken circa 1916, generates some other questions:

Why was it taken?

Individuals often posed for a family picture before moving away. That could the reason for this picture.

Where is Catherine's husband?

It's difficult to tell the color of Catherine's head scarf, but if her husband was deceased, she'd be wearing a dark-colored scarf. So why isn't he in this photo?

The persistent mystery in this picture are putting names with the faces of the siblings. I'm hoping that by posting this picture online that someone will recognize them.

If you have a blog can you re-post this column to spread the word. Let's see if we can get the online community of genealogists to participate.

Catherine and her sisters were aware of the fashions being worn in the circa 1916 period. Skirts were at the ankle and blouses featured the variety of collars worn by these women.

The date for this image is based on the subjects' clothing but also on the birth date of Julie's father. He was born in 1911, and could be at least 5 years old in this photo.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

And the Winner is...

Maureen — Thu, 09 Aug 2012 00:44:18 GMT

Several weeks ago we put out a call for images for inclusion in my new book, Family Photo Detective (available for preorder in ShopFamilyTree.com). Pictures poured into my inbox and the Family Tree Magazine inbox, and many were posted on the Family Tree Magazine Facebook page.

Congratulations to Michael Hanrahan, who sent in the winning image and will receive a copy of the book!

You'll have to wait for the book for the full story of his photograph, but I thought you'd like to see the picture:

And a closer look:

It's a really fun picture of a group of women at a party. Here's what Mike says about it: "These ladies include my great-grandmother, grandmother, and numerous great-aunts. I'm thinking the picture was taken around 1910 in Elmira, NY."

I'll tell you more about this photo in the future.

You can view the other entries in our slideshow on Flickr. I'll be featuring many of these images in future blog posts.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

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Hats and Hair

Maureen — Mon, 12 Mar 2012 14:02:42 GMT

Last week the focus was work hats for men. This week it's all about the ladies.

When I go photo shopping, I love to find more than one image of the same person. I have two images of this woman—one in a hat and one without her hat and jacket. They show the relationship between hairstyles and hat trends. The shape and style of women's hats were influenced by the current hair and vice versa.

There is something intriguing about hats from the 1880s. They can feature high crowns, small brims and lots of trim. In this case it's a plush fabric decorated with feathers and botanical elements. It's not unusual to see stuffed birds on them as well. Women raised these birds at home to sell them to the hat industry for stuffing.

In the second image, the same woman has taken off her hat and sits for the photographer without her jacket as well.

She wears the same drop earrings and ruffled collar so it's likely she posed for both on the same day. Her frizzy bangs stuck out from under her front brimmed hat.

Both images were taken by Alman, a photographer with studios in New York and Newport. The affluent families of New York City built mansions in the city by the sea, in Rhode Island so it makes business sense for Alman to maintain his customers in both locations.

If you want to learn more about hats or hairstyles from different periods check out my Fashionable Folks: Bonnets and Hats, 1840-1900 or Fashionable Folks: Hairstyles, 1840-1900. There is a special offer this month in ShopFamilyTree.com. Enter HAT10 as a coupon code for 10 percent off the Bonnets and Hats title.

It's also part of the ShopFamilyTree.com deal of the month: Spend $30 on these select products and receive a free Family Tree Problem Solver book download!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Which Mother is It?

Maureen — Mon, 23 Jan 2012 16:30:55 GMT

This lovely image depicts either someone's mother or stepmother. The question is, which one? It's a north-of-the-border mystery.

Chris Rye inherited this photo from his grandfather, who in turn inherited it from his mother. The back of this tintype reads "Enos Mother." Enos Storm is Rye's great-great-great grandfather.

Enos' mother was Susannah (born in 1836), who died in childbirth in 1866 when Enos was born. The family lived in Vaughan, Ontario, Canada.

Susannah also had three daughters, born in 1859, 1861 and 1862. This woman is posed with a toddler on her lap. Notice the size of the toddler, as compared to the mother's diminutive size. She has large hands but a tiny body in contrast to her very hearty child.

Enos' father remarried a woman named Mary (born about 1847) and she had a daughter in 1879.

The clothing clues in this picture point to the 1860s. The mother wears an everyday dress with cap sleeves and a small collar, and wears her hair pulled back. In the late 1870s, women's clothing featured more trim than this, and even everyday dresses had fitted bodices.

The little girl's dress also dates from the 1860s.

This is an entrancing portrait. Susannah looks directly into the camera with a slight smile on her face, while her child sits still for the image. It's a family history treasure!

This is one of the three daughters, but which one? She could be any one of them depending on a specific year. The toddler is likely around 3 years of age, meaning the photo was taken in approximately, 1862, 1864 or 1865. Any photos of the girls taken later on would be useful for comparison.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Scottish Photographers

Maureen — Mon, 16 Jan 2012 16:36:09 GMT

Last week, I discussed Winston Cochrane's family photo taken in Dumfries, Scotland.

Late in the week he emailed me to say he had new information.

The image of Mary Jane Rae was taken at a photo studio in the Jubilee Buildings at the Queen's Photo Co. According to Richard Torrance's Scottish Studio Photographers to 1914 (Scottish Record Societies, 2011), Thomas A. Moryson operated the Queen's Photo Co. in the Jubilee Buildings from 1893 to 1900. The building opened in 1887.

Now Winston thinks the photo was taken to commemorate an engagement. Mary married on Aug. 7, 1894.

The clothing clues are the epitome of the late 1880s. Clothing from the early 1890s usually features fuller upper sleeves, so I have questions regarding this image being taken in the early 1890s.

Not everyone kept up with the current fashion. When I look in my own closet, I see clothing I wore several seasons ago. Perhaps Mary didn't have the means to buy a new dress or this one was her favorite.

I'm not sure of the source used to establish the work dates for Thomas Moryson. He bought his photo business from a James Rae, who might be a relative of Mary Jane's. It's possible that Rae also called his business the Queen's Photo Co. and that Moryson bought the name and the equipment.

This photo remains a little bit of a mystery.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Mother or Daughter?

Maureen — Mon, 09 Jan 2012 16:36:04 GMT

Winston Cochrane sent in this lovely portrait of a young woman. Her hairstyle and dress date from the mid to late 1880s. He wanted to know if the item on the studio prop to our left is a hat. It is! It's a tiny topper that would rest on the top of her head. I love that's covered with spring flowers.

On her left wrist is a ribbon bracelet.

His big question was about her identity Could this be Elizabeth (Gourlay) Rae (1840-1921) or her daughter Mary Jane (Rae) Bell (1869-1934)? The woman depicted here is probably only in her 20s, so it's likely the daughter. Mary Jane's brother James immigrated from Scotland to the United States in 1886.

It's the back of the image that made me think about who and where.

This imprint reinforces my belief that being quick to judge can lead to mistakes. When I first glanced at it, the "N.B." stood out. Could it stand for New Brunswick? Many immigrants to the United States first stopped in Canada, but Dumfries, New Brunswick is a rural community even today and it's not near the coast. So what does the N.B. represent?

I called Fred Farrell, the photo archivist at the New Brunswick Provincial Archives for a little clarification. He confirmed that it was unlikely taken in Dumfries, New Brunswick. Turns out that Scotland was often referred to as North Britain even into the 20th century.

This photo was definitely taken in Scotland.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Holiday Photos from Your Family Albums

Maureen — Mon, 19 Dec 2011 14:32:18 GMT

Thank you to Kim Dawson, Carol Norwood and Fran Jensen for sending in holiday photos from their family albums.

Kim Dawson sent me this lovely photo of a family with their Christmas tree. The child is Elsie Marion Quakenbush (born 1908). She's posed with her mother Ella Baird Quakenbush and her father, Alfred Garfield Quakenbush. On the back it says "To Grandma with love from us all don't fail to see Elsie's baby doll it looks just like a baby." I enlarged the picture to look at the doll.

It is pretty life-like. It looks like Elsie also received a book "Sing a Song of Sixpence" and a tea set. Her parent's are proudly posed with a new Victrola so perhaps that was their Christmas present. Elsie looks about 6 or 7.

Kim thinks that Alfred's brother George Willis Quackenbush took the photo. He was a photographer in Oxford, New York.

Carol Norwood submitted an image of her parent's Bill and Cita Jacobs. They are sitting under the tree at Cita's parents home in Hartford, Connecticut. The Jacobs were still newlyweds. They were married three months prior to Christmas.

Fran Jensen emailed me this charming studio shot of four children. Her grandfather, John Roy Tolve Johansen is on the right. His sister Alma sits next to him. She's hugging a china faced doll. The other boy and girl are the Bough's who were the photographer's children. It was taken in Ringsted, Iowa.

Here's one more picture. This is one from my non-family collection.

I don't know the identify of these two boys, but on the back it says "Christmas 1898." Don't you just love their modified Little Lord Fauntleroy suits.

Happy Holidays! If you want to see more Christmas trees, I have a short video on my Vimeo channel.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

1890s Fashion in Color

Diane — Mon, 17 Oct 2011 12:50:37 GMT

It's so easy to look at a vintage photograph and image that our ancestors dressed in drab colors. If you're as curious as I am about fabrics and colors then watch my new video on hand-colored images.

These two women wear cotton dresses from the circa-1890 period. Their sleeves and hairstyles pinpoint the period. Frizzed bangs were popular in the 1880s.

Notice the full upper sleeve on the dress of the woman on the right. This style of leg-of-mutton sleeve (a full sleeve that is gathered to be sewn into the armhole) was quite popular in the last years of the 1880s and the early 1890s. The shape and size of this type of sleeve varied throughout the decade.

Here's a colorful look at an 1892 fashion plate from the French fashion magazine, Journal Des Demoiselles. I don't have a description of the dresses, but you can see what they looked like in full color. In this time frame, little girls dressed like their mothers.

I have one last fashion plate to show you. This one is from the February 1890 Godey's Lady's Book, an American women's magazine. Each issue of the magazine featured a series of fashion plates and a description of them. I have a description of both the fabric and the fur used in these outfits.

On the left: Cloak of green and black cloth, trimmed with a band of black monkey fur. Her hat is known as a toque and it's made of velvet trimmed with "jet ornament." Jet was a black stone quite popular in the late 19th century.

On the right: "Carriage cloak of dark maroon plush and crushed strawberry embroidered satin." An unspecified fur trims the coat but the description goes on to say that the front is made from satin and is tight-fitting. On her head is a velvet hat trimmed with feathers.

I'd love to see a photograph of a woman wearing one of these outfits. It would be interesting to compare the plate and the photo.

As you can see from these plates, our ancestors wore bright bold colors or subtle shades depending on what was fashionable.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Mother and Daughters

Diane — Mon, 10 Oct 2011 19:19:45 GMT

Family photographs are endlessly fascinating. There is the life story of the individuals in a picture and then there is the story of the person who took the image. I've looked a thousands of photographs over the years so I can spot a talented studio photographer just by looking at their pictures.

The unidentified studio photographer that took this picture knew what he/she was doing. It's beautiful. Each person in the image is posed so that she stands out. The girl on the left looks off to the side with a tilted head. The girl on the right looks slightly off to the right while the woman in the center looks directly into the lens. This type of pose, an older woman flanked by two younger women, generally suggests that the woman in the center is older and the mother (or an older sibling). This whole identification mystery hinges on who's in the middle.

Tom Keith knows that his great-grandmother Josetta (b. 1879) is the woman on the right, but he's not sure of the identity of the other women. Josetta had two sisters, Emma (b. 1862) and Carrie (b. 1880). Their mother Susan was born in 1844. So who's in the picture?

Emma died in childbirth in 1893. If she's in the picture then the image is from the early 1890s, but if that's the case, then Josetta is only 13 here and Carrie, 12.

Two clues in this picture pinpoint the time frame. Notice the topknot on Josetta's head? This particular style of hair was commonplace in the mid to late 1890s. Josetta and the woman in the center wear wide-collared dresses with large sleeves. This style first becomes stylish circa 1893. The sister on the left dresses like a schoolgirl with a big bow in her hair and a tailored jacket and shirt.

I don't believe this portrait was taken prior to Emma's death, because both young women look older than their early teens, plus the fashion clues don't add up.

If this picture was taken circa 1895, then Josetta would be 16, Carrie, 15, and their mother Susan would be 51. Do you think the woman in the center is old enough to be about 50 years of age?

I'm looking for more evidence. Do you want to add your opinion? Please add your comment below.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Hurricane of 1938: Before and After

Maureen — Mon, 29 Aug 2011 14:22:32 GMT

I grew up on the Rhode Island shore and spent summers on the beach. In Rhode Island (and New England), we measure storms like this weekend's hurricane/tropical storm against the grandaddy of all New England hurricanes: the Hurricane of 1938.

In the late 19th and early 20th centuries, the shores of Narragansett Bay were dotted with resorts and beach houses. In this circa-1930s photo of Watch Hill, RI, groups of bathers and sun worshipers cluster under umbrellas in all modes of beach attire. It was a typical summer scene until Sept. 21, 1938.

Watch Hill was famous for its beaches, which stretched seven miles to the west to a lovely place known as Napatree Point. The 1938 hurricane changed the Rhode Island shoreline and washed away many of those summertime places.

On Napatree Point, 39 cottages, their owners' cars and the road all disappeared and 15 people died, swept out to sea or into Watch Hill Harbor. Today, Napatree Point is a nature conservation area.

Here's a view of part of the Watch Hill shoreline after the storm.

You can see other scenes of the 1938 damage to Rhode Island on the Rhode Island State Archives Virtual Archives. You can use the search box on the home screen to search for hurricane or place names. If you want to read about that storm, I suggest, R.A. Scotti's Sudden Sea: The Great Hurricane of 1938 (Back Bay Books, 2004).

The Rhode Island State Archives has one of my favorite picture collections, so don't stop with hurricane pictures. There is a lot more to look at in their virtual exhibits.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Wacky Hair or Fashionable Foible?

Maureen — Mon, 18 Jul 2011 13:34:24 GMT

I can't help it. I love the hairstyles and facial hair in photographs so much I'm actually thinking about a second volume of my Fashionable Folks: Hairstyles 1840-1900 book. The curls and whorls of nineteenth century styles definitely provide insights into your ancestor's fashion sense and their personality. This week I'm sharing three images from my growing collection of purchased images of women's tresses and men in beards.

In this 1860s carte de visite, a middle aged woman wears her hair in the style of her youth. Women wore their hair looped over their ears in the 1840s and early 1850s. Both her attire and her hair are conservative.

Look closely at her hair.

There is a lack of gray hair. One of my colleagues who's also a Civil War reenactor is looking for pictures of Civil War era women with gray hair. Did they color their hair or is our prevalent gray hair a result of modern living? Hair dye was available, but a fashion historian told me that women who ate a lot of seafood didn't go gray. Hmmm.

Here's a very fashionable woman from the 1880s with her oiled curls and large bow. Her hair is neatly coiffed.

Let's not leave the men out of it. <smile>

It's the 1870s look with a bit of the past mixed in. In a beard style chart from the nineteenth century, his is called the "Burnside, short." The full Burnside look featured much longer sideburns. My favorite part of this man's hair is the wave on the top of his head.

Hope you're having a nice summer!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Identifying an Old Crayon Portrait

Diane — Fri, 01 Jul 2011 17:51:54 GMT

This crayon portrait passed from Geri Diehl’s grandmother to her mother, and ultimately came to be in her own collection. She asks, "Could this be the wedding picture of Elizabeth Goza and William Harrington who married in 1846?"

On FamilyTreeMagazine.com, Photo Detective Maureen A. Taylor adds up the clues in the image and gives some cautions for dating hand-drawn portraits based on photos.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Aging Well

Diane — Fri, 13 May 2011 16:01:49 GMT

Dating a photograph of an older person presents a unique dilemma: Is the subject wearing contemporary fashion, or an older style that he or she was hanging on to?

On FamilyTreeMagazine.com, Photo Detective Maureen A. Taylor addresses this question as she analyzes these two photos that might show the same woman at different ages.

Click here to see what clues Taylor finds.

Got a photo mystery of your own? Enter it into our Photo Mysteries Contest.

And remember to sign up for the free Photo Detective Live! webinar taking place May 18.

Mom, Dad and Baby

Maureen — Mon, 14 Mar 2011 14:08:38 GMT

Marla Hathhorn sent in this picture with a simple question. On the back someone wrote, "Ann Hicks." Is Ann Hicks the baby or the mother?

Marla knows that her ancestor Anna Foley Hicks was born in Canada in 1844 and died in Oklahoma in 1914.

A lot of people ask me, "What do I look at first in a photo?" The answer depends on the image. In this case, I read Marla's e-mail and quickly glanced at the photographer's imprint at the bottom of the card to see where the picture was taken. Then I examined their clothing.

The woman's dress is from the circa 1880 period. The bodice extends over the hips, extra fabric drapes over her upper legs and there are two layers of pleats. Her choice of jewelry is also typical for the time -- a thick chain with a charm was very popular. In the early 1880s, women wore their hair pulled back with short bangs. This young mother is very stylish in an understated way. Dad's clothing agrees with this time frame.

The baby is very cute in it's long dress, thick tights and buttoned boots. Around it's neck is a lovely bib.

Could the mother be Anna? In 1880 she'd be 36 years of age, a likely fit.

T.R. Colpitts took this photo. The Rock Lake Herald of 1881 featured a short bit of news about him. It stated that he was taking a trip into southern Manitoba to take scenic views for resale. It appears from this photograph that he also found employment with the Hudsons Bay Parlors, a photographic establishment possibly connected with the Hudson Bay Company. I'm looking for that link.

Shipboard Clues

Maureen — Mon, 29 Nov 2010 21:52:32 GMT

Last week in A Photo Mystery, A Clue at a Time, I introduced you to a wonderful group picture of folks on a ship.

The Ship
What I didn't show you is the caption that runs along the bottom edge of the picture. Unfortunately, part of the cardboard is broken off, leaving us to guess at the rest of the information. I can't make out the first word, but there is a "....noon" or "roon" followed by "on board German Ship Baltimore." According to the owner of the photo, below the caption and cut off in the scan of the photo is "Capt. Hillr..." The rest of his last name is missing. So far, no luck in finding a man with a last name starting with those letters.

When you're faced with incomplete caption information, it's best to start with what you know. In this instance, I Googled Ship Baltimore. On theshipslist.com, I found a description. There was a German ship, Baltimore. It was built in 1868 for the North German Lloyd of Bremen and traveled from Bremen to Baltimore until 1872. In 1881, she was then used for the Bremen to South America service. The big problem with this ship being the one in the photo is the final date of service. This particular Baltimore was scrapped in 1894.

In the first column I dated the photo from 1896 to 1899.

There was another ship, the City of Baltimore that operated as part of the Baltimore Mail Line, but its dates of service are too late. It traveled from Baltimore to Hamburg in the 1930s. Not all information is online and I'm still looking for a good off-line resource.

There must be another ship with the same name that operated in the late 1890s. Just haven't found it yet.

The Location
Jake Jacoby's grandfather lived his whole life in either Mobile, Ala., or Pensacola, Fla. There is a BIG question about where this photo was taken. Mobile was a busy port and many immigrants arrived there, but right now we lack proof.

If you had an ancestor arrive at Mobile, the National Archives has an Index to Passenger Lists of Vessels Arriving at Ports in Alabama, Florida, Georgia and South Carolina, 1890-1924 (T517).

There is another possibility. The Sept. 1, 1904, Canebrake Herald (Uniontown, Ala.) mentioned Joseph Jacoby. He was a traveling salesman for his brother's business, Jacoby Grocery Co.. Since in the 1900 federal census, Jacoby lists his occupation as a salesman, perhaps he traveled, and this photo might have been taken on a trip during the last years of the 1890s.

While I've been able to date the photo and work with the owner to sort through clues, the final answer is elusive. Jake Jacoby thinks the photo was taken in Mobile rather than Pensacola. It's a good assumption. His grandfather had business and family connections in Mobile.

A single name of an immigrant depicted in this photo would help solve the mystery, but unfortunately no one's name appears on the photo.

Got a mystery photo? Demystify it with help from Maureen A. Taylor's book Uncovering Your Ancestry Through Family Photographs.

Family Across the Border

Maureen — Mon, 08 Nov 2010 16:44:17 GMT

Like so many French-Canadians and Acadians, some of Marie-Josee Binette's family left Quebec in the 1890s to seek jobs in the United States. She owns a lovely photo album that documents this move in pictures, but she has no idea who the people are.

Marie-Josee knows that her great-grandmother Elina (Aline) Beaudoin spent several years in Lowell, Mass. with her husband Onesime Deblois. Both worked in area factories. After several years, some relatives stayed in the United States while others returned to Quebec. It's a familiar story to those of us with French-Canadian ancestry.

From the imprint on this photo, it also appears that someone either lived in or visited the nearby city of Lawrence, Mass. Its nickname is the Immigrant City.

In the album is this beautiful image of a young couple. The style of her sleeves and dress date the photo to the last years of the 1890s. The photographer, Amos Morrill Bean, appears in Chris Steele and Ron Polito's A Directory of Massachusetts Photographers 1839-1900 (Picton Press, 1993). He was in business from 1868-1900.

It's a great picture and I've seen poses like this before. While the couple's hands aren't touching, it suggestive of a wedding picture. Both the man and the woman wear very nice clothing. On their hands are brand new rings. The light glints off them. The woman wears her ring on the traditional left hand while her "husband" wears his on the right. It's interesting.

My favorite part of this picture is the props. Both the man and the woman hold photographs on the table between them. Could this symbolize family that couldn't be there for the wedding? It's possible. There are any number of reasons to include photographs as props.

Marie-Josee might find she still has cousins living in this country. Two organizations worth contacting are the American Canadian Genealogical Society and the American-French Genealogical Society. Both organizations have extensive resources on families that moved here, as well as those in Quebec.

Got a mystery photo? Demystify it with help from Maureen A. Taylor's book Uncovering Your Ancestry Through Family Photographs.

From My Mailbag

Maureen — Mon, 01 Nov 2010 16:15:09 GMT

Not everyone has owns a scanner or has access to one, so in the "How to Submit" link to the left, there are instructions on how to send me copies (not originals) of your mystery pictures.

Every so often I receive a package containing photos from the editors at Family Tree Magazine. This week, instead of digging into my e-mail backlog, I thought ... let's check out the real mailbag.

There was a problem. I'll show you two pictures in a minute, but first a gentle reminder. Please send me updated contact information when you move. I'm not sure what happened to the folks in my mailbag. All five of them no longer have active telephone numbers and don't appear to be living at the same address. My last attempt to contact them will be via their e-mail addresses. I'm not confident that those will work either. Sooo, if you know Mary Leal, formerly of Houston, or Christine Regan, formerly of Cincinnati, please let them know I posted their pictures here.

Mary Leal sent in this lovely photo of a young woman. Mary inherited a box full of unidentified photos from her mother. She has no idea who this is, but believes she once lived in the South Texas area because Mary's mother was from the Brownsville area.

Mary wanted to know why someone would cut this image. It's probably because it was once in one of those oval frames suitable for wall hanging or setting on a bureau.

The wide collar with pointed ends and the dress with the double row of buttons is in the style worn circa World War I, about 1915.

There's a long story associated with the picture Christine Regan sent in. She wasn't sure who was in this image, but hoped it depicts Louisa Whitford Hannay (1847-1897). Unfortunately, it's more likely Eva Grace Hannay Mitchell (born 1890). Just about everyone in Christine's family is gone and she's left with a pile of mystery images. It's a shame that no one in the family ever passed on the identity of these two young women. Eva lived until 1982!

As a young child, Eva's mother, Louisa gave her to an aunt to raise. Louisa had tuberculosis and couldn't care for her child. Instead, Alvilla Whitford Stanford (1848-1908) raised Eva, but according to family lore, the two never really bonded.

Could one of these women be Eva? Christine really wanted one of the women to be Louisa, but the clothing style with the short skirts, combined with their young ages, rules out a woman born in 1847. Both wear calf-length summer dresses with tiered skirts and ruffled bodices. Their pointy shoes, dresses and short hair all suggest a date in the late 1910s to early 1920s. Eva would have been 30 in 1920. If she's in this photo, then she's a young-looking woman, but perhaps there is another answer.

The identical dresses suggest an occasion or a relationship. I think the two girls look a bit alike. Similar mouths, and same-shaped face. Perhaps they're sisters. One of Louisa's daughters, Maude Hannay Sollitt (died in 1936) had three daughters born in 1898, 1902 and 1908. As for the occasion, that's still a mystery.

Our webinar download, Photo Retouching: How to Bring Old Family Pictures Back to Life, shows you on how to fix tears, spots and rips in your family photos using low-cost or free photo-editing software. The webinar download is available from ShopFamilyTree.com.

Civil War Roll Call, Part 2

Diane — Mon, 18 Oct 2010 18:44:58 GMT

I hope you enjoyed last week's gallery of Civil War soldiers. I have several more to share with you this week.

Merle Ladd's ancestor Lemuel Ladd (below) lost his life at Blackburn's Ford, near Manassas, Va. on July 18, 1861. He served with the 12th New York.

Roxanne Munns sent in this photograph of George Allen (below). This photo was stored with her Young family pictures. She doesn't know who George is, but she thinks he might be George Allen of Co. G of the 7th Wisconsin. If anyone is related to this man, email me and I'll forward your message to Roxanne.

Bruce A. Brown's great-great-grandfather John McNown (below) enlisted Oct. 6, 1861, into Company F, 16th Wisconsin Volunteer Infantry Regiment from Lemonweir Township, Juneau County, Wis. He lost his life on April 6, 1862.

John McNown immigrated from the Isle of Man to Canada about 1825, and then to the United States in 1849.

This picture of John is a copy of the original photo. From its appearance, the original is a tintype or an ambrotype. There are distinctive marks that suggest it was once in a case with a mat framing the image.

Four children of Oliver and Lucinda (Boodey) Leathers of Maine served in the Civil War. John served with the Maine cavalry, Alphonso served with a New Hampshire regiment while the other two brothers enlisted with a Minnesota unit. Lynn Kent submitted the photo below and thinks it depicts Charles Leather from the 1st Minnesota regiment.

Look closely at Emvira Smith Fuller's dress (below). She was the wife of Calvin Fuller of Barnard, Maine. She wears his picture in a piece of photographic jewelry.

Thank you for all the photos!

For a guide to researching your Civil War ancestors, see the July 2007 Family Tree Magazine (available as a digital download from ShopFamilyTree.com).

It's Fall and Back to School

Maureen — Mon, 27 Sep 2010 20:15:04 GMT

This week, I've created a short video of photos from school days in the past. You can watch "School Days" and other video shorts on my Vimeo page.

While the majority of images in "School Days" are from the nation's picture library, aka The Library of Congress, some of the pictures are from my collection of photographs I've purchased.

One of my favorites is this little girl and a woman in a dotted shirt that dates from around 1900. Without the caption, you'd immediately think this is a mom and her daughter. Not in this case. It's a little girl and her teacher.

It's evidence that this little girl attended some sort of school (of course this could be her piano teacher). When you're researching your family it's easy to overlook records relating to ancestral childhoods. School records are a great way to find out just where you got your talent in math or in my case, my poor handwriting <smile>. You can learn more about school records here and don't forget to use the search box at the top right of the Family Tree Magazine site to search our archive of articles.

Got a mystery photo? Demystify it with help from Maureen A. Taylor's book Uncovering Your Ancestry Through Family Photographs.

Wearing Family

Maureen — Mon, 20 Sep 2010 17:34:10 GMT

This is a fantastic family photo owned by Sharon Pike. It's actually a photo within a photo. In this card portrait, a stunning portrait of a well-dressed middle aged woman, Jane Rivers Meriwether (1829-1897) gazes directly into the camera. Let's look at some of the details.

Hair
It appears she has naturally curly hair, but in this period the Marcel Wave was a popular hairstyle. It was invented by Francois Marcel in 1872, created using heated curling irons to form small waves. The style remained popular into the 1930s. You can read more about Marcel here.

Collar and Dress
In the late 1870s and early 1880s, wide collars were commonplace. However, they were usually white and made from fabric. This woman's collar looks like small threads woven and knotted, like macrame. She's used the collar to accent her dress, which is a lovely fitted bodice with small buttons and some fullness to the sleeve.

Jewelry
All right, I admit it: I left the best detail for the end. Jane wears gorgeous drop earrings in what appears to be a floral pattern. Around her neck is a braided necklace made of either hair (yes, hair!) or silk. Both materials were common and popular. In the 19th century, women often wore jewelry made from the hair of their family and friends. Hair jewelry is a fascinating topic and the pieces are quite lovely. You can learn more about it and see examples in an online article from Victorian Magazine. These long braided ropes were often used as watch chains.

The most prominent feature of this card photo is the piece of portrait jewelry at Jane's neckline. It's a large pin setting with a paper photograph of a middle-aged man. Photo jewelry came in all shapes and sizes. I'm particularly fond of it (although it often costs more than my pocketbook can bear <smile> ). The top experts on photographic jewelry are Larry J. West and Patricia Abbott. Their book, Tokens of Affection and Regard (published by the authors, out of print) took years to research and write. It's a stunning volume filled with color plates of actual jewelry. You can view examples on the Smithsonian web exhibit based on their collection.

The big question is "Who's the man on the pin?" Sharon wondered if it was Jane's father, who died in 1840, or could it be her husband, Ethelred Westcott, who died sometime between 1870 and 1895. He's a bit of a mystery man; Sharon doesn't have a specific death date.

The dark color of her collar could mean the man in the photo deceased. Jane could have had this pin made from a small card photograph. The man's photo is difficult to see, but it could date from the early 1870s. His suit and tie are from that period. He has a full beard with lots of gray in it. I don't have a birth date for Westcott, but it could be him. Women often wore pins depicting children or a spouse.

This photo of Jane Meriwether dates from the late 1870s or early 1880s. The light pink tone to the card and its gold trim makes me lean toward the late 1870s.

You'll find advice for creating, sharing and saving your family's photographs in the Family Photo Essentials CD, from the editors of Family Tree Magazine and Memory Makers magazine.

Summertime Farewell

Maureen — Tue, 07 Sep 2010 15:21:38 GMT

I don't know about you, but I'm having a difficult time saying good-bye to summer. This weekend I took a short field trip to historic Concord, Mass., and ended up in an antique shop. I couldn't resist the piles of unidentified photos. Picked up some of fantastic hairstyles and hats, but also these two beach scenes:

In case you guessed...this wasn't taken in the United States. According to the postcard publishing information on the back, it was taken in Rugen, Germany. This lovely multi-generational family went to the beach. I love the beach hut that shades the two older women and the little girl. Mom and Dad sat in the sand. Can you imagine dressing for the beach in a full suit and dress shoes? The image was taken by A. Haase, circa 1910. Haase may have traveled up and down the beach taking pictures of folks on vacation.

If you want to learn more about this seaside resort, there is a website, but it's in German.

The other image I bought is a snapshot. It's clear from the woman's pose and expression that she is having a good time at the shore. I have no idea where it was taken.

It's a great shot of a young woman in a late 1920s bathing costume. She's the epitome of the late 20s, from the wrap on her head to her glasses and the belted waist. The 1920s saw the evolution of women's swimsuits from blousy, long skirted suits to form-fitting tanks.

You'll find advice for creating, sharing and saving your family's photographs in the Family Photo Essentials CD, from the editors of Family Tree Magazine and Memory Makers magazine.

Studio Backdrops

Maureen — Mon, 23 Aug 2010 16:17:58 GMT

At last weekend's FGS conference in Knoxville, I did a little shopping. Picked up a couple of interesting books and this lovely trio of photos. I just love the backdrops. This photographer spared no expense.

While in the 19th century most backdrops looked like the outdoors or living rooms, in the 20th century the backdrop often sets the scene into a historical context.

In December 1903, the Wright Brothers lifted off the ground in the first flight. Mass transit by airplane was decades away, but that didn't keep folks from simulating flight. Here, a group of friends are posing in a painted backdrop that looks like an early aircraft, with the skyline at their feet. Their clothing and the design of the airplane dates from circa 1912. You can view early airplanes on the web at Early Historic Aircraft.

In the next postcard, the same woman seated at top right in the first photo takes another picture in the same studio. This time, you can see the airplane set to her left while she sits on a fake racehorse. She wears the same suit and hat so it's possible it was taken on the same day.

In the same batch of photos I found another image of her standing near a painted wall with "Pennsylvania Pullman" on it. George Pullman manufactured train cars, trolley buses and streetcars. You can read more about him on Wikipedia. I think this is a train car, but I'm still trying to find a reference to the words on the side.

I may not know the name of this woman, but it appears that in the early early 1910s she liked to frequent photo studios with creative backdrops.

You'll find advice for creating, sharing and saving your family's photographs in the Family Photo Essentials CD, from the editors of Family Tree Magazine and Memory Makers magazine.

Favorite Photo Mysteries

Maureen — Mon, 09 Aug 2010 13:33:29 GMT

I’m taking a short vacation, so instead of a new column I’m taking a look back at some of my favorite mysteries.

Back in January I published a photo of the Hobo 8, a group of young people (above) smiling for the camera. It’s a great photo that captures the fun they were having. The sign and the 80 after it remain a mystery. Any ideas?

The problem of the Texas Twosome continues to be a challenge. I’ve taken these photos on the road with me and shown them in locales from coast to coast in the hopes of a new clue. I’ve outlined researchers’ ideas in a series of blog posts, linked below. Please let me know if you have any new thoughts on the matter.

Two Texas Mysteries

Texas Mystery Puzzle—No News

Texas Trouble: Readers Respond

Texas Twosome Revisited

A fun picture of another group of friends was the image from Clues from Hats and Backgrounds. I love the fact that photos are in the background. Those images could help solve the identity of the people in the photo, if only they were clearer.

Mourning Clothes

Maureen — Mon, 19 Jul 2010 14:47:35 GMT

Ten years ago, I analyzed a photo sent to me from a woman in New Zealand. In the New Zealand Mystery, I discussed the family information, but also described her clothing and how it indicated she was in mourning.

Queen Victoria set the standard for both wedding attire and for mourning. After the death of Prince Albert in 1861, she wore black mourning clothes for the rest of her life. In the Victorian era, men would wear a black armband when someone died, but women wore full black crape (the 19th century spelling for crepe) dresses for a year and a day. Then they wore just crape-trimmed black dresses for another 21 months. (Tortora and Eubank, Survey of Historic Costume, 348).

But what if your family didn't have the resources of the woman depicted above? A wardrobe of mourning clothes probably wasn't economically feasible. Instead, clothes could be rented or borrowed for the funeral. According to the 1877 article by Henry R Hatherly, "Mourning Clothes as a Source of Infection" (Sanitary Record: A Journal of Public Health, Google Books), less-fortunate folks were spreading disease by wearing clothing worn by others—in particular, skin and parasitic diseases.

Not just Queen Victoria's subjects followed mourning customs. This week I looked at a tintype from Dresden. The dark clothing and the large hat with long, heavy fabric at the back suggests this 1880s woman is in mourning. The style of the hat is a bit unusual. I think the browband helps keep the hat on her head.

If you have any 19th-century photos of family wearing crape, I'd love to see them. You can e-mail them to me.

Need help researching, preserving and displaying your family photos? Visit ShopFamilyTree.com for how-to books and CDs.

Follow-up to Stitching Together An Identification

Maureen — Mon, 12 Jul 2010 16:10:32 GMT

Two weeks ago in Stitching Together An Identification, I wrote about Candace Fountoulakis and her search to identify the women in two photos. At the time she thought they were related.

Soon after I posted the column she wrote to update me on her search. Now she doesn't think there is a connection. Her research didn't turn up a link.

She knows the single woman is "Aunt Mary Jane Hill," but now thinks that the couple could be either from the Newburn or the Mathews family.

Candace hopes that either the other researcher working on the family history will discover a new clue or that her mother holds the key in her box of old photos.

She's done all the right things—compared pictures, researched the photographic evidence, consulted family and delved into family history. My fingers are crossed that all her efforts result in another identified picture!

Of course, there is another possibility—they aren't relatives at all. <smile>
Family collections are often a collection of family and friends.

You'll find guidance for identifying the mystery photos in your family albums in Maureen A. Taylor's book Uncovering Your Ancestry Through Family Photographs.

Stitching Together an Identification

Maureen — Mon, 28 Jun 2010 16:45:02 GMT

Last June, I wrote about a photo owned by Candace Fountoulakis that was surrounded by a cross-stitch pattern. At the time I published the photo, Candace thought the couple was from either her Watts or Boohler side of the family, but now she's not sure. This photo changed her mind:

This photo was in her mother's collection and is captioned: "Aunt Mary Jane Hill." The young woman wears a beautiful dress with dark trim on the bodice. Her small waist is highlighted by a belt. She leans on a chair for support. This pose and the dress style were common in the 1866-1868 period. The line line border was also common on card photographs in the late 1860s.

Now Candace thinks this woman is the sister of the woman in the first image:

The image above was also taken in the 1860s, making it possible for the two women to be of the same generation.

Candace knows a lot about the Hill family. They were a pioneer family in Gallia County, Ohio, and intermarried with the Watts family.

Additional research needs to be done before confirming that these two women are sisters, including:

If this is Mary Jane's sister, it's important to verify the birth date and parentage of this woman.
Who's the man in the photo?
Are there any other pictures of him in the family?

Since both images were in Candace's family, it's clear that there is some connection to her. All that's left is to put the pieces together.

Need help researching, preserving and displaying your family photos? Visit ShopFamilyTree.com for how-to books and CDs.

Spotting a Wedding Photo

Maureen — Mon, 21 Jun 2010 15:48:49 GMT

Irene Powell sent me this lovely wedding photo of her great-grandfather Joseph Kapler and his wife, Theresa. They were married in December, 1888.

Their clothing is perfect for the late 1880s. Theresa's dress features a fitted bodice and her sleeves have vertical puffs at the shoulder seam. Her skirt has knife pleats at the side. Joseph wears a fitted 1880s jacket, a shirt with an upturned collar, vest and tie. He has short hair and a trimmed mustache.

This photo is a perfect example of how a bride would often wear a very nice dress, rather than the Victorian ideal of a white ensemble. In this case, Theresa has accessorized her attire with wedding white in the bow at her neckline and a tiny headpiece. She doesn't carry a bouquet, but Joseph wears a large corsage pinned to his jacket. These tiny clues identify this as a wedding photo, even though neither one wears a wedding ring.

You might have wedding images in your collection and not recognize them. Watch for accessories that suggest a wedding—headpieces, corsages, flowers, bows and even sashes. Match up the family history information with a date for a photo, and you might be surprised that you have a wedding image or two. Getting married was a significant family milestone, and one that couples often commemorated with photos.

I've never seen the item that stands between them. It appears to be a small table, but it has unusual filigree legs and a support under the drum. Can anyone identify it?

Need help researching, preserving and displaying your family photos? Visit ShopFamilyTree.com for how-to books and CDs.

Jamboree Mystery Photo

Maureen — Tue, 15 Jun 2010 19:33:28 GMT

I'm back from the Southern California Genealogical Society Jamboree. Over 1,700 folks attended the three-day event. I met many readers of this column. Thank you for stopping by and saying hello!

As usual, I held individual photo consultations. This is one of my favorite part of going to conferences because I get to look at photos and chat face-to-face with their owners. I hear a lot of interesting family stories and see some amazing photos. This week, I'm sharing one of them with you:

Kris Robinson and her sister visited me at Jamboree to try to answer a question. They know the man in the middle of this picture is their father, Robert Robinson (born in 1917), but they wonder if one of the women could be his mother, whom the Robinson ladies never knew. This casual snapshot of three smiling people has a bit of a dark side.

Lola Cloos Robinson was born in 1894 in Illinois. Her father abandoned the family when she was young. By 16, she was on her own working as a domestic in Unity, Ill. Kris isn't sure how her grandparents met, but they appear with their two boys in the 1920 Mason City, Iowa, census. One died at 4 years of age. In 1927, the family moved to California; they lived in Los Angeles and Huntington Park from 1928 to 1932, when they disappear from the city directories.

Robert Robinson never discussed his family history or mentioned any other relatives. He had an unhappy childhood. However, Kris' mother told her that her father Robert had come home from school one day to find his mother gone. Lola had been institutionalized at a local hospital for unknown reasons. Kris is trying to gain access to those records.

Kris and her sister have spent a lot of time discovering the details of this woman's life. Just recently, they learned that Lola had two aunts and two cousins living in Los Angeles in 1931 and that those individuals had children.

Could one of the women that linked arms with Robert be his mother? The clothing styles reflect the styles of the early 1930s especially the sailor collared shirt worn by the woman on the left; the women's calf length skirts; Robert's suit with the bold tie; and the sweater worn by the woman on the left. You can find similar outfits in Sears Catalogs of the period. This dates the photo to the early 1930s, when Robert was in his mid-teens.

This photo raises so many questions.

It's an amateur snapshot, probably part of a series of images. Who's the photographer?

Where's the rest of the roll and who owns it?
If Robert's mother was institutionalized when he was young, when was she released? This information would help determine if onf of the women in the picture could be her.

If one of the women is her, I vote for this woman. She's older than the teen on Robert's other arm. She's also wearing lipstick, which young teens in the period generally didn't wear.

I hope Kris and her sister can solve the information riddle surrounding this woman's life. Perhaps someone will see this column and recognize Robert and the women in the photo. Anyone have the rest of the roll?

Go to ShopFamilyTree.com for the how-to books and CDs you need to research, preserve and display your family photos.

Sorting Truth From Fiction: Picture Tales

Maureen — Mon, 10 May 2010 14:16:40 GMT

Behind every picture is a story. Some are simple tales of why someone went to have their portrait taken. In other cases, a picture tells the story of a lifetime.

Carmen Camoros sent this soft-focus photo of two young women. She's hoping one of them is her grandmother.

Carmen's mother always told her that her grandmother had died giving birth to her in 1911 in Puerto Rico. She never talked about her. After Carmen's mother died in 1979, Carmen packed up her belongings and put them away.

A decade later, she decided to look at them. In it was her mother's empty wallet with this picture inside. The original is only 2 x 2 inches. Carmen's convinced the woman on the left looks just like her Mom. She's sure that the woman is her grandmother.

There's a twist in this story. Carmen began researching her family and discovered that her grandmother didn't die in childbirth. She died of dysentery at 28 years of age, when Carmen's mother was 9. For 5 years, her mother lived with her maternal grandparents until her father's remarriage.

Carmen's right. This photo could very well be her grandmother. The long, flowing dresses are from the first decade of the 20th century, but their hair clinches the date. Both young women wear decorative bands and trims popular from 1911 to about 1915. The large coils on her grandmother's head were one variation on the full styles of that decade.

The chair in the photo is in the Egyptian Revival style of the late 19th century. It was bowed legs and a curved, slatted back.

It appears the grandmother has flowers pinned to the front of her dress. The significance of this picture and those flowers is a still a mystery—at least for now.

Head-to-Toe Fashion Sense

Maureen — Mon, 26 Apr 2010 14:49:57 GMT

Pamela Fisher sent in this gorgeous photo of a confident and determined young woman. Her direct gaze shows she's comfortable in front of the camera. The question is, of course, who is she?

Pamela owns an old book that had a small collection of photos stuck in the pages. The book and the photos belonged to the Fisher family. Since the provenance (history of ownership) of the items suggested young woman was a member of the Fisher family, Pamela thought this would be an easy ID. She thought it must be Rilla Cooper (b. 1860)who married into the Fisher family and that the photo was taken in Spokane, Wash., circa 1880. Rilla is a mysterious ancestor her family doesn't know much about.

Unfortunately, this identification is incorrect. As soon as I saw the image, I knew it wasn't taken in the 1880s, when women's dresses had fitted bodices and large buttons. From head to toe, this young woman is the epitome of early-20th century fashion.

When I called Pamela to discuss the picture she wondered, "If not Rilla, then who?" That's the exactly the problem. Let's stack up the clues and see if it's possible to narrow the time frame.

Hair: In the first decade of the 20th century, women wore their hair full. Creating this hairstyle required a "rat," a device made from your own hair harvested from a hair brush and formed into a sausage roll or (artificial versions existed). Women's magazines such as Ladies Home Journal ridiculed the extreme hairstyles of this period by showing examples of good and bad hair.

Hat: It's difficult to see, but it appears that this young woman wears a hat. Large hats were the style in the decade from 1900 to 1910. In this case, it looks like a collection of ribbons.

Dress: In the early years of the 1900- to-1910 period, dresses featured high necklines and lace insets in the yoke; in the latter part of the decade, large buttons added detail to the yoke. Corsets, which women wore beginning in their teens, created narrow waistlines.

Late-19th century dress reform advocates changed the way women dressed. In the 20th century many women worked in offices and needed functional, easy-care clothing. The two-piece outfit—blouse and skirt—was a necessity.

A quick glance at the 1909 Sears catalog shows blouses, skirts and hairstyles just like the one worn by this girl. You can view them in Joanne Olian's book, Everyday Fashions 1909-1920 as Pictured in the Sears Catalog (Dover Publications). Shirts with buttons and tucks were commonplace from about 1905 on.

Shoes: Pamela wondered why this girl crossed her legs. It's not uncommon to see women in this time frame posing this way, but most women of the time believed crossing one's legs was not in good taste.

Perhaps this girl wanted to show off her boots. They're highly polished leather walking boots laced up the front. It looks like they have a bishop heel that tapers from the heel to the bottom. If that's true, this detail helps date the image. According to Nancy Rexford's Women's Shoes in America, 1795-1930 (Kent State University Press), this type of heel was popular through 1905, then it was replaced by other shapes.

So who is this stylish young woman? If the photo was taken about 1905, Pamela wonders if she could be Rilla (Cooper) Fisher's daughter Elizabeth who was born between 1883 and 1885. In 1905, Lizzie would be 20 to 22 years of age.

Mother Hubbard

Maureen — Mon, 05 Apr 2010 16:40:39 GMT

Last week I featured Judy Linnebach's picture of a 19th-century couple and their triplets. If you have a photo of a pre-1900 set of triplets, I'd love to post it in this space. Just about everyone who commented mentioned a multiple birth in their family. I can't wait to see the photos—you can e-mail them to me.

Here's the rest of the story about Judy's photo.

When she wrote to me, she asked if this could be John Basilius Boll, his wife Barbara Platzer Boll and their children. According to her research, the couple married in 1879 and had two children before they had a set of twins in 1883. Is it possible that one of the triplets died and the death went unrecorded? Let's examine the evidence.

The picture is a card photograph measuring 2.5x4 inches. It's the size of a carte de visite. These small card photos were first introduced into the United States in 1859 and remained popular for decades. The thin red line border was first common in the late 1860s.

Tobias and Co. took this photo. On the back of the image is the name of the company and key details about their location and practice.

What I find interesting is the first sentence of the second paragraph: "To Mothers and heads of Families, we wish to call their attention to the frequent trouble of obtaining good and permanent Pictures of Babies." Tobias & Co. had a patented process to guarantee success.

To locate more information on Tobias, I contacted the St. Louis Public Library and spoke with librarians in both the local history collection and in fine arts. The company appeared in 1878 and later city directories, but by the mid-1880s Henry Tobias was a printer. It was unclear from census data if this was the same man who ran the photo studio.

This photo was found in a Bible once owned by Judy's father's maternal grandmother, Lena Wilhelms. Given that it wasn't directly connected to the Boll family, I asked Judy to research all the branches of the family to see if there was another multiple birth. Last week, we learned that multiple births were hereditary, so it's quite possible that this could depict someone else in her family. No luck!

There was another possibility though: Lena's daughter Emma was a genealogist and collected information on the Boll family. It's likely that she placed the pictures in the Bible for safe-keeping.

The clothing clues in this picture are fascinating. The husband wears a simple work shirt (the Bolls were farmers). The wife's dress is barely visible except for a plain neckline and lace-trimmed cuffs. My grandmother always wore a "house dress" when she was home, and I wondered if the same wasn't true in the 1880s. While this woman's dress isn't the current 1880s dress that you see if fashion encyclopedias, there was a wide variety of dresses for women.

In the 1880s, a new style of dress became popular for pregnant women. It was called a Mother Hubbard. Loose-fitting and comfortable, these cotton dresses could be made with a pattern available from a catalog. The mother in this photo had likely just given birth—these are very small infants. With three babies to breast-feed, a comfortable dress like a Mother Hubbard would be perfect attire. They often featured trim at the cuffs, just like you see here.

They were so comfy that many other women wore them belted in summer to stay cool. It was a controversial choice. In the Oct. 26, 1884, New York Times, an article titled, "The Mother Hubbard in Chicago" talked about variations of the dress being worn by women in one neighborhood and how one particular woman had been arrested for it. It ended on a reassuring note: "Ladies who wear Mother Hubbard dresses on the street need not be alarmed. There is no ordinance in Chicago against the wearing of them, although such an ordinance is in vogue in the town of Morris, Ill."

According to Joan Severa in Dressed for the Photographer: Ordinary Americans & Fashion, 1840-1900 (Kent State University Press), these dresses were meant for indoor use. They were house dresses, not to be worn outdoors.

So could this picture depict the Bolls and their children in 1883? The evidence is conflicting.

In late December 1883, the Bolls had twin boys baptized—Charles and George.
In the 1900 census, the family is listed except for George. I have to double-check with Judy on his whereabouts. When asked, Barbara said she'd given birth to six children but that only five were still living. Could this refer to a deceased George? There were five children currently living with the parents. Why not mention another child if one of the triplets died?
Could another multiple birth in the family have gone unrecorded? It's possible.

Right now it appears that this photo documents the Boll family.

The mother's dress dates from the 1880s.
The photographer could still be taking images in his printing business (if, of course, it's the same man)
There are no other documented multiple births in the family.
Judy has one documented multiple birth—the twin boys.

If this is the Bolls and their babies, then one of these triplets is likely deceased. This was a complicated case.

It's a haunting image. Next week I'll be back with some other unusual pictures from Judy's family!

A Women's History Month Salute: Spanish American War Style

Maureen — Mon, 22 Mar 2010 17:25:32 GMT

Surrounded by recuperating soldiers and orderlies is Deb Wilson's great-aunt Mary L. Keeler, also known as Molly. She served as nurse during the Spanish American War (1898-99) at Fort Monroe, Va., as well as in Cuba and Puerto Rico.

Deb knows this is her aunt, but the names of all the soldiers and other staff are unknown, as is the identity of the photographer.

Molly appears to be the only woman in the image. On the left is a small table with an American flag, a vase of flowers and other small items.

I never really know where some of these picture stories are going to take me. Now that I've started researching this image, I wonder about the purpose behind it. An article on "Women Nurses in the Spanish-American War" in Minerva: Quarterly Report on Women and the Military by Mercedes H. Graf (article date March 22, 2001, available on Highbeam.com) revealed that female nurses were a controversial topic during the war. Molly's decision to use her nursing skills was a ground-breaking one.

Traditionally, since the end of the Civil War, men had done the nursing in the military. However, during the Spanish American War, Surgeon General George M. Stemberg knew that women nurses would be needed to help care for injured troops and those ill from yellow fever, malaria and typhoid. According to the article, shortly after the start of the war, the military added 100 women nurses. Was Molly one of those women? Or could she have been among the 32 nurses who'd already had yellow fever and were sent to Cuba to help with the epidemic? There's a bigger story in this photo than just the names of the men. This picture makes me want to know more about Molly and her service.

From the article, I learned that in 1898 the average nurse earned $30 a month plus a daily ration. By 1899, nursing applicants had to sign a one- year contract, and they received $40 a month for stateside service and an extra $10 per month for service outside the United States. Between April 25, 1898, and July 1, 1899, only 1,563 nurses served the more than 250,000 troops.

Tent hospitals such as the ward depicted here were commonplace. On the Nebraska GenWeb site is a list of Spanish American War Camps compiled by Fred Greguras.

Discovering the names of the men in the picture is a tough challenge. Spread the word about this picture, and let's try to put names to their faces. Finding out more about Molly's military service may provide a few leads.

Does an image in your family photos depict an important piece of American history? Take a closer look and find the Molly in your family.

Friends and Neighbors

Maureen — Mon, 15 Feb 2010 16:03:53 GMT

A couple of weeks ago, I presented several lectures at the San Luis Obispo Genealogical Society conference. I had great time and got to look at some interesting pictures. Roma Miller showed me this snapshot.

This was in Roma's box of photos from her step-grandfather's family mixed in with other family photos. On the back it says, "Caroline 1927." But who's Caroline and where was it taken?

Look carefully at this image. See the shadow of the photographer at the bottom? It's a great shot of someone taking a picture of this woman. his or her arms are raised, holding the camera.

Next look to the right of Caroline—there is a child. This little kid wears overalls and has his head bowed down. The short pants signify a boy, as does the haircut. This "baby cut" was similar to what we'd call a bowl cut—ear-length on the sides and bangs.

Caroline wears a simple daytime dress. She's probably busy taking care of the her child and the housework. The style of this dress makes me wonder if she could be pregnant. It's very loose-fitting. Her hair is one of the short cuts popular in the 1920s. I think it looks a lot like either something called the "Senorita" or the "Broadway."

The house is a two-story dwelling with a bow window in the style of the late 19th century. It's a Victorian-style house with a tall picket fence in the front and a wrought iron gate. In the background, a latticework wall surrounds a doorway with stairs.

Roma and I talked about ways to identify this woman.

Ask the owner: The child is about the right age to be her step-grandfather—could this be him and his mother? Nope. He doesn't recognize the woman.
Post it online: I'm helping out by featuring it in this column. Roma has also uploaded the picture to DeadFred.com
Contact extended family: Roma sent out a mass e-mail to all her relatives. Success!

A cousin identified the woman and the location. It was a neighbor of Roma's maternal great-aunt when they lived in Oakdale, Calif. A quick check of the 1930 federal census should result in a last name (as long as Caroline remained in the area). Roma may never know who took this picture, but it could be someone related to her great-aunt.

On the surface it's such a simple portrait of a young mother, but when you add in the child, the house and the photographer, it's the beginning of a story and evidence of a friendship between neighbors.

There is one other reason I love this picture. It's a perfect example of how family collections of photos contain more than just blood relatives. There are usually friends and neighbors mixed in as well.

Which Generation is it?

Maureen — Mon, 19 Oct 2009 17:40:46 GMT

There are photos that just drive you CRAZY. Ronald E. Wade is a very dedicated genealogist, but this image has him confused. His relative Mary Beulah Petty gave him all her pictures and that's great. Ronald has a fantastic picture history of his family thanks to her, but there's one problem—this picture:

It's a lovely picture of a couple in their later years posed with canes in hand. He's rumpled but she's neat and tidy. It's just a gorgeous photo. The question is, who is it??

Let's start with the provenance, ie., the history of ownership of the pictures. This is actually where it gets confusing:

Mary Beulah Petty inherited her photographs from her mother, Texie Ann Busby (1861-1918).
Texie received the photos from her mother, Matilda Stinson Busby (1831-1903).
Matilda got them from her mother, Mary Polly Robertson Stinson (1789-1833), or so the story goes.

Do you see the problem?

First, photography isn't available until 1839, years after Mary Polly dies, and paper photographs aren't widely available until at least 1859.

Here's the other issue: This photograph dates from circa 1900. This estimate is based on the style of the picture, the photographer's imprint and the clothing. Yet, family members dated this picture to the 1850s.

If these folks were in their 70s in this photo, then they were born about 1830. Seems like a neat solution—it's Matilda Stinson Busby and her second husband, John Busby (1822-1907), right? Possibly wrong. Ronald Wade has pictures of Matilda and John, and these folks don't resemble them.

While Mary Beulah called these folks Grandma and Grandpa Stinson, she claimed that they were Mary Polly Stinson and her husband, Alexander, the couple who died years before photographs were available. Mary claimed her mother, Texie, also thought this image depicted Mary Polly and Alexander. Ronald can't imagine Texie's mom misidentifying her own parents.

On the back, someone wrote Matilda Stinson—why not Busby? It's a real tangled mess of family history, family folklore and photographic facts.

Ronald knows that only a few of the Stinsons moved to Arkansas, which should narrow the field of possibilities. He's been collecting family pictures for decades and even wrote a genealogy. I told him I'd present his case here and see what turns up. Now's he's considering that maybe this photo comes from the Robertson side of the family.

The facts are clear:

The picture was taken about 1900
It's not Mary Polly and Alexander
The couple is at least 70, which suggest birth dates in the 1830s period.

I love their expressions. It's a family history treasure!

An Album of Funny Pictures

Maureen — Mon, 07 Sep 2009 19:59:22 GMT

Last week I asked readers to submit funny pictures. Thank you to everyone who sent images. I've been laughing all week. So here they are...fun images that leave you wondering, "What were they thinking?"

Sue Edminster sent in this photo (above) of men with numbers on the soles of their shoes. Why? Who knows! The men are, bottom to top, Will Samels, Bob Shane (Edminster's grandfather) and Will Young. The photo was taken circa 1890.

Here's a card-playing group courtesy of Merna McClenathen. With her grandfather, Milton "Tom" Kirk (2nd from right), are his brothers, William McCready "Crede" Kirk (3rd from right) and Alfred "Alf" Kirk (far right). The man holding all the cards on the far left is unknown. McClenathen thinks this photo was taken circa 1890 in the Black Hills of South Dakota near Lead, SD,when the Kirk brothers were working as carpenters at the Homestake Mine.

Merna sent in two images. Above, you can see what a double exposure looked like taken with either the real Freako-Shutter mentioned last week, or a similar device. Your eyes aren't playing tricks. It's the same man, George P. Alford.

The earliest funny picture I received came from Rachel Peirce. This one (sbove) dates between Aug. 1, 1864 and Aug. 1, 1866. I know this because on the back is a tax revenue stamp. One can only wonder why this man posed feeding a doll. The doll probably has a china head and cloth body, and could be an imported model. The man is "feeding" it from the dish on the table. The photographer hand-colored the doll's dress a light pink.

Sharon Pike sent the most recent image in this set. It dates from c. 1900. I've seen other images from this time frame of women dressed like men in funny pictures. Here, it's Belle and Fanny Curtis. Belle was born in 1882. Their father, Asaph Curtis, owned the Hotel Rockford on Long Lake in Washburn Co., Wis.

Come back next week, when I reveal an unusual coincidence in a reader's picture.