I'm doing the happy dance right now! I finally contacted Sue Anderson, the owner of the photo of the four men—two wearing one glove each—featured in two blog posts. Turns out she was on vacation and hadn't imagined the fuss being made over this photo. All she wanted to know was the date of the image and why the one glove. 

In the first post, I dated the image using the postcard back to a time frame of 1904 to 1918. That was the only sure information in the picture.

In the second installment, I reported readers' theories and focused on the gloves. Well, the pieces have finally fallen into place. You're not going to believe it!

While Sue's older relatives were sure two of the men were Lance and Elmore Melson, she wasn't positive because these elderly relatives have been wrong before. They said the two men in the front were Melsons and the men in the back were Wingfields.

Those two in the front are definitely Melsons. Sue sent me several other family photographs that confirm the resemblance. The ears are a giveaway.

Elmore Melson (b. 1896) had two other brothers: Joel (b.1894) and Bertram (b. 1892). I think Sue's family was partially right. Lance Melson would be too young to be in the group photo, but Joel is old enough. It's actually his presence (right front in the group image and below) and age that specifically date the image and solve the one glove detail!



Notice the rolled up pants <smile>.

So here goes...

• Joel dies in 1918 in Oklahoma of pneumonia. The group portrait is likely the last image taken of the 24-year-old. It fits the 1918 period. His brother Elmore would be 22 in that image.
  

• Melson and his brothers worked as farmers and weren't very well-off. In Joel's spare time, he also worked as a bronco rider. In the first blog post on this mystery, I suggested the glove was work-related. Since bronco riding isn't something I'm pfamiliar with, I contacted a colleague, Kathy Hinckley (known as the Family Detective), who grew up on a ranch in South Dakota and participated in riding events. She confirmed my theory that bronco riders wear one glove on the dominant hand! Mystery solved.
  

The men's ties are very Western in style. Kathy made one other comment about something I pondered: Why dress in suits and wear the riding glove? She thought this picture probably commemorated a special event, such as winning at the rodeo. I have no proof of this detail, but the explanation makes sense.

• There's one more detail Sue helped with—the rolled pants. In the group picture those rolls look like cuffs, but it turns out Joel wasn't very tall, and instead of having his pants hemmed, just rolled them up.  

Sue is amazed at the number of comments and emails about her photo. Thank you to everyone who posted remarks or sent comments. I'm glad we can put the artifical hand theory to rest; Joel had both of his hands at the time of his death.

Raise your hand if you've discovered a cache of family photos you didn't know about after the death of a relative.

I'm sure if I asked an audience of hundreds, few hands would remain down.  You'd think there wouldn't be any surprise photos in my family, but no ... Even my Dad squirreled away a few I didn't know about. I think he forgot he had them. Now I'm trying to figure out the significance of those long-lost pictures.

Bobbi Borbas is in a similar situation. She found these three images in a box of photos that once belonged to her mother.

In the first (below), a family sits for a group portrait. Look closely—only the father gazes at the lens, the rest of the family's eyes aren't on the camera, but on the person who stands to our left, near the photographer. It makes you wonder what's happening on the other side of the camera. Was the assistant trying to distract the children or making last-minute suggestions?



The clothing (note the mother's full upper sleeves) and the decorative embossing on the mat date the picture between the late 1890s to about 1905. That gives Bobbi a starting point.

When she wrote, she thought the picture might depict her great-grandfather.I called her today and asked her to send me a family chart. She's looking for a family that fits the following details around the turn of the century:

• Six children (three girls and two boys, plus a baby less than a year old)
• The oldest boy and girl (behind their parents) close to their early teen years.
• A boy (standing between his parents) around school age. 

Borbas' second image (below) is a tintype of a young girl. This is a gorgeous image without any of the darkening varnish so often seen in early tintypes.



The photographer added gold leaf to the girl's jewelry to make it stand out. She's probably an older toddler, not yet school age, and sits with a hand in a pocket of her cotton dress.

The dress style dates the image to the early 1860s; Wide necklines like this for young girls are seen in photos of the 1850s and 1860s. The identification clue is clearly her ears—Bobbi needs to watch for similarly shaped ears in other family pictures.

The third image is very interesting. It's set in a tiny piece of photo jewelry, only 3/8 inch wide by 1/2 inch high. The photo itself is only a quarter inch. You'll have to wait until next week to see it—I'm still working on a couple of the details. With any luck, I'll be able to report success in identifying the individuals in these two images. Stay posted!

In mid-December, I asked readers to submit photos with interesting backgrounds. Thank you for images.

I'm conducting an informal study of the different types of backgrounds in photos—it's a vastly understudied area of photo history. Here's an overview:

In the 1840s and 1850s daguerreotypists really didn't use backgrounds. Their focus was capturing a likeness of a person, not making the pictures look like they were taken outdoors.

In the 1860s, suddenly you start seeing the wall behind the sitter. You can see the blank wall and the moulding at the base. At some point in the late 1850s photographers began offering handpainted copies of images with gorgeous backgrounds painted in. Many of you probably have these and wonder if they're photographs or paintings. They're actually both.

In the late 19th century, photographers began paying artists to create backdrops. You've seen some of them in past columns. The backdrop and the architectural elements create a stage setting for the portrait. In photos taken at tourist resorts, you're likely to see seaside scenes.  In next few weeks I'll share some interesting backgrounds I've purchased as examples.

One of the photographs I received was from Alissa Booth. These three boys were born in the period from 1911 to 1915. Notice the delicately painted backdrop. It's professionally done and creates a nature scene so the boys look like they posed outdoors.



Keep sending me the interesting backgrounds!