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by Maureen A. Taylor

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# Tuesday, June 14, 2011
Contest Winner Revisited
Posted by Maureen

Last week I wrote about Juliann Hansen's photo of men dressed like Native Americans. It's definitely a mystery. No real breakthroughs this week.

Genealogy Insider Diane Haddad found another collection of Cincinnati Butcher Supply Company material at the University of California at Davis. A small group of material was donated by the Schmidt family in 2001. Alas...the photos in the collection date from the 1920s to 1950s, too late to be related to the men in the original image.
 
contest winneredit.jpg

Juliann's cousin Peggy is also curious about this photo. She owns a copy of an 1890 portrait of the men who worked at the Cincinnati Butcher Supply.

cbs01 002.jpg

I studied the two photos and didn't see any faces that jumped out at me as being the same men. A Nov. 17, 1939, article in the Cincinnati Times contained this image with a caption identifying a few of the men. The problem is, the caption was wrong. The middle boy is definitely Oscar Schmidt, Juliann's grandfather.

So right now there are no answers. I'm back to considering fraternal organizations. The degree of undress in the first image suggests that women weren't present. Too scandalous for their delicate temperaments <smile>.



Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1900-1910 photos | men | organizations | props in photos
    Tuesday, June 14, 2011 8:46:37 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2]
    # Monday, May 16, 2011
    Asking the Big Questions
    Posted by Maureen

    I sat with a friend today as she showed me her latest online family history discoveries. It was all very exciting.

    She's worked on this particular genealogy problem for several years. All of a sudden, an unknown distant relative joined an online site and posted family information and lots of pictures. My friend was amazed to see photos of her great-grandparents and some of their children.

    While it was thrilling to see all that new material that solved her brick walls, I couldn't help but look at the photos critically.

    If you find yourself gasping over images of your long-lost relatives, try not to jump to conclusions and accept them at face value. Follow some basic tips for analyzing those images.
    • Remember those captions are not necessarily the truth. Misidentifications happen all the time. 

    • Look at the clues—clothing, photographer and any other evidence in the pictures to see if they add up.
       
    • Is the person the right age to be the named ancestor? 

    • Clothing clues, especially hats, sleeves and ties, are often fashion statements that tell you not just about your ancestor's fashion sense, but can place the image within a narrow time frame.

    • One of the photos depicts a man in a police uniform. This employment tip could help her unlock more family information. Her next step is to contact the appropriate department to try to obtain employment records.

    • Another photo shows a woman in a very expensive-looking fur hat and coat. Family lore claims this woman had financial means. To prove this, I suggested tracking down probate records to follow the money trail.
    Each new picture is an opportunity to find fresh genealogical data. Evaluate the picture sense using the techniques presented each week in this column. It's too easy to accept visual material at face value rather than digging a bit deeper to tell the story behind the image.

    I hope you'll be able to join me this week for my Photo Detective Live! event on May 18, or for one of my new tele-seminars through AskMaureenTaylor.com


    Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • photo-research tips | preserving photos | props in photos
    Monday, May 16, 2011 3:05:50 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2]
    # Monday, August 23, 2010
    Studio Backdrops
    Posted by Maureen

    At last weekend's FGS conference in Knoxville, I did a little shopping. Picked up a couple of interesting books and this lovely trio of photos. I just love the backdrops. This photographer spared no expense.

    While in the 19th century most backdrops looked like the outdoors or living rooms, in the 20th century the backdrop often sets the scene into a historical context. 

    In December 1903, the Wright Brothers lifted off the ground in the first flight. Mass transit by airplane was decades away, but that didn't keep folks from simulating flight. Here, a group of friends are posing in a painted backdrop that looks like an early aircraft, with the skyline at their feet.  Their clothing and the design of the airplane dates from circa 1912.  You can view early airplanes on the web at Early Historic Aircraft.
    FGS001.jpg

    In the next postcard, the same woman seated at top right in the first photo takes another picture in the same studio. This time, you can see the airplane set to her left while she sits on a fake racehorse. She wears the same suit and hat so it's possible it was taken on the same day.

    FGS002.jpg

    In the same batch of photos I found another image of her standing near a painted wall with "Pennsylvania Pullman" on it. George Pullman manufactured train cars, trolley buses and streetcars. You can read more about him on Wikipedia. I think this is a train car, but I'm still trying to find a reference to the words on the side.
    FGS003.jpg

    I may not know the name of this woman, but it appears that in the early early 1910s she liked to frequent photo studios with creative backdrops.

    You'll find advice for creating, sharing and saving your family's photographs in the Family Photo Essentials CD, from the editors of Family Tree Magazine and Memory Makers magazine.


    1910s photos | photo backgrounds | props in photos | unusual photos | Vehicles in photos | women
    Monday, August 23, 2010 5:17:58 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2]
    # Monday, January 11, 2010
    Photo Identification in the News
    Posted by Maureen

    Readers of this column will be as fascinated as I was with these two articles on photo identification.

    In the January 2010 issue of Smithsonian Magazine is the story of an unidentified daguerreotype owned by Jack and Beverly Wilgus. In it a handsome young man stands facing the camera holding a long metal rod. One of his eyes is closed shut.  The collectors thought he held a harpoon until they posted their image on the social networking image site Flickr. It wasn't long before they heard from someone who said it wasn't a harpoon and was possibly Phineas Gage. Gage's life could have been featured on a reality TV trauma show.  In 1848, when 25, Gage's life changed. An accident on the job sent a 43 inch tamping iron through his skull. He lived to talk about it and was conscious when the doctor arrived on the scene. You can read about Gage's life and the story of this daguerreotype online.  In the photo he's holding the rod that's engraved as a souvenir of the event.

    Spring training is weeks away but for readers that are baseball fans, you'll get a jump start on the fun. A colleague sent me his 2004 issue of The Baseball Research Journal because it featured an article on identifying baseball images. I'm no sports fan, but I loved author George Michael's descriptions of how he sees the clues in photos of players sliding into base.  You can order copies of the Journal through the Society of American Baseball Research. 

    Both of these articles will end up in my files. 

    1840s photos | men | props in photos | unusual clothing
    Monday, January 11, 2010 3:41:29 PM (GMT Standard Time, UTC+00:00)  #  Comments [2]
    # Monday, September 07, 2009
    An Album of Funny Pictures
    Posted by Maureen

    Last week I asked readers to submit funny pictures. Thank you to everyone who sent images. I've been laughing all week. So here they are...fun images that leave you wondering, "What were they thinking?"

    EdminsterWill Samels Robt Shane and others.jpg
    Sue Edminster sent in this photo (above) of men with numbers on the soles of their shoes. Why?  Who knows!  The men are, bottom to top, Will Samels, Bob Shane (Edminster's grandfather) and Will Young. The photo was taken circa 1890.

    mcclenahan2kirk brothers.jpg

    Here's a card-playing group courtesy of Merna McClenathen. With her grandfather, Milton "Tom" Kirk (2nd from right), are his brothers, William McCready "Crede" Kirk (3rd from right) and Alfred "Alf" Kirk (far right). The man holding all the cards on the far left is unknown. McClenathen thinks this photo was taken circa 1890 in the Black Hills of South Dakota near Lead, SD,when the Kirk brothers were working as carpenters at the Homestake Mine.

    McClenathenGeo Alford.jpg

    Merna sent in two images. Above, you can see what a double exposure looked like taken with either the real Freako-Shutter mentioned last week, or a similar device. Your eyes aren't playing tricks. It's the same man, George P. Alford.

    PierceManFeedingDoll.jpg

    The earliest funny picture I received came from Rachel Peirce. This one (sbove) dates between Aug. 1, 1864 and Aug. 1, 1866. I know this because on the back is a tax revenue stamp. One can only wonder why this man posed feeding a doll. The doll probably has a china head and cloth body, and could be an imported model. The man is "feeding" it from the dish on the table. The photographer hand-colored the doll's dress a light pink.

    PikePoker girls.jpg

    Sharon Pike sent the most recent image in this set. It dates from c. 1900. I've seen other images from this time frame of women dressed like men in funny pictures. Here, it's Belle and Fanny Curtis. Belle was born in 1882. Their father, Asaph Curtis, owned the Hotel Rockford on Long Lake in Washburn Co., Wis.

    Come back next week, when I reveal an unusual coincidence in a reader's picture.


    1860s photos | 1890s photos | 1900-1910 photos | group photos | men | Photo fun | props in photos | women
    Monday, September 07, 2009 8:59:22 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1]
    # Monday, December 15, 2008
    Capturing the News
    Posted by Maureen

    Joan Enders sent this photo of a man she believes is her great-grandfather William Riley Keeth, of Iberia, Miller County, Mo. She wanted to know more about the backdrop and to verify it's him.

    William Riley Keeth.jpg

    In the late 19th century, photographic props and backdrops were very elaborate. Some even included bales of hay and faux stone walls. A photographer posed this man with a backdrop that looks like the interior of a Victorian mansion, complete with a multi-paned window and what resembles wallpaper. Of course, it's all just paint and canvas.

    I wish there were a directory of photo backdrops! It would be so useful to know which photographers were using which backgrounds. It might even help pinpoint where a picture was taken.

    For example, Joan could contact a historical society in the area where her ancestor lived. The Miller County Museum might have a collection of local images. Then she could compare backdrops in those images to her own to see if they were shot by same photographer or studio. A city directory could tell her when the photographer was in business, helping to date the image.

    One of the largest online databases of pictures is Dead Fred. While it's primarily a photo-reunion site, I searched for Missouri photographers to see if I could find anyone near Miller County. No luck! But it's a good tip to try: Use the search feature to look for surnames or place names.

    The best part of this image isn't what's behind the man, but what he's holding— a letter. Notice how the envelope (in his left hand) is ripped open. Despite being a posed image, this picture has captured a spontaneous moment. The man looks at the camera with a surprised expression. 

    He's wearing work clothes and appears to have rushed into the photo studio to document the receipt of this written news. So what was in the letter?  There might be a family story associated with some sort of important information.

    Based on his clothing, the background and the plain brown cardboard backing, it appears this photo dates from about 1900.

    Does the photo really show William Riley Keeth? Keeth was born in 1865 and married in 1888. Here's a known photo of Keeth with his bride Mary Ella Thomas, taken in the year they married:

    William R and Mary E Keeth.JPG

    While the man in the first photo shares many of the facial characteristics of the man in this image, their ears are different. Notice how small this man's ears are. There's something odd about this tintype, too—it almost looks like a tintype of a painting. The edges of the couple's features are blurred. 

    Before deciding if these two men are the same person, I'll ask Joan for a better scan or picture of this image, and ask some additional questions about her family. I also still have a question about the backdrop: The window looks like backgrounds I've seen in English photographs, not like an American home.  I'm still looking for an image with a similar backdrop. If you have one in your family collection, send it in and let's help Joan solve this.


    1900-1910 photos | photo backgrounds | props in photos
    Monday, December 15, 2008 10:38:24 PM (GMT Standard Time, UTC+00:00)  #  Comments [3]
    # Monday, October 27, 2008
    Final Installment: One-Glove Mystery Solved!
    Posted by Maureen

    I'm doing the happy dance right now! I finally contacted Sue Anderson, the owner of the photo of the four men—two wearing one glove each—featured in two blog posts. Turns out she was on vacation and hadn't imagined the fuss being made over this photo. All she wanted to know was the date of the image and why the one glove. 

    In the first post, I dated the image using the postcard back to a time frame of 1904 to 1918. That was the only sure information in the picture.

    In the second installment, I reported readers' theories and focused on the gloves. Well, the pieces have finally fallen into place. You're not going to believe it!

    While Sue's older relatives were sure two of the men were Lance and Elmore Melson, she wasn't positive because these elderly relatives have been wrong before. They said the two men in the front were Melsons and the men in the back were Wingfields.

    Those two in the front are definitely Melsons. Sue sent me several other family photographs that confirm the resemblance. The ears are a giveaway.

    Elmore Melson (b. 1896) had two other brothers: Joel (b.1894) and Bertram (b. 1892). I think Sue's family was partially right. Lance Melson would be too young to be in the group photo, but Joel is old enough. It's actually his presence (right front in the group image and below) and age that specifically date the image and solve the one glove detail!

    Joel Melson.jpg

    Notice the rolled up pants <smile>.

    So here goes...
    • Joel dies in 1918 in Oklahoma of pneumonia. The group portrait is likely the last image taken of the 24-year-old. It fits the 1918 period. His brother Elmore would be 22 in that image.
    • Melson and his brothers worked as farmers and weren't very well-off. In Joel's spare time, he also worked as a bronco rider. In the first blog post on this mystery, I suggested the glove was work-related. Since bronco riding isn't something I'm pfamiliar with, I contacted a colleague, Kathy Hinckley (known as the Family Detective), who grew up on a ranch in South Dakota and participated in riding events. She confirmed my theory that bronco riders wear one glove on the dominant hand! Mystery solved.
    The men's ties are very Western in style. Kathy made one other comment about something I pondered: Why dress in suits and wear the riding glove? She thought this picture probably commemorated a special event, such as winning at the rodeo. I have no proof of this detail, but the explanation makes sense.
    • There's one more detail Sue helped with—the rolled pants. In the group picture those rolls look like cuffs, but it turns out Joel wasn't very tall, and instead of having his pants hemmed, just rolled them up.  
    Sue is amazed at the number of comments and emails about her photo. Thank you to everyone who posted remarks or sent comments. I'm glad we can put the artifical hand theory to rest; Joel had both of his hands at the time of his death.


    1910s photos | group photos | men | props in photos
    Monday, October 27, 2008 3:28:18 PM (GMT Standard Time, UTC+00:00)  #  Comments [2]
    # Monday, July 14, 2008
    Finding Family Photos on the Web
    Posted by Maureen

    A couple of weeks ago I wrote about how one genealogist created a short video about her online photo discovery. I was so intrigued by her effort that I decided to try putting together a short piece with images depicting flags.  It's one of my collecting areas—I can't turn down a picture of the personification of flags and other American symbols. You can watch the video on Roots Television. It was only my second attempt at movie-making, so don't be too harsh.

    One of the photos I included came from the Library of Congress and serves as a good example of how family photos can also represent history.  It's a gorgeous stereo view of a young girl dressed as a symbolic figure.

    weller.jpg

    According to the cataloging record, this image is Fontinelle Weller posed as Columbia, taken on March 13, 1873, by F.G. Weller of Littleton, N.H. 

    The 1870 census provides additional details. The girl's name was actually Fontanella A. Weller and F.G. was her father Frank G., a photographer. (You can find this record using the following citation: 1870 U.S. census. Grafton County, New Hampshire, population schedule, Littleton, p. 567, dwelling 170, family 191, Frank G. Weller citing National Archives microfilm publication M 593, roll 841.)

    I used my Boston Public Library card to find Fontana on the subscription database Heritage Quest, but you can also locate her using Ancestry.com.

    The depicting of individuals as symbols of America goes back to the founding of this country. Fontanella has a serious expression on her face while holding the flag. Her white Roman-style dress with a crown identifies her as "Columbia, Mother of the Republic."

    In the late 18th and early 19th century, Columbia was a woman, but as seen here, in the mid-to later 19th century, she became younger. You can read more about American symbolism in David Hackett Fischer's Liberty and Freedom: A Visual History of America's Founding Ideas ( Oxford, $50).

    If you haven't searched the Library of Congress catalog of prints and photographs, try it and see if you can find images of the members of your family. Anyone out there related to Fontanella?  According to FamilySearch, she married Henry Fitch on June 13, 1890.

    If you've located family photos on the Library of Congress site, let me know by posting a comment below.


    1870s photos | children | props in photos
    Monday, July 14, 2008 8:39:54 PM (GMT Daylight Time, UTC+01:00)  #  Comments [4]
    # Tuesday, July 08, 2008
    Is This the Same Man?
    Posted by Maureen

    Charles Blyth found this handsome daguerreotype in a group of identified family photographs. He thinks the man might be a colleague of his great uncle, but isn't really sure. It's beautiful and in pristine condition, so I couldn't resist this challenge.

    070708a.jpg

    It's important to remember daguerreotypes are reversed. Before comparing this gentleman to any family photographs, it's necessary to flip the image to see his natural appearance. Faces can look quite different when reversed.

    070708blythreversed.jpg

    Blyth doesn't think this man is his great uncle Henry Blyth, born in 1831, but the evidence suggests it could be. Here is the quartet of facts I've considered.
    1) This man appears to be in his 20s and the clothing (wide cravat, slicked back hair and long sideburns) suggests the photo was taken in the 1850s. This man is the right age to be Blyth.
    2) The equipment on the table identifies this man as a surveyor.  As far as I can tell, the device is a Wye level, used for long- distance surveying. I found a similar-looking piece on Larry and Carol Meeker's Web site Antiques of a Mechanical Nature. Blyth was a surveyor in New York State before leaving home at 22 for Chile. He returned home with a beard in 1858 and posed for a portrait with his family; a few years later, he was in the card photograph (below). If the daguerreotype is Blyth, it was taken before his travels in 1853—a date that fits the clothing clues.
    070708blyth.jpg
    3) Even though Blyth's hairline is receding in this known picture, you can see the similarities between him and the unidentified portrait. Besides a similar hairline, their face shapes are close. It's not outside the realm of possibility to conclude Blyth posed for the daguerreotype before traveling to South America. This card photo shows he aged a bit from his frontier experience, but it's likely both pictures depict the same man.
    4) One other feature in the daguerreotype suggests it could show Blyth: the cross. According to Charles Blyth, members of the family often posed wearing a cross.
    I think the evidence strongly suggests this unidentified picture is Henry Blyth—the tools identify his trade, his age is right, facial similiarities suggest a relationship and then there's the cross and the fact the image was found with family artifacts.  I think it's Blyth, but I'm not sure I've convinced the owner.

    Got an opinion? Sound off in the Comments section! Let's create a dialogue.

    1850s photos | cased images | props in photos
    Tuesday, July 08, 2008 8:37:59 PM (GMT Daylight Time, UTC+01:00)  #  Comments [7]
    # Tuesday, December 18, 2007
    Backgrounds and Furniture in Photos
    Posted by Maureen

    In the last month or so, I've met (via e-mail) a lot of people who collect specific types of pictures or who know a lot about a photographic detail. I even corresponded with someone who collects photographers' fingerprints on daguerreotypes. Now that's a identification database I'd like to have! 

    Over the last couple of decades, many books on photo history have been published. I've collected quite a library on clothing, forensic analysis techniques used by the CIA, furniture, postcards and military costumes (to name a few).

    You'd be surprised by what I've got on my shelves, but there are still a couple of titles I'd like to see published.
    • Photographic backgrounds—I've only found one short article on backdrops, and it doesn't begin to cover the topic. If you own a picture with an interesting background, send it to me and see it featured here.
    • Furniture in photos—I use furniture-history tomes when looking at the tables and chairs featured in photos, but as far as I know, no one has published anything on that topic. In addition to clothing and the photographer's imprint, furniture can place a picture in a time frame. Think wicker in the 1890s and fringed chairs in the 1860s.
    Send me your photos with interesting backgrounds and furniture, and let's build a database of reader photos and create our own online reference tool for these two understudied bits of photo history.


    photo backgrounds | props in photos
    Tuesday, December 18, 2007 11:46:23 PM (GMT Standard Time, UTC+00:00)  #  Comments [0]
    # Friday, October 26, 2007
    Hunting for Clues Part Two
    Posted by Maureen

    For genealogists, it's easy to underestimate the power we yield. If you need proof, think about this: The recent Wall Street Journal (WSJ) article on The Photo Detective was the number one article read online at the WSJ for a week!

     This means thousands if not millions of people are interested in their family photographs. That's great news!

    A couple of folks who read that piece commented on the type of gun depicted in the cover photo. Last year I wrote a column, Hunting for Clues, about this picture of a hunter. Now new evidence has surfaced.



    There's a lot of discussion about what type of gun appears in the picture and the date for the image. Faced with the new facts, I could've been off by a few years. The man wears his old clothes for a soujourn into the wilds of New Jersey. Instead of just saying his photo is from the late 1860s, I'm stretching the time frame to include the early 1870s. It doesn't change my analysis, but the additional details add depth to this image. Here's what turned up:

    I spoke with LeRoy Merz of Merz Antique Firearms about the gun in the photo. While my original expert was right about it not being a Civil War piece, it's not a Winchester 66, either. Merz set me straight. It appears to be a double-barrel shotgun, and the shells around the man's waist are 10-gauge.



    Merz thinks this man holds a European model probably imported from England in the early 1870s. It was first introduced there in the late 1860s. In England, these shotguns were used for market hunting of water fowl. (Notice the game bag at the man's side.) It appears Majorie Osterhout's relative liked to go bird-hunting, probably for duck or geese, with his trusty four-legged friend. Though the dog (hard to see here) isn't a traditional breed for retrieving game, it could've been trained for the task.



    Merz's opinion is just one of several. All are in agreement the gun isn't a Winchester 66, but there's still lots of talk about the actual model and the gauge of the shells.

    Next week, I'll take a look at another earlier column and tell you more of the fascinating story behind a reader's family photo.


    1860s photos | 1870s photos | men | props in photos
    Friday, October 26, 2007 7:16:03 PM (GMT Daylight Time, UTC+01:00)  #  Comments [5]