Photo Detective with Maureen A. Taylor - children

Famous Fathers: Happy Father's Day

Maureen — Sun, 16 Jun 2013 16:54:36 GMT

Father's Day wasn't official until 1966, when President Lyndon B. Johnson issued the first presidential proclamation making it the third Sunday in June. President Richard Nixon made it a permanent holiday in 1972.

Other presidents wanted to designate a day to honor fathers. President's Woodrow Wilson and Calvin Coolidge both tried. In Wilson's case, Congress wasn't in full support because members feared the day would become commercialized. Coolidge suggested that the United States observe the day but never issued a proclamation.

At least two men who occupied the Oval Office were fathers of young children at the time. They lived a century apart: Presidents Abraham Lincoln and John F. Kennedy. As we know, they shared a tragic fate as well, both being assassinated while in office.

On February 9, 1864, President Abraham Lincoln and his son Tad visited the Mathew Brady Gallery in Washington, D.C. In this photo, they're looking at an early photo album. There's additional information on the history of the first photo albums in Finding the Civil War in Your Family Album.

Almost 100 years later Photographer Cecil Stoughon took this picture of President Kennedy and family in Hyannis Port, Mass., on Aug. 4, 1962.

Image credits for the images are contained in the web links.

While it's common to see 19th century images of women posed with children, I've not found very many pictures of men posed just with their offspring. If you have one, please share it with me. You can email it or submit it using the "how to submit your photo" link.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Four Times the Mystery

Maureen — Sun, 09 Jun 2013 14:49:30 GMT

There is so much to love in this photo collage--the smiling face, the cute baby, and the timeless shot of a mother and child. The problem is that Michael Thompson has no idea who she is.

Each image is tiny, only about an inch in size. They were all glued to a single square photo mount. It's definitely a photo collage. So who is she?

He's not sure, but instead of letting this image gather dust in a box of other unidentified photos, he's created a family website using Joomla. He's added a plug-in called Joaktree that takes a GEDCOM file and extracts it. The end result...well take a look at Thompson's site and see what you think. I thought it was pretty neat.

There are ways to determine her identity.

First date the picture. Her hairstyle is twentieth century. It's known as the Wavy Shingle. It was popular with women who had a permanent wave put in their hair or those who curled it in the Marcel style. Those waves are a key identifier of a Marcel wave. This hairstyle was particularly popular circa 1929. The top two pictures depict her in short wavy hair. In the bottom left image, she's let her hair grow out and it's smooth rather than wavy. That adorable baby would specifically date this picture.
Determine ownership. Who owned this picture? His grand-uncle owns this picture but he can't remember who's in the picture. It could be a friend of the family and not a relative.

Make a few assumptions.

Suppose this young woman was about twenty years of age in 1929? Then she would be born circa 1909.
Suppose the baby was born circa 1930?

Take these two assumptions and test them by fitting that information into the birth date of the grand uncle. He may have known her as an older woman or his parent's knew her.

Showing the grand-uncle a list of all family members born circa 1930 might trigger his memory.

I'll be looking at the unknown images on Thompson's website to see if there are any matches. Another identified picture of her might exist in his family collection. A positive ID could result from comparing her round face and smile to other images.

The final ID will come from testing the facts and comparing pictures.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

A Two-Part Italian Photo Mystery

Maureen — Mon, 06 May 2013 12:40:23 GMT

How many of us have found a note in a box of family photos? I suspect that it's pretty common. Unfortunately, the person who left the note probably didn't realize that it could cause confusion about who's who.

Eileen Poulin has a double mystery based on a set of notes and two images. On one note, Eileen's mother wrote "Frank (my grandfather) with a Martinelli boy."

The image is on a piece of enameled tin. Usually these images have a device on the back to allow the owner to prop up the picture. This type of picture was very popular in the early 20th century.

The white arm band on the boy represents the sacrament of Confirmation. Frank was probably the boy's sponsor. Confirmation sponsors had to be a certain age, be a member of good standing in the church and could be a child's godparent. A church document would confirm the relationship between Frank and the Martinelli family.

Belted suits in the style worn by this boy first became fashionable in the 1910s.

Eileen's great-grandfather Francesco Antonio LoRusso was the son of Isabella Maria Nardozza (1875-1952) and Vincenzo LoRusso (1866-1959). Both of his parents were born in Avigliano, Potenza, Italy, and died in Waterbury, Conn.

The second image in this mystery (not shown here) is a military photo identified as "brother of above." Eileen doesn't know if by "above," her mother meant Frank or the Martinelli boy.

I have a lot of questions to ask Eileen about the family and more research to do on the uniform. See you next week—and don't forget to enter Family Tree Magazine's National Photo Month Sweepstakes before May 20.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Confirming Identities in Old Family Photos

Maureen — Mon, 28 Jan 2013 16:50:29 GMT

I'm working on a photo mystery that is making my eyes hurt and my brain spin. With any luck I'll be able to present it here next week.

In the meantime, Milah Goler Pasto contacted me through Facebook to ask about a couple of her family photos. She was hoping for confirmation that the mother and the child in this picture were who she was told they were.

Their dress styles, the wicker chair and the painted backdrop all suggest a date of circa 1900. In that period, women's sleeves could have a slight fullness at the shoulder and bodices were pouched and full at the waist. Wicker chairs were a popular studio accessory in the 1890s and in the early 20th century. While painted backdrops were common throughout the 19th and 20th centuries, at the turn of the century they often featured household scenes.

So who's in this lovely picture? Irish immigrant Margaret (Mahoney) Sullivan (born 1873) and her daughter Margaret (born 1892).

John Nathan Sullivan (born 1848), a "free person of color" married Margaret Mahoney and they had two daughters. He was a coachman for Dr. Hubbard of Taunton, Mass., and according to Milah, his obituary said "he was well and favorably known throughout the vicinity."

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Turn-of-the-Century Family Photos

Maureen — Mon, 14 Jan 2013 16:15:39 GMT

Terry Graham's mother showed him a few unidentified photographs and now he's using the power of the web to try to identify them. He's posted them on his Ancestry.com family tree so that family members can comment on them. He thinks the mother's maiden name could be Turgeon.

It's the little girl in this picture that captures our attention. The photographer posed her with head turned and eyes on the lens. It's a lovely picture of a turn-of-the-century family.

Women's Clothing
Women's fashion began to change circa 1900.

More women were employed, and clothing in washable fabrics became a necessity. This woman wears her "Sunday best" dress for this formal family portrait.
Wide high-necked lace collars were very popular before 1905. Skirts were worn approximately 2 inches off the floor.
Hairstyles puffed out from the face. Extreme hairstyles were often caricatured in magazines, but this woman has chosen wisely. Her hair frames her face. A large wide-brimmed hat would accessorize the outfit.

Men's Clothing
Styles varied from casual dress worn by laborers to suits. The man in the family portrait wears his best suit. Collars worn standing up with a variety of silk ties were fashionable in the period. Men's mustaches were trimmed and waxed in the 1890s; in this turn-of-the-century portrait, he's retained his full mustache.

Children's Clothing
Play clothes for children were introduced in the early 20th century, but this little girl wears a light-colored dress that mimics some of the design elements of her mother's dress, i.e. the wide collar.

Photo Details
Watch for the spontaneous moments in a family picture. The little girl looks like Mom has just brushed her hair for the portrait, but both parents have little wisps of hair sticking out from their heads: Look at the left side of Dad's head and the hair above the neckline of the mother's dress.

About the Photographer
Alfred Adt of Waterbury, Connecticut, took this photo. According to city directories of Waterbury found on Ancestry.com and details in census records, Adt was born in approximately 1863 and was a photographer in Waterbury from at least 1894 to 1909.

Use the comment field below to tell me how you came to own your family photos. Which relative gave them to you?

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Twelve Months of the Photo Detective

Maureen — Mon, 31 Dec 2012 16:07:01 GMT

It's time to look back at the year. Every week I write a Photo Detective blog post—that's 52 columns in 12 months. It's a lot of free photographic advice and tips. Here are my month-by-month 2012 favorites.

January
Last New Year's I offered advice on sharing images online, tackled a photo mystery about the identity of the mother in a picture, and discussed a Scottish picture.

February
I got into the planning for my trip to WDYTYA Live in London by comparing British and American fashion.

March
Hat's off to spring! Last March I featured toppers for men, graduation caps, and talked about the relationships between hairstyles and hat design. If you want to learn more about hats or hair, my books, Fashionable Folks: Bonnets and Hats 1840-1900 and Fashionable Folks: Hairstyles 1840-1900, will help.

April
The whole month of April focused on identifying photographs of children. Study the clues to add names to those pictures of tykes.

May
A trip to the National Genealogical Society inspired a series of columns on the Jeffers Family photo.

June
You can view the entries in the Family Tree Magazine photo contest, study a photo of ancestral blue jeans or be awed by the images of wheat threshing.

July
With the world watching the Olympics, I deciphered the clues in a picture from the 1908 Olympics.

August
I revealed the winner of the Family Tree Magazine Photo Contest. That photo mystery now appears in my new book, The Family Photo Detective. It's now available in the ShopFamilyTree.com store.

Have you considered the relationship between photography and genealogy? I took a look at the types of records that help solve a picture mystery.

September
This month was all about preservation. A badly damaged image encouraged me to talk about ways to save family pictures. There is more information on storage and labeling images in Preserving Your Family Photographs.

October
A picture of a giant mechanical grasshopper appeared in my Photo Detective column in Family Tree Magazine, and some readers stepped forward to tell the story of their ancestors' fascination with creating these creatures.

I shared the story of a woman who found a family picture after three decades and explained how old-time photographers could alter pictures long before the development of Photoshop.

November
Have you ever posed for a multi-generation photo? It's not a new phenomena. Our ancestors did, too. Mary Lutz sent me several images of her family. It turned into a series on identifying who's who in a group picture.

December
I love snapshots! They are spontaneous and often capture bits of everyday life. Follow this series on a picture of a man standing in his backyard.

Thank you for reading this column and for submitting your family photos. If you'd like to participate, there is a link, "How to Submit Your Photo," in the left-hand margin. I can't wait to see your pictures!

Happy New Year!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Multi-Generation Portraits, Redux

Maureen — Mon, 26 Nov 2012 16:04:45 GMT

Last week, I featured a multi-generation picture submitted by Mary Lutz. We've been communicating about this photo via email, and I have a few more details to share.

The original post mentioned that the baby is Mary Ruth Talbott Godwin. There is one problem with that identification. She was born in 1892. The clues in this picture (hairstyles and bodice styles) don't add up to that timeline. Instead, it's an early 20th century picture.

Thank goodness Mary also recognized the discrepancy. She provided an alternative identification for these women, one that makes sense based on the photo clues.

The baby is Ruth Waterstradt (born 1909). The mother is Pearl Godwin Waterstradt (born 1885). The grandmother in the center is Jennie Witten Godwin (born 1864) and on the left is great-grandmother Mary Brown Witten (born 1834). The baby is likely less than a year old which dates this image to circa 1910.

In addition to the four-generation picture, Mary sent in another group portrait. The two individuals in the center are Mary Brown Witten and her husband Samuel. The picture was taken in Grundy County, Mo.

The woman in the center is the same woman who appears on the left in the four-generation image.

This photo also dates from the early 20th century. Since Mary knows the identity of the two people in the center, the rest of the pieces should fall into place.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Multi-Generation Portraits

Maureen — Mon, 19 Nov 2012 13:50:16 GMT

It's Thanksgiving! If you're planning a family gathering and are wondering how to keep folks occupied until the meal is ready, try getting them to chat about family photos. It doesn't matter if they are identified images or a group of mystery pics. I'll be taking out a box of snapshots, setting up my digital tape recorder and hopefully capturing some "new" memories. Images can trigger all types of memories relating to the people depicted, not just the story of that photographic moment. Try it and see.

Mary Lutz Govertsen sent in a complicated multi-generational photo of several generations of her family. She's hoping that I can compare it to another of her images and identify the date and the people. Isn't it lovely?

On the back it says "4 generations: Granny [Mary Ruth Godwin, the baby], her mother, grandmother and great-grandmother." In the photo are the two Brown sisters who, due to marriage and disparate ages, are Mary Govertsen's grandmother's grandmother and great-grandmother.

Family trees are full of twists and turns. Mary's family is a little more complicated. Her family moved from Tazewell, Va., to Missouri; due to multiple re-marriages and inter-marriages everyone is related. This is a family tree that I can't wait to see.

It's a beautiful family photo that's sure to inspire some great family stories. I'll be back next week with more details on the group and the other image. If you have a multi-generational photo, I'd love to see it and feature it in this blog. The How to Submit Your Photo link provides details on how to send me your picture.

Hope you have a Happy Thanksgiving!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Photo Contest Submissions

Maureen — Mon, 25 Jun 2012 14:18:25 GMT

A big thank you to everyone that submitted photos to our contest. The deadline has now passed and I'm gradually working my way through all the images to pick the winning image. The winner will receive a copy of my book, The Family Photo Detective, and the image may even be featured inside. Watch this space for news!

Here are three of the pictures folks uploaded to the Family Tree Magazine Facebook page.

Jen Baldwin uploaded this cute pair of siblings—William W. and his sister Bessie Brown. It was taken in Colfax County, Neb., circa 1880. Don't you just love her pantalettes and his long curls.

Shirley Jenks Jacobs uploaded this photo of her great-grandmother. I love the hat. In the 1880s, hats had tall crowns and lots of trim on the front. You can't see it, but women in this period also wore large bustles.

Suzanne Whetzel submitted this family portrait of her maternal great-grandparents Mary Ethel (Wade) and Henry Clark Yost with their son (Suzanne's grandfather) James Meryl Yost. James was born in 1908 and this toddler helps date the photo to about 1910.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

More Family Photos of Ancestral Children

Maureen — Mon, 07 May 2012 16:58:04 GMT

Last week I showcased your photos of ancestral children and this week it's a second installment.

This little guy is Sandra Jerome's grandfather, Ralph Frederick Jerome. He was born September 7, 1894 in Jordan, Scott County, Minnesota. He's wearing attire approximate for boys less than 5--a skirt. It's paired with a short jacket and a wide collared shirt. A cute hat sits on his head. He doesn't seem old enough to be able to ride the photographer's tricycle prop. It was likely taken circa 1899.

Can you spot the school photos in your family album? They usually look something like this. This 1899 photo depicts 11 year old Jennie Young. She's Bonnie Bolster's great aunt.

The boy in the front row holds a sign--Coral School District no. 1 May 27, 1898. The children wear a wide array of styles popular in that period. The flags in the background are likely for Memorial Day.

Thank you for sharing pictures of your ancestors as children! I'm off to NGS in Cincinnati, Ohio. Please stop by my booth 712 and say hello.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Ancestor Mystery Photos: Unidentified Kids

Maureen — Mon, 30 Apr 2012 14:16:20 GMT

Thank you for all the pictures of your ancestors' cute kids!

These little girls are named Josie Powell and Nannie Wilson. Don't you love their identical outfits? They are in a photo album owned by Gwen Prichard. She's trying to establish a relationship between them. Perhaps their mothers were friends? The two girls are even the same height.

Candace Buchanan emailed this lovely trio dressed for winter. The boy in the middle wears attire from his family's cultural background. Buchanan bought the image at an auction and only knows that it was taken in Waynesburg, Pa. Is the dog real or a stuffed prop? It looks a bit unnatural to me.

This unhappy little fellow (look at that expression) posed with hat in hand in the 1860s. Bonnie Bybee-Bolster isn't sure if he from her Young or her Brown family line. The families lived in Baraboo/Delton, Wis.

Another 1860s pose. You can see the brace at this girl's feet. I love the fact that she holds a parasol. Rachel Pierce bought this image because of the little girl's shoes. Unfortunately, the photo is completely unidentified.

Shelley Baumeister isn't sure who the child is wearing an oversized collar in this photo. She thinks the child is a girl. I think she's right because of the center part in her hairstyle. This photo was passed down through Shelley's maternal line. This child posed in 1887 in Dubuque, Iowa.

I'll be back next week with more photos of children. My inbox is full of gorgeous images.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Identifying Old Photos of Children

Diane — Mon, 23 Apr 2012 13:58:47 GMT

Genealogists need a sense of humor. You never know what you're going to find. Loretta Gillespie, author of the blog Barking Up the Wrong Tree, submitted this photo of two children. Last week I dated it to the mid to late 1880s.

To try to solve this mystery, Loretta sent me a link to her Ancestry.com family tree. Her ancestor Isabelle Pierce Wright had 11 children. Loretta is hoping this tintype depicts the two youngest children, Charles Pearl Marion Wright (b. 1877) and Geneva "Neb" Wright (b. 1880). Loretta sees the "Wright ears and weak chin."

This is a possible identification. Having other photos of the children taken later in their lives would help verify it.

Loretta's great-grandfather (and Neb's nephew) William Gillespie wrote a poem about Neb:

Aunt Neb was the youngest, about 16 years old. Her learning was slight, if not zero.
She'd chew her tobacco and fight for her share,
And woe to the hombre that got in her hair.
She could swim like a seahorse and dive like bear,
And frighten the fish as she came up for air!"

Next week is all about cute kids. Thank you for submitting all those pictures! (And if you have one to submit, click the "How to Submit Your Photo" link on the left.)

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Sorting Out Children's Clothing

Maureen — Mon, 16 Apr 2012 12:27:20 GMT

It's been awhile since I've put out a call for photos from your collections. If you have a photo of a child wearing interesting clothing, please send it to me. I'd love to run a series on what kinds of clothing children wore, and when.

This week's photo came from Loretta Gillespie. She asks, "With men's clothing being more difficult to date and [this girl's] clothing being a little unconventional, how do I narrow down the time frame?" Great question.

Studying clothing clues is all about the details—collars, cuffs, sleeves, trim and accessories.

In this case, the clothing suggests that this tintype was taken in the mid-to-late 1880s.

The horizontal bands with prominent buttons combined with horizontal contrasting fabric was a key feature of girl's clothing during the mid-1880s. Her dress was likely made at home. It's a printed cotton fabric.

The high collar with the slight ruffle and the cuffs also help date the photo.

Joan Severa's Dressed for the Photographer: Ordinary Americans & Fashion (Kent State University Press, 1995) is wonderful resource for clothing styles.

I'll be back next week with another installment of this photo mystery.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

A Double Mystery: Twins in the Family

Maureen — Mon, 09 Apr 2012 18:02:06 GMT

This cute-as-a-button toddler duo is a big family history problem for Laura Cook. Who are they?

The cabinet card was once owned by her paternal grandmother—a trail of ownership that at least eliminates her mother's family from consideration.

Laura asked her father if he could remember any twins in his family, and he didn't. However, in his confirmation Bible appeared a mention to his cousins Catherine and Dorothy Scheuerman.

Laura asked me, "Could this photograph depict the Scheuerman girls, born in 1918?" Here's how the evidence stacks up.

Dark-colored cabinet card mats—brown and green—were usually common in the 1880s, not in the early 20th century. In the circa-1920 period, photographs usually appear in an enclosure.

Props can also help date an image. In this case, the grass on the floor and the faux wall that the children are posed with could be from the 1880s as well.

The style of the interlocking initials of this photographer's imprint also suggests a time frame. The presence of gold stamped letters on an image can place the picture in the late 1880s to early 1890s.

Laura can use city directories and census records to research the business dates for the photographer, who according to this imprint, was based in Baltimore, Md. She also can type the name of the photographer and the city into Google to see if any hits pop up. An alternative would be to see if the Baltimore Public Library has a directory of photographers.

The identically dressed pair are likely twins, but sometimes cousins would dress their similarly aged children alike and pose them for a picture.

There is a lot more research to be done. I'd start with the photographer's work dates and then focus on children born in the family at the time, likely during the 1880s.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Fashionable Folks: Bonnets and Hats 1840-1900

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Which Mother is It?

Maureen — Mon, 23 Jan 2012 16:30:55 GMT

This lovely image depicts either someone's mother or stepmother. The question is, which one? It's a north-of-the-border mystery.

Chris Rye inherited this photo from his grandfather, who in turn inherited it from his mother. The back of this tintype reads "Enos Mother." Enos Storm is Rye's great-great-great grandfather.

Enos' mother was Susannah (born in 1836), who died in childbirth in 1866 when Enos was born. The family lived in Vaughan, Ontario, Canada.

Susannah also had three daughters, born in 1859, 1861 and 1862. This woman is posed with a toddler on her lap. Notice the size of the toddler, as compared to the mother's diminutive size. She has large hands but a tiny body in contrast to her very hearty child.

Enos' father remarried a woman named Mary (born about 1847) and she had a daughter in 1879.

The clothing clues in this picture point to the 1860s. The mother wears an everyday dress with cap sleeves and a small collar, and wears her hair pulled back. In the late 1870s, women's clothing featured more trim than this, and even everyday dresses had fitted bodices.

The little girl's dress also dates from the 1860s.

This is an entrancing portrait. Susannah looks directly into the camera with a slight smile on her face, while her child sits still for the image. It's a family history treasure!

This is one of the three daughters, but which one? She could be any one of them depending on a specific year. The toddler is likely around 3 years of age, meaning the photo was taken in approximately, 1862, 1864 or 1865. Any photos of the girls taken later on would be useful for comparison.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Holiday Photos from Your Family Albums

Maureen — Mon, 19 Dec 2011 14:32:18 GMT

Thank you to Kim Dawson, Carol Norwood and Fran Jensen for sending in holiday photos from their family albums.

Kim Dawson sent me this lovely photo of a family with their Christmas tree. The child is Elsie Marion Quakenbush (born 1908). She's posed with her mother Ella Baird Quakenbush and her father, Alfred Garfield Quakenbush. On the back it says "To Grandma with love from us all don't fail to see Elsie's baby doll it looks just like a baby." I enlarged the picture to look at the doll.

It is pretty life-like. It looks like Elsie also received a book "Sing a Song of Sixpence" and a tea set. Her parent's are proudly posed with a new Victrola so perhaps that was their Christmas present. Elsie looks about 6 or 7.

Kim thinks that Alfred's brother George Willis Quackenbush took the photo. He was a photographer in Oxford, New York.

Carol Norwood submitted an image of her parent's Bill and Cita Jacobs. They are sitting under the tree at Cita's parents home in Hartford, Connecticut. The Jacobs were still newlyweds. They were married three months prior to Christmas.

Fran Jensen emailed me this charming studio shot of four children. Her grandfather, John Roy Tolve Johansen is on the right. His sister Alma sits next to him. She's hugging a china faced doll. The other boy and girl are the Bough's who were the photographer's children. It was taken in Ringsted, Iowa.

Here's one more picture. This is one from my non-family collection.

I don't know the identify of these two boys, but on the back it says "Christmas 1898." Don't you just love their modified Little Lord Fauntleroy suits.

Happy Holidays! If you want to see more Christmas trees, I have a short video on my Vimeo channel.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Trick or Treat in Your Family Album

Maureen — Mon, 31 Oct 2011 18:50:39 GMT

It's Halloween and time for trick or treat. You might have images of this holiday in your family album. These two young girls, c. 1920 are dressed in the style popular for the period. On the right the dots on this girl's outfit suggest she's a harlequin. On the left, her companion is in a short dress with the dots.

Department stores advertised that customers could purchase their costumes in the store, then return to have their picture taken in the outfit. Most major stores had a photo studio. You can submit images of your ancestors in costume by using the "How to Submit Your Photo" tips in the left hand column.

I've spent the last few years trying to locate images of historic costumes and information on how Halloween was celebrated in the past. This one is from my small collection.

I enjoy browsing the pages of Ancestry.com's Historic Catalog of the Sears, Roebuck and Co. for costumes. Pick a year and the season and start browsing or use "halloween" as a keyword.

If you want to learn more about Halloween in a particular year, try reading the newspaper using GenealogyBank.com. In the advanced searching tab, enter "Halloween" as a word you want to include and then the date. I suggest using a span of days, since not all papers ran holiday related items on October 31st. Most of the advertisements are in the week before that.

Have fun exploring the past using the printed materials that were part of ancestral lives. It's like time traveling using your computer.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Who's That Girl?

Maureen — Tue, 12 Jul 2011 14:49:53 GMT

Do you want a chance to win a trip for two to Belgium and a $1000 shopping trip to fashion icon Diane Von Furstenberg's boutique?

All you have to do is register on the Red Star Line blog and solve a mystery. Anyone know the identity of this girl?

Photo courtesy of the National Archives of Canada

The online photo caption is "Young Galician immigrant holding envelope labelled 'Red Star Line.' Saint John, NB. May, 1905."

Journalist Gretchen Kelly recently interviewed me for the Red Star Line blog, which focuses on this picture. Each week she investigates another angle to the story. By reading her blog, you'll learn about Galician immigration to Canada, the history of the Red Star Line and how Gretchen is trying to solve this picture puzzle.

She asked how I'd go about determining this girl's identity. As you might expect, I have a few ideas. I'll write a follow-up account once I've tracked down the leads. However, the rules of photo identification are clear whether they're applied to this photo or to your unidentified family image:

Never assume: I haven't seen the original photo, so I can't determine the truthfulness of the caption. The first rule of photo identification combines "never assume" and "don't jump to conclusions."
Who wrote the caption? So who wrote this caption and when? Was it the original photographer or an archivist years later? Believe it or not, handwriting will help you place a caption in a time frame. Handwriting can vary from generation to generation. What type of pencil or pen was used to write the caption? If it's in ballpoint, then this caption was probably written after this style of pen became widely available in 1945.
Is the date correct? The clues in the caption will help determine if the date could be correct. Read handwriting carefully; it's easy to misinterpret numbers. In this case, there were no Red Star Line ships leaving for New Brunswick in May, 1905, so something is wrong. Is the month wrong or the year incorrect? Or perhaps the whole scene is a promotional setup—the girl came in on a different ship and the photographer gave her a Red Star Line ticket to hold. That's a provocative theory (gasp!).
Why was the photograph taken? Photographs were taken of recent immigrants to New Brunswick to promote immigration to western Canada. There's another story behind this picture—the reason for the portrait.
Who is she? In addition to this photograph documenting one girl's journey to America, she's someone's relative. Until the picture proof adds up, I wonder about the truthfulness of the whole caption. Could she be an immigrant from a different part of Europe?
Where was the picture taken? There isn't much information in the background to place this photo, however there's another photo online of a group arriving in New Brunswick:

Notice the wall behind them in this photo from the National Archives of Canada. It's the same as in the first photo. Both images are identified as having been taken in New Brunswick.

OK, so now you know that I'm the type of person who has to see the proof. However, there are clear clues in the image. The background helps verify where it was taken.

The little girl is probably around 6 to 10 years old. Her face still has a very young appearance. She wears her hair back in a neat braid. On the seat beside her is a packet of clothes.

She has a tidy appearance. Her dress and coat are appropriate for the early 20th century. She has a pinafore over the top of her dress, stockings and well-polished boots. It's an interesting appearance for a young immigrant.

Other questions come to mind. Did she immigrate alone? It wasn't that unusual an occurrence. Or did she come with family and the photographer singled her out from the group?

Genealogists all over the world are hunting for her identity trying to find her in passenger lists. The contest is open to all.

I'll let you know what happens and if I discover any new clues.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

And the Winner Is? And a Runner-up

Maureen — Tue, 31 May 2011 15:17:08 GMT

Thank you to everyone that contributed pictures to the Family Tree Magazine Photo Contest. So many great pictures....it was a tough decision. I'll be featuring many of your pictures in future columns.

The winner is (drum roll please):

Congratulations to J. Hansen! I'll write more about this picture as soon as I have more details. Here's what I know. It was found covered in dust in a storage area in her father's company that dates back to 1886. Can't wait to unravel this one!

In the meantime, here's another photo submitted for the contest.

Patricia Manwell thinks that this lovely girl depicts someone in her Gawne family. They immigrated from the Isle of Man to Australia. A date for this picture would help Patricia figure out who she is.

Reddish brown card stock was extremely popular in the 1880s.
The design of her dress is a clue. All those vertical pleats were common in the late 1880s.
In the mid-late 1880s, studios invested in props to make settings mimic the outdoors. In this case, fake greenery and a "rock" chair.
This little girl sports short hair. Perhaps it's a clue to a recent illness. Families often cut off long hair when children were very ill. Long hair was thought to be physically draining.

There are family history details that I don't have such as when the family moved to Australia. This could be very helpful. I wonder if the photographer Vanheems was related to William Henry Vanheems, who taught optics in Australia. Optics is related to photographic lens.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

A Soldier's Story

Maureen — Mon, 09 May 2011 12:33:58 GMT

Last week, I spent time browsing the Liljenquist Collection on the Library of Congress website. It's a jaw-dropping set of gorgeous Civil War photographs. You can view them online or in person at an exhibit at the Library of Congress.

This portrait depicts Charles H. Bickford of Massachusetts as a young boy. As a genealogist, it's difficult for me to see a name on a photograph and not dig a little deeper into a life story.

The LOC cataloging record provides a few details, while some library research fills in the blanks.

It's an ambrotype. The date created field suggests a time frame of 1850-1855, but ambrotypes were patented in 1854.
The cataloging record also includes information from a handwritten label in the cased image. It supplies a date of birth (March 1844) and his death date (May 3, 1863).
Bickford served with B Company of the 2nd Massachusetts Infantry Regiment. A quick search in a series, Massachusetts Soldiers, Sailors and Marines in the Civil War compiled by the Adjutant General and published in 1931 (volume 1, page 80), yields even more data. Bickford was a resident of Lowell, Mass., and a machinist when he enlisted at age 20 on May 25, 1861. He died on May 3, 1863, at Chancellorsville, Va. May 3 is considered the bloodiest day of the Battle of Chancellorsville and resulted in the loss of 14,000 Confederate soldiers. General Stonewall Jackson was fatally wounded that day, as well.
Searching for vital records for Bickford suggests he was born in New Hampshire. There is a Charles H. Bickford, age 17, living in Strafford County in the 1860 federal census.

Telling a soldier's story involves looking at vital records, census records, Civil War material and of course studying the evidence in a family photo.

In this picture, Bickford is a young boy dressed in a typical suit—buttoned jacket with the collar peeking out, and a large bow at the neck. Born in 1844, it's possible he's about 10-12 years old in this photo. If he were older than that, he'd be wearing a different style of attire. This data suggests the photo was taken between 1854 and 1856.

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

A Picture Pile-up

Maureen — Mon, 25 Apr 2011 19:39:36 GMT

I love unusual surnames. It's probably because my last name and many of my ancestral surnames often end up on those top 10 lists of popular names.

Laurie Clement has a great chance to identify the folks in her unidentified image. She thinks this large family group shares the surname of Burkepile.

All she needs is a date and she's on her way.

I think this could be an impromptu itinerant photo studio shot. The whole family is standing in front of a white backdrop that looks suspiciously like a sheet. Mom, Dad and seven children stare directly at the camera. There's a single boy in the back row. Finding this family in the census should be possible.

The tight dress sleeves and hairstyles suggest a date of circa 1900. It's a great picture of a family caught on the cusp of a new century.

A quick look at the 1900 federal census using HeritageQuest Online (available through many libraries) found families of Burkepiles living in Kansas, Ohio, Oregon and Pennsylvania. I didn't find any obvious matches, but Laurie and her distant cousins are working on a solution.

My fingers are crossed!

Solve your family photo mysteries with these books by Maureen A. Taylor:

Preserving Your Family Photographs

Fashionable Folks: Hairstyles 1840-1900

Finding the Civil War in Your Family Album

Bad Hair Day Winner!

Maureen — Mon, 11 Apr 2011 16:08:38 GMT

Thank you for voting in the Bad Hair Day Contest and for sending in all those great hair photos. There is a winner!

Here's how the votes stacked up.

83.7 % of the voters selected this photo. Congratulations go to Pat Daughtery for winning the contest and a copy of Fashionable Folks: Hairstyles 1840-1900.

The runner up is ...

71 % voted for this photo.

I promised a few more photos this week so here goes.

Rachel Peirce sent in this before-and-after picture of her ancestor Hunter Carson White at 9-1/2 years old during the Civil War. She owns a picture of the boy's father with his hair standing up on his head and wonders whether the second photo was taken to make the boy look more like his father.

Photo collector David Chase sent me this photo. It proves that man's best friend also can have bad hair. <smile>.

Last weekend I was at the New England Regional Genealogical Conference. I met Janine Penfield who showed me this unusual photo in her family album.

It depicts a female performer known as Illavaro at age 14. She was photographed at several different times by Charles Eisenman of New York City. She would have been very comfortable in the late 1960s when this hairstyle was a fashion statement.

Hope you've enjoyed this look back at 19th-century hairstyles!

Uniforms in the Family

Maureen — Mon, 28 Mar 2011 18:12:50 GMT

It's not too late to enter your ancestral bad hair photos in my blog contest. See details in last week's post. I can't wait until you see what folks sent in!

In the meantime, it's time for another photo mystery. This one is a 20th century challenge.

Nancy Yates sent in a few pictures of her father, taken when he was about 15 years old, between 1930 to 1932. In the first one, he's standing alone wearing a uniform with plain sleeves.

In the second he's wearing a different uniform with hash marks on the sleeve indicating his rank of corporal. He's standing with his sister.

The mystery is the uniform. It doesn't look like a Boy Scout uniform. It's too bad I can't read the pin on his hat or the badge on his other sleeve.

Nancy knows her Dad once served in the Civilian Conservation Corp as an adult. Men had to be at least 17 years old to serve in the CCC.

So what uniform is it? I'm not sure. There were several groups for teens in the 1930s. The 4-H Club, the Future Farmers of America and the Junior Birdmen of America are a few prominent groups, but this uniform doesn't represent any of those organizations. A great book on the period is William H. Young and Nancy K. Young's The 1930s (Greenwood Press, $25.00).

One lead is a group sponsored by the American Legion. They formed the Air Cadets in 1933, to train young men as pilots in case of war.

Do you have any ideas? I'm still looking.

Baby Picture Week

Maureen — Mon, 07 Feb 2011 14:50:32 GMT

Last week, Genealogy Insider blogger Diane Haddad, gave birth to a beautiful baby. In honor of this, I'm featuring your ancestral baby photos. Thank you for all the submissions.

Kim Dolce sent in this picture of her grandmother Estelle Miller Moore, who was born May 12, 1911, in Riverside, N.J. Estelle looks like she's about to topple over.

Linday Bly Holub emailed me this charming picture of her grandfather Benjamin Bly (on the left), born November 1890, in Moberly, Mo., and his baby brother Adolph Bly, born January 1893, in the same town.

Carol Norwood submitted several photos of three generations of baby pictures. Here are two.

This is her maternal grandmother, Agnes Catherine Caroline Simon, born in 1896 in Erlangen, Germany. Don't you love her bare feet!

This is Carol's maternal grandfather, Helmuth Dromer, born in Potsdam, Germany in 1900. Small children of both sexes wore dresses. Carol actually owns pictures of his two older sisters, who as toddlers also posed in this dress sitting in this basket.

I've seen many different techniques and devices to photograph babies and small children, but one has to wonder about this basket. Cute, but if you look closely you'll notice the basket is on a pedestal. One false move the this tot is on the floor.

First Communion Mystery

Diane — Mon, 03 Jan 2011 14:49:59 GMT

I can tell that a lot of folks looked at their family photographs last week by the number of emails I received. Scannning, identifying and organizing your photos is a great way to start the new year. Remember to scan at no less than 600 dpi and select Tiff as the format. You can always re-size for various uses.

Let's ease into the year by discussing a photo with religious overtones.

Beth Hartley submitted this tintype photo with a question: "Is this my great-grandmother or her mother?" Beth's grandmother told her that she thought it depicted one of these two women with a younger brother, but she wasn't sure about the generation.

When you think you know who's in the photo, start with family history. In this case, Beth's great-grandmother Ellen McHugh was born in 1885, while Ellen's mother, Bridget Murphy McHugh, was born in 1855.

Photographic formats often help narrow down the time frame. A tintype is a photograph on a thin sheet of iron; they were popular by the late 1850s. The rounded corners on this image strongly suggest that it once occupied a frame.

Costume provides clues about the occasion. The girl's white dress and veil clearly indicate it's her First Communion. She's even holding a tiny prayer book. It's traditional in Catholic churches to dress girls in white dresses and veils for this event. First Communion dress styles mimic bridal fashions. The details in the white dress are unclear, but the veil suggests a date circa 1890. In this period, bridal veils hung from a small gathering of fabric or flowers on the top of the head. This information definitely rules out Bridget McHugh.

The average age for a First Communion is around 7. So if this photo depicts Ellen, then it was taken in the early 1890s. Ellen had an older brother born in 1883 and a younger brother born in 1887. The youngster standing next to her would be 5-year-old William.

There are always unanswered questions about photos. In this case, I'd love to know why Ellen's older brother John isn't included in this studio shot.

For more help analyzing old family photos, use Taylor's guide Uncovering Your Ancestry Through Family Photographs (now on sale at ShopFamilyTree.com).

Immigrant Clues and Family Stories

Maureen — Mon, 13 Dec 2010 16:47:53 GMT

Terri Poore and her cousin have a lot of questions about this photo. Who, what, when and where is just the beginning.

Unfortunately, the original owner of the picture is currently unknown. Terri's cousin received a copy of it years ago and can't remember who gave him the print.

Terri and her cousin believe the folks in the picture are Felix Horvat (1884-1952), his first wife Sophie (1890-1918) and their daughter Anna 1909-1997). I agree with this identification.

There is a long complicated story about this couple. It's very important to write down the oral history of your family because you never know when all the pieces will link up. This photo is a perfect example of how stories and pictures are a natural match.

First the facts: Sophie's hat in this picture and her coat date the picture. She is very well-dressed in a heavy wool coat, fur collar and an oversize hat known as a toque. Her hat and clothing combined with the birth date of their daughter date this picture to circa 1910. Toques were all the rage at the end of the first decade of the 20th century.

Her husband wears ethnic dress that identifies him as a resident of Croatia. The family lived in Ljubljujana, Croatia.

Now here's where it gets interesting. Family stories relate how this couple met. He was a country boy who worked as a coach driver for a wealthy family—the Bahuneks. Their daughter ran away with the coachman! Sophie, her husband Felix and their daughter Anna immigrated to the United States in 1911 and lived in West Virginia for a time. The Bahuneks followed their daughter and also immigrated.

There is a sad twist to this tale. According to family lore, when Sophie gave birth to Terri's grandfather Nicholas in 1912, Sophie's mother was present for the birth. Her mother and the midwife decided she shouldn't have any more children with that "awful man" so they tried to perform a gynecological procedure to prevent more children.

The Horvat family moved to Michigan, but Sophie was so ill after the childbirth procedure that Felix allowed her family to move her back to West Virginia so they could care for her. He retained the children. In 1918, Sophie likely died from complications related to that botched procedure.

Family stories also relate how immediately following her death, her husband Felix and her father had a knife fight to determine the custody of the children. Felix won. He took the children back to Michigan and eventually married the children's caretaker, also named Sophie.

This photo is the gateway to an amazing family tale. Present in the image is pictorial evidence of the economic difference between the husband and wife. She's very fashionably dressed while he still wears his native dress. She's the city dweller and he's from the country.

Now Terri is trying to piece together the family history and try to locate living relatives.

It's Fall and Back to School

Maureen — Mon, 27 Sep 2010 20:15:04 GMT

This week, I've created a short video of photos from school days in the past. You can watch "School Days" and other video shorts on my Vimeo page.

While the majority of images in "School Days" are from the nation's picture library, aka The Library of Congress, some of the pictures are from my collection of photographs I've purchased.

One of my favorites is this little girl and a woman in a dotted shirt that dates from around 1900. Without the caption, you'd immediately think this is a mom and her daughter. Not in this case. It's a little girl and her teacher.

It's evidence that this little girl attended some sort of school (of course this could be her piano teacher). When you're researching your family it's easy to overlook records relating to ancestral childhoods. School records are a great way to find out just where you got your talent in math or in my case, my poor handwriting <smile>. You can learn more about school records here and don't forget to use the search box at the top right of the Family Tree Magazine site to search our archive of articles.

Got a mystery photo? Demystify it with help from Maureen A. Taylor's book Uncovering Your Ancestry Through Family Photographs.

Birth and Death in the Family Album: Readers Respond

Maureen — Mon, 19 Apr 2010 14:55:59 GMT

Joy and sadness often go hand in hand in family photo collections. This week I'll show off some photos that readers sent me. Be warned....the last two pictures depict disturbing images.

Susan Roose thinks the photo above depicts William (died November 22, 1877) and Daniel Hunt (died November 30, 1877). They were both just a few months older than one year. Notice the woman under the cloth. She's holding them still. These two babies look very healthy here.

Elizabeth Handler emailed this ambrotype of Marion Helen Alston (1850-1885) and her twin sister Christina. The back of the image states that it was framed by J.J. Gillespie Co. Fine Arts. Gillespie was a famous frame shop in Pittsburgh.

Bonnie Bileski of Winnipeg, Manitoba sent this snapshot of Violet Clements, her grandmother Olive Clements (back, right) and the twins, Victor and Victoria (born July 1, 1899).

Last week I told you I had some sad pictures from Judy Linnebach's family collection. Since so many folks e-mailed me to see them, I'll share them here.

Judy thinks that this picture depicts Freida Kohler (Nov. 7, 1907 -July 6, 1924). The cause of death was congenital hydrocephalus.

Judi has no idea who this man is. All that's certain is that he's deceased and that he was photographed in St. Louis. Jay Ruby's book, Secure the Shadow: Death and Photography in America (out of print, but available used) is the best guide to this topic.

Jackie McGuire sent in this picture with a heartbreaking story. A family story relates the tragedy of Elsietta Burns: "She was a much-beloved little girl, they say, but one day she was outside playing under the cherry tree and eating lots of cherries. She didn't know to spit out the pits and they killed her before the family could do anything for her."

Final Words on the Triplets

Diane — Mon, 12 Apr 2010 15:42:14 GMT

For the last two weeks I've written about a photo owned by Judy Linnebach. It depicts a couple and their three triplets. In the first installment, Motherhood Times Three, I discussed multiple births in the 19th century. They were a lot more common than I thought!

In last week's installment, Mother Hubbard, I provided information on the family and their attire. I forgot to mention that in the 19th century it was common practice to obtain photos of deceased children. In this instance, the family asked an experienced photographer to take a photo of their babies even though one of them was deceased.

Additional research on the family added a mystery. There were two surviving infants, but only one lived to be an adult. I wondered what happened to George Boll. Judy was able to send me a funeral card for him.

I don't read German, so if a reader could translate the text and enter it in the comments, I'd really appreciate it.

If you want to know more about funeral cards, genealogist Elizabeth Kelley Kerstens has an online article on the topic. Geneablogger Dee Welborn has a great blog on these cards, Funeral Cards and Genealogy. Fascinating stuff! If you thought they were just death announcements, check out Dee's site. You can learn a lot about your family from these seemingly simple cards.

Judy Linnebach also sent me a photo of an unidentified dead ancestor and a picture of a child who died from hydroencephalitis. If you want to see them, leave me a comment and I'll post them.

In the meantime, please e-mail me photos of multiple births before 1900.

Mother Hubbard

Maureen — Mon, 05 Apr 2010 16:40:39 GMT

Last week I featured Judy Linnebach's picture of a 19th-century couple and their triplets. If you have a photo of a pre-1900 set of triplets, I'd love to post it in this space. Just about everyone who commented mentioned a multiple birth in their family. I can't wait to see the photos—you can e-mail them to me.

Here's the rest of the story about Judy's photo.

When she wrote to me, she asked if this could be John Basilius Boll, his wife Barbara Platzer Boll and their children. According to her research, the couple married in 1879 and had two children before they had a set of twins in 1883. Is it possible that one of the triplets died and the death went unrecorded? Let's examine the evidence.

The picture is a card photograph measuring 2.5x4 inches. It's the size of a carte de visite. These small card photos were first introduced into the United States in 1859 and remained popular for decades. The thin red line border was first common in the late 1860s.

Tobias and Co. took this photo. On the back of the image is the name of the company and key details about their location and practice.

What I find interesting is the first sentence of the second paragraph: "To Mothers and heads of Families, we wish to call their attention to the frequent trouble of obtaining good and permanent Pictures of Babies." Tobias & Co. had a patented process to guarantee success.

To locate more information on Tobias, I contacted the St. Louis Public Library and spoke with librarians in both the local history collection and in fine arts. The company appeared in 1878 and later city directories, but by the mid-1880s Henry Tobias was a printer. It was unclear from census data if this was the same man who ran the photo studio.

This photo was found in a Bible once owned by Judy's father's maternal grandmother, Lena Wilhelms. Given that it wasn't directly connected to the Boll family, I asked Judy to research all the branches of the family to see if there was another multiple birth. Last week, we learned that multiple births were hereditary, so it's quite possible that this could depict someone else in her family. No luck!

There was another possibility though: Lena's daughter Emma was a genealogist and collected information on the Boll family. It's likely that she placed the pictures in the Bible for safe-keeping.

The clothing clues in this picture are fascinating. The husband wears a simple work shirt (the Bolls were farmers). The wife's dress is barely visible except for a plain neckline and lace-trimmed cuffs. My grandmother always wore a "house dress" when she was home, and I wondered if the same wasn't true in the 1880s. While this woman's dress isn't the current 1880s dress that you see if fashion encyclopedias, there was a wide variety of dresses for women.

In the 1880s, a new style of dress became popular for pregnant women. It was called a Mother Hubbard. Loose-fitting and comfortable, these cotton dresses could be made with a pattern available from a catalog. The mother in this photo had likely just given birth—these are very small infants. With three babies to breast-feed, a comfortable dress like a Mother Hubbard would be perfect attire. They often featured trim at the cuffs, just like you see here.

They were so comfy that many other women wore them belted in summer to stay cool. It was a controversial choice. In the Oct. 26, 1884, New York Times, an article titled, "The Mother Hubbard in Chicago" talked about variations of the dress being worn by women in one neighborhood and how one particular woman had been arrested for it. It ended on a reassuring note: "Ladies who wear Mother Hubbard dresses on the street need not be alarmed. There is no ordinance in Chicago against the wearing of them, although such an ordinance is in vogue in the town of Morris, Ill."

According to Joan Severa in Dressed for the Photographer: Ordinary Americans & Fashion, 1840-1900 (Kent State University Press), these dresses were meant for indoor use. They were house dresses, not to be worn outdoors.

So could this picture depict the Bolls and their children in 1883? The evidence is conflicting.

In late December 1883, the Bolls had twin boys baptized—Charles and George.
In the 1900 census, the family is listed except for George. I have to double-check with Judy on his whereabouts. When asked, Barbara said she'd given birth to six children but that only five were still living. Could this refer to a deceased George? There were five children currently living with the parents. Why not mention another child if one of the triplets died?
Could another multiple birth in the family have gone unrecorded? It's possible.

Right now it appears that this photo documents the Boll family.

The mother's dress dates from the 1880s.
The photographer could still be taking images in his printing business (if, of course, it's the same man)
There are no other documented multiple births in the family.
Judy has one documented multiple birth—the twin boys.

If this is the Bolls and their babies, then one of these triplets is likely deceased. This was a complicated case.

It's a haunting image. Next week I'll be back with some other unusual pictures from Judy's family!

Motherhood Times Three

Maureen — Mon, 29 Mar 2010 15:01:13 GMT

Judy Linnebach sent me this haunting photo of a couple and their three babies. That's right, triplets! I don't have all the answers yet, I'm still working on it. I'll post the second installment next week.

This image has obviously been enhanced by the photographer—the man's beard, her hair and all their eyes have additional dark ink added to them. The baby on the right has eyes dotted in. Blue or light green eyes tend to appear very light in early photographs so it's not unusual to see this type of enhancement.

Since I'm still gathering facts about this picture, the family and the photographer, I have some general impressions but no real answers yet.
I have, however, learned a lot about multiple births in the 19th century.

A century before fertility treatments made multiple births relatively common, it was unusual to bear more than two babies at once. According to George Milby Gould and Walter Lytle Pyle, authors of Anomalies and Curiosities of Medicine, published in 1904 (available on Google Books), most multiple births in the 19th century were to women in the age range of 30 to 34, and heredity was a factor. The odds of having a multiple birth varied by country. In Germany, for instance, it was one in 7,910.

They cite examples of multiple births including a Mrs. Page of Texas, who gave birth to quadruplets in 1890 and was such a sensation that the family toured the following cities: Denver, St. Joseph, Omaha, Nebraska City, and then Boston. She'd already given birth to three sets of twins. I'd love to see a picture of this family! There were 14 children.

Judy wrote that she "hoped this photo is enough to pique my interest." Absolutely! It's a complicated story, so bear with me while we sort it out.

A Success Story: A Graduation Class Identified

Maureen — Mon, 22 Feb 2010 19:09:43 GMT

Months ago, I wrote a Photo Detective column for the March 2010 issue of Family Tree Magazine called "The Graduates." It was about the chance discovery of a photograph stuck behind the lath in a bathroom wall in Sandi Alex's house in Camas, Washington. This story has a happy ending!

Sandi told an elderly neighbor who'd lived on their street her whole life about the photo. That neighbor thought maybe the picture once belonged to the Mott Family who'd built Sandi's house.

Being a genealogist, Sandi wanted to reunite the picture with a member of that family so she posted a query on genealogy message boards including the Mott surname forum on Ancestry.com. Judy Strong saw that posting and contacted Sandi. Judy's paternal relatives were the Mott's. They'd lived in that house until 1959.

I knew from their attire, props and pose that it was a graduation picture and I worked with Sandi and Judy to try to figure out the names of the students and the teacher. We also tried to discover why the image was in the house since it didn't appear to feature any of the Mott's. We had a couple of ideas, but nothing definite.

The final identification came from a Family Tree Magazine subscriber. Janet Cosgrove of Yamhill, Oregon wrote to the editors. "Today I received the March 2010 issue in the mail and was flipping thru the pages, when I saw "The Graduates" picture and was shocked to see my maternal grandmother in it." We were equally surprised.

Janet not only knew her grandmother, she had a date and the names of the people in the image. Amazing! Her great-uncle had listed all their names on the back of a copy of the original picture.

From left to right are Harold Peterson, Esther Jones, Marie Schrohe, Mabel Nielsen, and Edith Anderson (the teacher). Janet's maternal grandmother taught this small class at the Constance School in Green Valley, Waupaca, Wisconsin. This is the graduating class of 1915.

It's so interesting when photos are suddenly identified. I wonder if the family living in the house ever missed the picture. It didn't depict any of the Mott's but Janet thought that perhaps Esther Jones was the daughter of the widow Sarah Rodwell Jones that I mentioned in the magazine article. She was related to Mrs. Emma Mott.

This photo is a great story--it's about youth, young love and family. Turns out that the teacher ended up teaching for only two years. She married the older brother of her student Harold Peterson.

Case Closed!

Friends and Neighbors

Maureen — Mon, 15 Feb 2010 16:03:53 GMT

A couple of weeks ago, I presented several lectures at the San Luis Obispo Genealogical Society conference. I had great time and got to look at some interesting pictures. Roma Miller showed me this snapshot.

This was in Roma's box of photos from her step-grandfather's family mixed in with other family photos. On the back it says, "Caroline 1927." But who's Caroline and where was it taken?

Look carefully at this image. See the shadow of the photographer at the bottom? It's a great shot of someone taking a picture of this woman. his or her arms are raised, holding the camera.

Next look to the right of Caroline—there is a child. This little kid wears overalls and has his head bowed down. The short pants signify a boy, as does the haircut. This "baby cut" was similar to what we'd call a bowl cut—ear-length on the sides and bangs.

Caroline wears a simple daytime dress. She's probably busy taking care of the her child and the housework. The style of this dress makes me wonder if she could be pregnant. It's very loose-fitting. Her hair is one of the short cuts popular in the 1920s. I think it looks a lot like either something called the "Senorita" or the "Broadway."

The house is a two-story dwelling with a bow window in the style of the late 19th century. It's a Victorian-style house with a tall picket fence in the front and a wrought iron gate. In the background, a latticework wall surrounds a doorway with stairs.

Roma and I talked about ways to identify this woman.

Ask the owner: The child is about the right age to be her step-grandfather—could this be him and his mother? Nope. He doesn't recognize the woman.
Post it online: I'm helping out by featuring it in this column. Roma has also uploaded the picture to DeadFred.com
Contact extended family: Roma sent out a mass e-mail to all her relatives. Success!

A cousin identified the woman and the location. It was a neighbor of Roma's maternal great-aunt when they lived in Oakdale, Calif. A quick check of the 1930 federal census should result in a last name (as long as Caroline remained in the area). Roma may never know who took this picture, but it could be someone related to her great-aunt.

On the surface it's such a simple portrait of a young mother, but when you add in the child, the house and the photographer, it's the beginning of a story and evidence of a friendship between neighbors.

There is one other reason I love this picture. It's a perfect example of how family collections of photos contain more than just blood relatives. There are usually friends and neighbors mixed in as well.

The Search for Annie Moore

Maureen — Mon, 08 Feb 2010 19:01:23 GMT

If you don't know who Annie Moore is, you haven't been following Megan Smolenyak's research on her. For several years, Megan has been intrigued by her. Annie Moore was the first person to step foot on Ellis Island when it opened Jan. 1, 1892—a pretty significant first. There wasn't much known about her until Megan started digging.

You know how research can lead to one thing and another? Well, that's what happened with Annie. Before long, Megan found two of Annie's relatives with images purported to show this mysterious woman. They claimed they had seen a photo of her at Ellis Island.

It's a long story. I've featured the research done so far on both Annie and the pictures on my own blog last week. Megan and I have been trying to verify the identity of the image of three children and figure out where it was taken.

There are folks on both sides of this photo problem. Megan and I have to do more research, and we'd love to see the original picture.

Rather than link to all the research in this column, you can view the image and click through the links provided in my blog. It's a complicated piece of photo research.

Comments are graciously accepted!

Photos with Santa

Diane — Mon, 21 Dec 2009 17:14:18 GMT

A simple question from my editor, the Genealogy Insider Diane Haddad, has me scrambling for the answer. She asked, "What's the history of having your picture taken with Santa?" Whoa! These iconic kid pictures are in a lot of family albums, and judging from the lines at mall Santas, having a photo with this Christmas symbol remains popular.

But when did the first kid have a picture taken with Santa? It's a good question.

Out on a gift-buying journey I found a cute little book, A Century of Christmas Memories, 1900-1999 by the editors of the Peter Pauper Press (Peter Pauper Press). In it is a picture of baseball great Babe Ruth playing Santa at a benefit in December 1947.

The photo featured above was taken in 1942 at Macy's Department Store in New York, and now is in the collection of the Library of Congress. Accompanying information mentions there were two Santas, concealed from one another, so that the children wouldn't be upset. Each child got to talk with Santa and received a piece of candy.

The tradition must be older than that. I turned to Google for help. A quick search turned up a site that mentioned that the first department store Santa was a R.H. Macy's in New York in 1870, but it didn't mention photographs.

On the History Channel website, there's a history of many things relating to Christmas—including a short article on mall Santas. According to that piece, in 1841, a Philadelphia store featured a life-size Santa model.

I thought a newspaper search might help. I didn't find exactly what I was looking for, but I did locate an obituary for Charles W. Howard, who was considered the "Nation's No. 1 Santa Claus." According to the obituary in the May 2, 1966, New York Times, Howard began his career as Santa when just a child, and then in 1937, he opened a school for Santas. He taught "psychology, costuming, makeup, whisker grooming, voice-modulation and ho-ho-ho-ing."

Howard said "You've got to know the character you're playing. It's so real to me sometimes that I can feel the reindeer breathing on my cheek."

While I don't have a definitive answer yet on Diane's question, I'm still working on it. I have some leads, but need to contact some folks in the know. They haven't returned my calls in this busy season....they must be out shopping.

Happy Holidays!!

Family Stories: A Photo at a Time

Maureen — Mon, 02 Nov 2009 16:06:57 GMT

Sharon Pike wrote to me with a question about the clothing on the children in this photo, "Do you think the photographer brought clothing as props for the children?"

It's a really common query. In her e-mail, along with her question, was the story of this family. Since I believe every photo tells a story. I couldn't resist sharing this lovely bit of family history.

Thomas "Tom" Schuler and his wife Matilda "Tilly" Mueller (Miller) sit on the stoop of their Louisville, Ky., house with their first four children. The two children flanking the parents are Leo Thomas Schuler on the left and his twin sister Verena Marie Schuler on the far right. The little boy on Dad's lap is Edward Joseph Schuler, and the baby is Louise Matilda Schuler. The presence of Louise dates the picture to the summer of 1899; she was born May 19 of that year.

To answer Sharon's question, I don't think the photographer brought their clothes with him. Photographers often carried props and some accessories, but not a wagon full of clothes.

The kids and their parents are dressed in typical fashion for the turn of the century. Leo's wide-collared shirt and tie were worn by boys across the United States. None of the children is dressed for play; they're all wearing clothes for a special occasion—the family photo. Dad's the informal one: In this time frame, men wore coats in all types of weather, so it's a bit unusual that he's not wearing a jacket for this formal portrait. It was probably taken on a really hot summer day.

Each photo also tells the "backstory" of the folks depicted. A picture becomes a symbol to remember these family members. According to Sharon, Tom Schuler was born in Switzerland and immigrated with his family in 1870. As a young man, Tom and all the men in the family went back to Switzerland for a visit. It was a timely event. On the return trip to the United States, a young woman named Tilly Mueller was also en route to America with a work contract for a job as a maid.

This shipboard romance has a happy ending. Sharon told me that Tom went to the house where Tilly worked and helped her climb out the window so they could elope. They eventually had seven children.

Telling the story of a picture and a family requires digging for names and dates, but family history and oral tradition fit together with the visual elements of a picture to tell the tale. Next week I'll be back with some tips on how to write your own photo story.

Thank you, Sharon, for sharing!

Spotlight: Denver Public Library Picture Collection

Maureen — Mon, 17 Aug 2009 18:38:42 GMT

It's over 90 degrees in my town today. The heat and humidity make me start thinking about winter.

With months to go before the snow, I did the next best thing. I looked at pictures of cooler temperatures I found on the Denver Public Library Web site.

All right. Not all of the images depict winter scenes, but if you have any family in the Denver area, this is one collection you have to consult. The library has about a 100,000 images online and that's just the tip of their very large collection.

The National Endowment for the Humanities gave the Denver Public Library a grant in 1997, and since then, the library has been quickly adding material to this gorgeous digital archive. To bring the "chill" of winter into my office, I began by browsing through images of the 10th Mountain Division, then wandered over to the picture galleries of children and scenes of the Denver area. It's armchair traveling at it's best.

While you're exploring the site, check out the links to the electronic finding aids. They're fully searchable.

The Denver Public Library isn't the only library with such collections. Public libraries all over the country usually have picture and manuscript collections. Their librarians are custodians of local history. I strongly advise you to ask about the holdings of your local library.

I'd also like to send a big thank you to James Jeffreys of the Western History and Genealogy Department of the Denver Public Library for his help with an Photo Detective article slated for the December 2009 Family Tree Magazine.

Pictures Without Provenance

Maureen — Mon, 10 Aug 2009 23:11:47 GMT

Hilda Barton sent me this lovely photo of a young girl with the subject line: "No Idea Who This is..." It's a picture without provenance.

I've written about provenance before. It's the history of ownership of a photograph or other object. It's easy to underestimate the value of knowing the previous owner of a picture, but this is actually one of the keys to figuring out who's in an unidentified picture.

Start by asking the following questions:

Who owned the picture before me?
Did the photograph hang on the wall in relative's house?
Was it loose in an album or on a page with other relatives?

These questions can determine which branch of the family owned the image and bring you one step closer to putting a name with face. But remember, the photo could show a friend's child—not a relative at all. Facial similarities to people in identified photos may help.

Then answer the next set of questions:

Where was it taken? Look for a photographer's name and address on the image. Then consult your family history to see who lived in the area.
How old is the person? In this case, it's a young girl, probably less than 5 years old.
When was it taken? In 1916, The Ladies Home Journal published a short photo essay on "Arranging Your Little Girl's Hair." Younger children wore narrow bows, like this youngster. Her short bobbed hair was popular around 1919.

If Hilda can answer these questions, she can consult her family tree and make a short list of who's the right age to be in this picture.

On a side note, a fascinating new book by Laney Salisbury and Aly Sujo is called Provenance: How a Con Man and a Forger Rewrote the History of Modern Art (Penquin Press, $26.95). It's amazing how one man could dupe the art world with falsified documentation. I couldn't put it down.

Adding Up Photo Clues

Maureen — Mon, 27 Jul 2009 19:55:27 GMT

I had trouble deciding the angle for this story. Would I discuss the problem of trying to figure out the photographic method or mention a family brick wall? Then I re-read all the emails from Randy Majors and decided to cover those topics as well as how he identified his picture.

What is it?
Electronic files are wonderful for sharing pictures, but nothing compares with looking at the original, especially when you're trying to determine the photographic method. One of the first questions I asked Randy was, "Can you describe the picture?"

There were two types of metal images in the first 20 years of photography. Daguerreotypes are shiny, highly reflective images that are reversed, but tintypes are on a thin sheet of iron and usually varnished. They aren't really shiny. He said that the image was somewhat shiny, but not mirror-like.

So what is it? Without seeing the original, I'd guess a tintype. If you look very closely at the left of the picture you can see a crackled pattern in the photographic emulsion. I've never seen that in a daguerreotype, which is created by chemical salts on a silver plate.

The other detail that makes me think this is a tintype is the hole in the upper-left corner. I've seen scads of tintypes with this, but never a daguerreotype.

This lovely picture was once covered by an oval mat, appropriate for either a daguerreotype or a tintype.

When was it taken?
Let's look at the subjects' attire from left to right. The boy wears a jacket several sizes too large. The stiff wave of hair atop of his head was particularly popular in the 1850s. His father wears a collarless shirt, a vest and a jacket. His hair is long and combed back. A full under-the chin beard completes his appearance.

It wasn't unusual for little girls in the 1850s and in the early 1860s to wear dresses with shoulder-bearing necklines and short epaulette sleeves, with strings of beads around their neck. Their attire could be from the late 1850s or even the early 1860s.

The girl's doll could date the picture. I'm no doll expert, but determining whether this is a rag-style doll or a china doll could help place this image in a time frame. I think it's a china-headed doll. The problem is that the detail is missing from the face. For help with dating dolls in images, consult Dawn Herlocher's 200 Years of Dolls, 3rd edition (KP Books, $29.95).

Who is it?
One of the best ways to identify a picture is by swapping with relatives to see if they have similar images. The unidentified picture Randy sent was his great-aunt's. In Rady's collection was an identified picture of William Riley Majors, (1821-1881).

Notice anything familiar? You guessed it. It's not only the same man—it's the same picture, only a copy.

So who's in the first picture with William? His son William Andrew Majors and his daughter Martha Etta Majors. Based on the children's ages, Randy thinks this picture was taken about 1865 in the Madison County, Ill. or St. Louis, Mo., area. He could be right. This late a date also would suggest that the image is indeed a tintype.

Randy's biggest problem is that no one has been able to find out the lineage of William Riley Majors. He was born in either Alabama or Kentucky, and died in Cowley County, Kan. "He remains my biggest brick wall," Randy wrote.

Anyone have any research suggestions for Randy?

Photographing Children in Our Ancestors' Day

Maureen — Mon, 04 May 2009 13:35:25 GMT

In honor of Mother's Day, I'm including a short piece on photographing of children from Rhode Island photographers William Coleman and Orville Remington. They were business partners in their studio from 1867 to 1883.

During their first year, the men published a booklet advising potential customers how to dress and pose for their pictures. They also include practical advice for parents on getting pictures of their children. I find some of it quite funny and hope you do, too.

Many photographers dislike taking children. It is true, they are sometimes troublesome, and the result uncertain; but again, they are so often easy and graceful, and their pure complexions give such delicate half-tones, that some of the finest pictures are those of children, and no artist seeking after excellence would forego, even from choice, the oportunity they afford.

For very young children, it is necessary to choose a fine day, and the best light, which is usually in the forenoon.

Avoid giving or mentioning sweets to them. Do not play or fuss too much with them. Generally a child will sit best if left entirely to the operator.

The last bit of advice is still true today <grin>. Here are some pictures of "hidden mothers" (or photographer's assistants) who often appear—partially—in old pictures of babies.

Ancestories blogger Miriam Robbin Midkiff sent in this adorable photo (above). She writes:

Attached is a photo of my husband's maternal grandmother, Leona Mary MARTIN (on left) and her twin, Lee Joseph MARTIN, taken c. 1907 in Bonners Ferry, Idaho. If you look closely at the left side of Leona's gown and the right side of Lee's gown, you'll see evidence that someone (or a couple of someones) are sitting out of sight, holding the children on the sofa. The twins would have been about a year old (they were born 17 Dec. 1906). The back says "For Grandpa and Grandma". Only their maternal grandparents, Isaac and Rebecca (HEWITT) LUKE were still living by the time they were born. I imagine this photo was a Christmas gift.

These close-ups show the odd folds in the children's gowns—it looks like they're concealing grown-ups' hands:

Donna Richmond sent this picture (below) titled "child of L.C. Hataway, Black Creek, La." At teh baby's waist, you can clearly see the hands of a woman hidden under the rug.

Here's one more picture from my collection of unidentified photos of hidden women. It dates from the late 1860s. Don't you just love the hands holding the baby's head still?

Happy Mother's Day!

Why the Long Faces in Old Photos?

Maureen — Mon, 06 Apr 2009 16:26:27 GMT

Every so often I bump into a 19th century photo in which the subjects are grinning. It's a rare event. Occasionally, you see a Mona Lisa smile, but it's difficult to locate an image from the 19th century where folks actually showed teeth the way we do today. So, you're probably wondering—why the long face in most pictures?

In the beginning, I imagine that sitters were nervous in front of the camera. It was new, and having your picture taken was an uncomfortable procedure.

Look closely at your early photographs and see if you can spot a posing device such as a wooden stand behind the subjects' feet. This device sometimes extended as far up as the head and had clamps around a person's waist or head to keep him still for the long exposure time. Would you feel like smiling?

In this 1870s tintype, you can see a chair with the adjustable back. This man holds the the chair back, but if you look closely at his feet, you can see a wooden brace stand.

You can learn more about photographic patents and these tools in Janice G. Schimmelman's American Photographic Patents 1840-1880: The Daguerreotype & Wet Plate Era (Carl Mautz, $25.00). Unfortunately, I don't own a picture of a full clamping device. Anyone got one to share?

I have a small collection of women and babies I call "hidden mothers." Women hid under blankets and rugs to keep their babies still for the camera. In this photo, a mother or a photographer's assistant braces the toddler for the picture.

There were also devices to hold babies that look like medieval instruments of torture.

Let's not forget another reason individuals didn't smile for the photographer: dental care. Forget cosmetic dentistry—few folks had a full set of pearly whites. In fact, dentistry was a new profession in the mid-19th century. The online Encyclopedia Britannica has a short article on the history of dental care.

If you have a picture of a "hidden mother," a smiling ancestor, or a photo that includes a posing device, email it to me and I'll post it in this space. Both of the images above are from my research picture collection.

Pets in the Family on YouTube

Maureen — Tue, 10 Feb 2009 14:13:17 GMT

It's not hard to believe that the three installments of this blog on ancestors' adorable pets were among the most read. After all, it's family history from a different perspective—pets in the family. Since this week is the Westminster Dog Show, I thought I'd try a different presentation method for the photos.

I've received a few more pictures for this album, but instead of posting them individually, I incorporated them into a video.

I'm going to tweak it some more and see if I can boost the quality. I produced it in high definition but uploading it to YouTube compressed the files resulting in some blurring.

Just in case you missed the series:

Pets in Pictures

An Album of Ancestors' Family Pets

Pet Photos: Our Ancestors Loved Their Dogs, Too!

I'd like to thank everyone who sent in pictures!

(For more genealogy videos, see the Family Tree Magazine YouTube channel.)

BTW—I have a new e-newsletter that lists my speaking schedule,and contains a link to the Photo Detective video podcast. It's absolutely free. Sign up is on my Web site.

Pets in Pictures

Maureen — Mon, 26 Jan 2009 19:07:59 GMT

For weeks the media have been focused on which breed of dog our new First Family would pick for their family pet. Turns out only two presidents have never had pets in the White House.

You can read all about famous presidential pets in this article on the Mental Floss blog, from Calvin Coolidge's pygmy hippo (no joke!) to Franklin Roosevelt's adorable terrier named Fala.

I'm bringing this series of pet photos to an end with these final three pictures. The two previous installments can be viewed on this blog: An Album of Ancestor's Pets and Pet Photos: Our Ancestor's Loved Their Dogs Too.

Carol Norwood sent in one of her favorite family pictures. It was taken in Gottingen, Germany in 1892 and shows the Agricola family. Agnes Agricola and Hermann Simon (Carol's great-grandparents) are seated in the center of the front row.

Claudia submitted a picture of her mother tending geese. She told me that her mother always said they would chase and bite her. She estimates this picture was taken circa 1933-1935.

One other reader sent an image for posting here. It depicts her grandfather's older sister Margaretha Petersen, known to the family as Maggie, with their pet dog. The dog's name wasn't recorded. Maggie was born in 1888. According to the submission, Maggie was the family "pet" herself, the only daughter until her sister was born in 1899.

The red discoloration is due to dye transferring from a paper sleeve to the image.

Anyone have a clue about the breed of this last dog?

Thank you for sharing all these pictures.

An Album of Ancestors' Family Pets

Maureen — Mon, 19 Jan 2009 16:46:12 GMT

Thank you to everyone who sent a photo of a pet in the family! This week, I'd like to share what was e-mailed to me. I'm so glad that each picture came with a story, too. This was a lot of fun!

Jim Musso wrote "First, this is my mom with her family's pet pig, Spud. Mom grew up on a farm in Sheboygan, Wis.; she was born in 1925, so this photo must be from the early 1930s."

He continued, "according to Mom, Spud would only eat from the hands of family members, and preferred standing on a chair with his front hooves while being fed. She recalls Spud walking under the kitchen table and carrying the table on his back as he walked away. My grandparents, Vincent and Hattie Fee, obviously liked animals.

In the foreground is the family's dog, Jigs, no doubt waiting for a morsel to fall his way. Jigs preferred travelling in a wheelbarrow, as can be seen in the second photo."

Bethany Klus wrote that the photo below is "a cabinet card-style photo from an album of photos taken in Alpena, Michigan from the late 1800s. Most of the photos are unlabeled, including the one I'm sending to you. The dog in my photo could be siblings with the one in the blog photo, they look that similar."

I have to agree that it definitely is a Terrier, possibly a Cairn Terrier although they tend to have darker fur (I'm a veterinarian when I'm not a genealogist!).

"The second photo," she added, "is my great-grandfather Royal Frederick Flock who was born in 1892 in Edenville, Mich. It was probably taken in the early 1920s when he lived in Detroit. With him is the pet cat."

Not all the pet pictures submitted show a real, live pet. Kathy Amoroso wrote that the photo below is, "my grandmother and her family. She's the one on the fake pig. They are in Germany in 1913 and this is from one of those postcard photos."

I'll be back next column with a couple more!

Finding Family Photos on the Web

Maureen — Mon, 14 Jul 2008 19:39:54 GMT

A couple of weeks ago I wrote about how one genealogist created a short video about her online photo discovery. I was so intrigued by her effort that I decided to try putting together a short piece with images depicting flags. It's one of my collecting areas—I can't turn down a picture of the personification of flags and other American symbols. You can watch the video on Roots Television. It was only my second attempt at movie-making, so don't be too harsh.

One of the photos I included came from the Library of Congress and serves as a good example of how family photos can also represent history. It's a gorgeous stereo view of a young girl dressed as a symbolic figure.

According to the cataloging record, this image is Fontinelle Weller posed as Columbia, taken on March 13, 1873, by F.G. Weller of Littleton, N.H.

The 1870 census provides additional details. The girl's name was actually Fontanella A. Weller and F.G. was her father Frank G., a photographer. (You can find this record using the following citation: 1870 U.S. census. Grafton County, New Hampshire, population schedule, Littleton, p. 567, dwelling 170, family 191, Frank G. Weller citing National Archives microfilm publication M 593, roll 841.)

I used my Boston Public Library card to find Fontana on the subscription database Heritage Quest, but you can also locate her using Ancestry.com.

The depicting of individuals as symbols of America goes back to the founding of this country. Fontanella has a serious expression on her face while holding the flag. Her white Roman-style dress with a crown identifies her as "Columbia, Mother of the Republic."

In the late 18th and early 19th century, Columbia was a woman, but as seen here, in the mid-to later 19th century, she became younger. You can read more about American symbolism in David Hackett Fischer's Liberty and Freedom: A Visual History of America's Founding Ideas ( Oxford, $50).

If you haven't searched the Library of Congress catalog of prints and photographs, try it and see if you can find images of the members of your family. Anyone out there related to Fontanella? According to FamilySearch, she married Henry Fitch on June 13, 1890.

If you've located family photos on the Library of Congress site, let me know by posting a comment below.

Sisters or Mother and Daughter?

Maureen — Mon, 16 Jun 2008 21:33:34 GMT

A reader named Judy sent me a picture mystery that's a lot like choosing the answer to a multiple choice question—a, b or c. This makes my brain and eyes hurt. Here goes:

On the back is written Great Grandma Frances Huffman. Huffman was born in 1838.

In a different handwriting on the back someone wrote, Nira. There were two Niras in the family: Frances Huffman's mother, born about 1817, and a sister, born in 1859.

Frances Huffman had a daughter in 1856.

In case you're confused, both Huffman and her mother were giving birth to children in the 1850s. Huffman was 18 when her own daughter was born; her mother was 42 when she had Nira.

So who's in this picture? That's the quandry. The wide lace collar and beads suggest it was taken in the mid-to-late 1850s. The caption on the back suggests the woman is Huffman, but if it's really her and her about-2-year-old daughter, then it's an odd picture.

In 1858, cased images such as daguerreotypes, ambrotypes and even tintypes were available, but paper prints weren't common. Note the gray cardboard used as backing and the circular shape to the portrait—I think this is a copy of an earlier image. The blurring of the portrait suggests the photographer shot the copy through the glass covering the original picture.

What about the additional caption mentioning Nira? Unless this is a picture of Huffman with her much younger sibling, that's probably a misidentification.

I'm not sure all the pieces of this puzzle are in place yet. I don't think the mother in this picture looks like she's in her 40s, but genetics and illness are just two factors affecting the aging process. Another picture of either Huffman or her mother wouldhelp confirm the woman's identification.

Curly Locks: A Trend Revealed

Maureen — Mon, 05 May 2008 15:26:17 GMT

I asked for it. I posted a request for images of curly-headed tots and now I've got several. Thank you!!

They confirm my hypothesis about boys and hair. It appears that in the early 20th century, there was a trend—little boys with long hair and hair bows. They look just like their sisters. What's a genealogist to do to tell them apart?

Family traditions, oral histories and good old-fashioned genealogical research are the only ways to tell the boys from the girls in these cases. Don't jump to conclusions when you see a bow in this period—you might be wrong. Add up the kids in the family, ask older relatives if they know who's who, and try to match up their ages to kids in the photo using census returns and other documents.

Here's an image Esther Thompson sent me:

Her emails says it all "This is a picture of my great-grandparents William and Ida Johnson, and the boy in the front with the curls (and bow in his hair) is my grandfather Andrew Clyde Johnson, born in 1897. I got this picture from my Dad's sister and when I asked her who the little girl was, she said, 'that little girl is your grandfather.' I couldn't believe it."

Here's a close-up. Enjoy!

Family Portraits: Boy or Girl?

Maureen — Mon, 28 Apr 2008 21:51:33 GMT

Elva Martin sent me this picture to help settle a family reunion disagreement.

See the child in the second row on the far right? The one with a bow in the hair? Do you think this is a boy or a girl?

The picture is an example of confusing details even when you know the name of everyone in a photo.

Martin's clan is clear about this being the Peter Mower family. They even have a date for the picture, 1910.

It's that troublesome child causing the disagreement. "Petter" Mower, his wife and their nine children appear in the 1910 census for Saugerties, NY. Their oldest, Harry (age 16) stands proudly in the back. Leona (3) sits on her father's lap while baby Marion is with Mom.

The rest of the boys are Leory (15), Arnold (13), Adelbert (11), Orie (10), Louis (7) and Everett (5). Orie is supposed to be the child with the bow, but did boys wear bows in the their hair and long curls? The answer is, sometimes!

I know I've written columns about the ways boys and girls wore their hair parted—boys on the side and girls down the center—but there are always exceptions. Frances Hodgson Burnett's 1886 book, Little Lord Fauntleroy, featured a main character named Cedric whose mother dressed him in a "black velvet suit, with a lace collar, and with love-locks." You can read the whole text for free on the Project Gutenberg site. But Burnett didn't start the trend, she only popularized it.

Throughout the centuries, there have been mothers who couldn't bear to cut the gorgeous curls from their little boys' heads. It appears Orie's mom couldn't either. Of all the children in the portrait, Orie resembles her the most.

He has her mouth, eyes, nose and even the same-shape face. Perhaps he was her favorite. It's impossible to know, unless there's a family story about Orie's place in his mother's affections.

Despite the family disagreement about his sex, this child is a boy.

E-mail me your old pictures of boys in curls and I'll feature them in a future blog. For now, this is another picture puzzle solved.

Belieu Babies

Maureen — Tue, 15 Apr 2008 13:09:13 GMT

Within moments of posting last week's column on the pictures of Catherine Denison Belieu and her babies, I received an e-mail from Midge Frazel, Denison family historian. Turns out there's nothing simple about those Belieu kids. Did Catherine have 11, 12 or 13 children? It's still being debated.

I wrote that the family traveled to Oregon by boat, but another family historian commented that the family could have traveled overland. She's right, but this family took the water route. You can read Midge's note about how the family got to Oregon by clicking Comments below last week's piece.

So which babies are depicted in these portraits? Catherine's clothing is a simple dress with a small collar accented by a pin. This helps date the picture to a short time frame, the mid-1860s to at least 1869. After 1869, women's collars changed. Of course there's no guarantee Catherine stopped wearing her older clothing into the early 1870s.

Catherine and her husband, John Asbury Belieu, had several children in the late 1860s and early 1870s.

Sarah Naomi Alice, born Dec. 4, 1864; died June 13, 1867.
Jesse Leander, born Oct. 11, 1866.
M. Elizabeth Evalin, born Feb. 3, 1869. This Eva is supposed to be Carole Hayden's great-grandmother, but some genealogists claim this child died in 1872. There's a mistake in here somewhere.
James Asbury Elmer, born Jan. 2, 1871

It's likely the two babies in the photos are two of these children, but it's difficult to assign names. I think that at least one of them is Sarah, who died in 1867. It was a common practice to pose for a picture with a first child.

The two images show different children. I've come to that conclusion by comparing the shapes of their heads—they're slightly different. Both children wear dresses, but you can't jump to the conclusion they're girls. The mother could be reusing a garment from her first baby.

Regardless of who's who, these two images are treasures for the Denison/Belieu family. Now here's a challenge to other descendants. Do you own pictures of Catherine with her other children? Send them in and let's really try to settle the question of which baby is which.

Family Travels and Family Photos

Maureen — Mon, 07 Apr 2008 22:22:32 GMT

Every family has significant events documented in photographs. For immigrant families, that usually meant taking a group picture before a loved one left home. The immigrant also often sent pictures home to show he'd arrived in one piece and was happy.

In some families, photographs don't actually document the travels, they become the icon for the retelling of a family story. Carole Hayden owns two images of women with a baby. She found them in a box of newspaper clippings saved by her great-great-grandmother, Catherine Lavinia Denison (born in 1848).

When Catherine was a mere 2 years old, her parents took her to Oregon. In those days, that meant boarding a ship and sailing around the tip of South America. Approximately 6,000 other people also made that trip. If you've got an ancestor who decided to settle in Oregon in 1850, you can check his or her name against this online list of pioneers. It's not comprehensive and the Denison family doesn't appear there, but you might get lucky.

Now Catherine's descendant wants to know the significance of these two tintype images. Do they show the same woman?

Definitely! These images depict the same mother, but is the baby the same? That depends how many children Catherine Denison had with her husband Asbury Belieu. They married in 1863, and judging from her clothing, these two pictures were taken in the year or two after their marriage. Family history research would provide information on when their children were born and the sex of the babies. The babies in both images appear to be female.

I need to do a little more research before I can answer the rest of Carole's questions. Back next week with more!

By the way, thank you to everyone who added comments about last week's column. You'll have to look at the column and the comments to see my response :)