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by Maureen A. Taylor

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# Monday, June 03, 2013
A Hand-Colored Photo Gem
Posted by Maureen

The other night my husband asked, "How do you find something to write about every week?" 

There's an easy answer: Every photo collection is unique, and every photo tells a story. You've been sharing photographs with me for more than a decade and no two images are exactly the same.

Take this week's image, for instance. It's a superior example of sophisticated hand-coloring. It's subtle and gorgeous. The unknown photographer and/or an artistic assistant knew how to turn an ordinary photograph into a painting.

sarahhandcolorededit.jpg

Hand-colored images like this one allow us to see details in our ancestors' clothing and furniture choices. The maroon chair is a common prop in pictures as of the late 1860s. I know from other images that other colors also were used. I've seen such chairs tinted a grassy shade of green.

This young woman wears a scarf around her neck. The studio colored it in a slightly darker shade of maroon than the chair. It's a perfect accessory to her soft gray dress. While I've seen other images tinted, I rarely see one where the studio has taken time to tint the hands and face. The end result—this young woman looks like she could walk out of the frame and say hello.

Robert Stoy sent in this picture of Sarah Simmons (1852-1892) of Georgia. Her clothing suggests it was taken in the late 1870s. Her bodice extending past her waist and scarves of this style were worn in this period.

By the time Sarah posed for this picture, studios had been coloring photographs for decades. Even early daguerreotypists of the 1840s employed artists to add color to their images.

It's a gem of an image.

You can learn more about hand-colored images in my book Family Photo Detective.


Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Family Photo Detective: Learn How to Find Genealogy Clues in Old Photos and Solve Family Photo Mysteries
  • Fashionable Folks: Bonnets and Hats 1840-1900
  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1870s photos | women
    Monday, June 03, 2013 3:27:39 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0]
    # Monday, December 31, 2012
    Twelve Months of the Photo Detective
    Posted by Maureen

    It's time to look back at the year. Every week I write a Photo Detective blog post—that's 52 columns in 12 months. It's a lot of free photographic advice and tips. Here are my month-by-month 2012 favorites.

    January
    Last New Year's I offered advice on sharing images online, tackled a photo mystery about the identity of the mother in a picture, and discussed a Scottish picture.

    February
    I got into the planning for my trip to WDYTYA Live in London by comparing British and American fashion. 

    March
    Hat's off to spring! Last March I featured toppers for men, graduation caps, and talked about the relationships between hairstyles and hat design. If you want to learn more about hats or hair, my books, Fashionable Folks: Bonnets and Hats 1840-1900 and Fashionable Folks: Hairstyles 1840-1900, will help.

    April
    The whole month of April focused on identifying photographs of children. Study the clues to add names to those pictures of tykes.

    May
    A trip to the National Genealogical Society inspired a series of columns on the Jeffers Family photo.

    June
    You can view the entries in the Family Tree Magazine photo contest, study a photo of ancestral blue jeans or be awed by the images of wheat threshing.

    July
    With the world watching the Olympics, I deciphered the clues in a picture from the 1908 Olympics.

    August
    I revealed the winner of the Family Tree Magazine Photo Contest. That photo mystery now appears in my new book, The Family Photo Detective. It's now available in the ShopFamilyTree.com store.

    Have you considered the relationship between photography and genealogy? I took a look at the types of records that help solve a picture mystery.

    September
    This month was all about preservation. A badly damaged image encouraged me to talk about ways to save family pictures. There is more information on storage and labeling images in Preserving Your Family Photographs.

    October
    A picture of a giant mechanical grasshopper appeared in my Photo Detective column in Family Tree Magazine, and some readers stepped forward to tell the story of their ancestors' fascination with creating these creatures.

    I shared the story of a woman who found a family picture after three decades and explained how old-time photographers could alter pictures long before the development of Photoshop.

    November
    Have you ever posed for a multi-generation photo? It's not a new phenomena. Our ancestors did, too. Mary Lutz sent me several images of her family. It turned into a series on identifying who's who in a group picture.

    December
    I love snapshots! They are spontaneous and often capture bits of everyday life. Follow this series on a picture of a man standing in his backyard.

    Thank you for reading this column and for submitting your family photos. If you'd like to participate, there is a link, "How to Submit Your Photo," in the left-hand margin. I can't wait to see your pictures!

    Happy New Year!


    Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Fashionable Folks: Bonnets and Hats 1840-1900
  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1860s photos | 1870s photos | 1880s photos | 1890s photos | 1900-1910 photos | 1910s photos | 1920s photos | candid photos | cased images | children | Civil War | group photos | hairstyles | hats | holiday | house/building photos | photo backgrounds | preserving photos | props in photos | ShopFamilyTree.com
    Monday, December 31, 2012 4:07:01 PM (GMT Standard Time, UTC+00:00)  #  Comments [0]
    # Monday, September 24, 2012
    Family Resemblances in Old Photos: Who Is This Man?
    Posted by Maureen

    Last week I discussed how to care for a badly damaged photograph, and showed an image Lois O'Malley photographed back in 2005. Lois wrote: "As soon as I saw the man in the photo he minded me of my grandfather, William Alexander Simmons (1873-1934)." He's seen here:

    Wm  Alex Simmons edit.jpg

    Her Dad's family all had blue eyes like the unknown man in the damaged picture:

    unknown  Simmons edit.jpg

    Now Lois is wondering if this mystery man is her great-grandfather, Hiram Simmons (1833-1911). 

    Facial comparison relies on looking at approximately 80 different points in a face, including eyes, noses, mouths, ears and the spacing between them.

    Photo identification is about adding up all the facts and coming up with a hypothesis. Here's what I'm looking at in this case:
    • Provenance: Though this man looks like Louis' grandfather, she thinks it might be her great-grandfather because the photo is owned by her dad's eldest sister's son. The process of inheriting photos is complicated. Lois thinks that this cousin ended up with the photo because their grandmother lived with her eldest daughter. However, it is also possible that the image depicts Lois's grandfather.
    • Format:  This is a crayon portrait. It's a photo outlined and colored in with artist materials. This type of picture was very popular in the late 19th century. The problem with crayon portraits is that an artist/photographer's assistant drew in the details. There could be a little artistic embellishment here.
    • Clothing: Due to the condition of this picture, it's difficult to see all the clothing details, but it appears the man wears a wide tie and a jacket with a narrow collar and a wide notch in the lapel. His hair is very short.
    Men wore a variety of ties in the late 19th century. There were wide ties in the 1870s, 1880s and 1890s. In the 1890s, men's neckware usually had a pattern. In the 1880s, lapels were narrow and short.

    In the 1870s, men wore their hair longer and not as neatly combed as this fellow.
    • Facial clues: The man in the portrait has a wider jaw than Lois' grandfather, but they have similar ears, eyes and even the same wide forehead. 
    Does anyone want to try cleaning up the deteriorated picture in a photo editing software? You can email me the results or post them on the Family Tree Magazine Facebook page. Please include details about the program you used and what tools you used in the software.


    Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Fashionable Folks: Bonnets and Hats 1840-1900
  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1870s photos | 1880s photos | 1890s photos | enhanced images | hairstyles | men
    Monday, September 24, 2012 2:02:34 AM (GMT Daylight Time, UTC+01:00)  #  Comments [0]
    # Monday, June 25, 2012
    Photo Contest Submissions
    Posted by Maureen

    A big thank you to everyone that submitted photos to our contest.  The deadline has now passed and I'm gradually working my way through all the images to pick the winning image. The winner will receive a copy of my book, The Family Photo Detective, and the image may even be featured inside. Watch this space for news!

    Here are three of the pictures folks uploaded to the Family Tree Magazine Facebook page. 

    Jen Baldwin.jpg

    Jen Baldwin uploaded this cute pair of siblings—William W. and his sister Bessie Brown. It was taken in Colfax County, Neb., circa 1880. Don't you just love her pantalettes and his long curls.

    Shirley Jenks Jacobs2.jpg 
    Shirley Jenks Jacobs uploaded this photo of her great-grandmother. I love the hat. In the 1880s, hats had tall crowns and lots of trim on the front. You can't see it, but women in this period also wore large bustles. 

    Suzanne Whetzel2.jpg

    Suzanne Whetzel submitted this family portrait of her maternal great-grandparents Mary Ethel (Wade) and Henry Clark Yost with their son (Suzanne's grandfather) James Meryl Yost. James was born in 1908 and this toddler helps date the photo to about 1910.


    Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Fashionable Folks: Bonnets and Hats 1840-1900
  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1870s photos | 1880s photos | children | group photos | hats
    Monday, June 25, 2012 3:18:25 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0]
    # Monday, March 19, 2012
    Hats Off to the Men
    Posted by Maureen

    First it was work hats, then fancy hats for ladies, but what about everyday hats for men?

    hat18702.jpg

    Go ahead. Take a guess: When do you think this young man posed for this image? 

    My mother has an expression, "what's old is new." It's all about how fashion repeats itself. This little tintype is a perfect example.

    Go into any hat shop and you'll find hats for men that resemble this soft felt one with the wide ribbon band. He's a young man wearing a jaunty everyday hat.

    hats1870s.jpg
    This image is likely from the late 1870s. There were all sorts of hats for men in the 1860s and 70s, but the paper mat for this tintype helps date the image.

    Don't forget the promotion for Fashionable Folks: Bonnets and Hats 1840-1900 is only good through the end of March.  Enter HAT10 as a coupon code to receive 10% off that title.

    The book is part of another deal, too: Spend $30 on these products and receive a free book download of the Family Tree Problem Solver.

    Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Fashionable Folks: Bonnets and Hats 1840-1900
  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1870s photos | hats | men
    Monday, March 19, 2012 2:23:01 PM (GMT Standard Time, UTC+00:00)  #  Comments [0]
    # Wednesday, February 29, 2012
    British vs. American: Readers Weigh In
    Posted by Maureen

    Last week I posted two photos. One was an American and the other a British one.  

    meninhat2.jpg
    Photo 1


    maninhat.jpg
    Photo 2

    I asked all of you to vote on which one was which. There is no stumping this audience. The majority voted for photo 1 being the American man and photo 2 being the English gent. You're right!

    I looked at hundreds of photos in London last week. All this picture analysis confirmed by belief that while women's clothing in America vs. Britain are very similar, the same is not necessarily true for men's clothing.  In England you're more likely to see men wearing specific work clothes. 

    In photo 2, several folks mentioned the walking stick (also adapted by upper-class Americans), the cut of his pants and the fabric of his suit.  Looks like a tweed to me too. The background is also key. You're unlikely to see a backdrop like this in an American photo.

    The American in photo 1 wears untidy clothes, stands on an oilcloth floor covering and stands in front of a plain wall, with drapery and a post. Notice the wooden photo prop at his feet. This would be clasped around him to hold the man still.

    Great job!! Thank you for adding your comments. March is all about hats. See you next week.


    Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Fashionable Folks: Bonnets and Hats 1840-1900
  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1870s photos | hats | men | photo backgrounds | props in photos
    Wednesday, February 29, 2012 1:34:31 PM (GMT Standard Time, UTC+00:00)  #  Comments [5]
    # Monday, September 19, 2011
    Oral History and Family Photos
    Posted by Maureen

    Behind every family photo is a story. It might be a simple tale of how your ancestor visited a photo studio or a complex story interwoven with local, national and family history.

    Bonnie Farver, Farver family historian for Pennsylvania, sent me this great portrait.

    sohanna1.jpg

    The Farvers have an oral tradition associated with this woman that claims she's Sohanna or Christina Springer Brice, a Lakota Sioux related to Sitting Bull.

    Have you noticed her blue eyes?

    sohanna1eyes.jpg

    According to Farver, most of this woman's descendants have blue eyes and blonde hair.

    Farver's been researching Sitting Bull hoping to find a connection to this woman. She learned that Sitting Bull had twin children. It's an interesting fact: There are 24 sets of twins in the Farver family beginning in 1880 to the present. 

    This image is a copy of a one-inch-square tintype. It appeared on a reunion notice.

    Family folklore states that in this picture, she wears a neckpiece of white ermine fur and that the metal pin is actually a Henry rifle shell. Sorting out the truth from the legend is key in every family story. For instance, this neck ruffle doesn't appear to be made from ermine. Perhaps the ermine hangs from the ribbon wrapped around her neck. 

    sohannaclose-up.jpg

    However, her pin is an unusual shape and might be a refashioned shotgun shell. The Henry rifle was first made in the 1850s.

    Farver wanted to know if the dress was recycled from a Civil War uniform.  While it's difficult to see the fabric in this photo, the style of the collar, the bodice and the big buttons date from the late 1870s. 

    So who is this woman? That's the big question in the family. Could she be the wife of John Conrad Farver (possibly a German immigrant), born in 1755 and died 1823-24?  If she's around 80 years of age and this photo was taken circa 1879, then this woman was born circa 1799.  She could have been the young bride of a much older man—that was not an unusual occurrence.  Proof of her identity is still lacking, but having a time frame for the picture may help narrow the possibilities.

    If you recognize her, comment below and I'll let Bonnie Farver know. She'd love to have a definite name to go with this face.


    Solve your family photo mysteries with these books by Maureen A. Taylor:

  • Preserving Your Family Photographs
  • Fashionable Folks: Hairstyles 1840-1900
  • Finding the Civil War in Your Family Album

  • 1870s photos | unusual photos
    Monday, September 19, 2011 8:54:20 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1]
    # Monday, April 11, 2011
    Bad Hair Day Winner!
    Posted by Maureen

    Thank you for voting in the Bad Hair Day Contest and for sending in all those great hair photos. There is a winner!

    Here's how the votes stacked up.

    83.7 % of the voters selected this photo. Congratulations go to Pat Daughtery for winning the contest and a copy of Fashionable Folks: Hairstyles 1840-1900.

    editdaugherty0157.jpg

    The runner up is ...
    editSophie Bentley.jpg
    71 % voted for this photo.

    I promised a few more photos this week so here goes.

    editpeirceHunterCWhite9andHalfYearsOld.jpg




    Rachel Peirce sent in this before-and-after picture of her ancestor Hunter Carson White at 9-1/2 years old during the Civil War. She owns a picture of the boy's father with his hair standing up on his head and wonders whether the second photo was taken to make the boy look more like his father.

    editchaseimg501.jpg

    Photo collector David Chase sent me this photo. It proves that man's best friend also can have bad hair. <smile>.

    Last weekend I was at the New England Regional Genealogical Conference. I met Janine Penfield who showed me this unusual photo in her family album.

    SCAN0136.jpg

    It depicts a female performer known as Illavaro at age 14. She was photographed at several different times by Charles Eisenman of New York City. She would have been very comfortable in the late 1960s when this hairstyle was a fashion statement.

    Hope you've enjoyed this look back at 19th-century hairstyles!


    1860s photos | 1870s photos | 1880s photos | african american | children | Civil War | hairstyles | unusual photos
    Monday, April 11, 2011 5:08:38 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0]
    # Monday, April 04, 2011
    Vote for Your Favorite Bad Hair Day
    Posted by Maureen

    It's time to vote! My inbox is full of photos from readers and and Facebook followers. So which photo will win? You decide. I've create a survey form on SurveyMonkey.com. Click here to see the photos I selected for the survey and to vote for your favorite. The person who submitted the winning photo will receive a signed copy of my Fashionable Folks: Hairstyles 1840-1900. Photos 1 and 2 are from the 1870s, 3 and 4 from the 1880s and photo 5 dates from 1900.

    Drum roll please...the finalists are:

    editSanders Sylvia (pix found in album of DHSaunders).jpg
    Linda Greff submitted this photo of Sylvia Sanders sporting a combination of extremely curly hair and the full hair styles of the 1870s, making an extreme fashion statement. 

    editSophie Bentley.jpg
    Another 1870s full head of hair. Sophie Bentley was born Dec. 6, 1849. Thank you to Katherine Maddox for sending in this image.

    editdaugherty0157.jpg
    Oh, those flat greased hairstyles of the 1880s were a dramatic contrast to the previous decade's look. Molly (Mary) E. Banning Ross (born 1867) was an older teenager in this photo, submitted by Pat Daugherty.

    editNorwood1880sUnknown.jpg
    Carol Jacobs Norwood sent in this unidentified family photo. It's a variation of that earlier 1880s picture.

    editdavisonMinnie  Everell Dutton Smith.jpg

    It's not the woman in this picture that has the hair problem. It's her companion. His natural wave and longish hair combine to make the style standout from the top and sides of his head. This circa 1900 image is lovely. He was a teacher in Kansas. The couple is Anne Davison's great grand aunt and uncle.

    O.K...Please vote for your favorite here.

    Next week I'll be back with some other photos -- a before and after hairstyle and proof that not just humans can have a bad hair day.


    1870s photos | 1880s photos | 1890s photos | hairstyles
    Monday, April 04, 2011 9:27:57 PM (GMT Daylight Time, UTC+01:00)  #  Comments [2]
    # Monday, September 20, 2010
    Wearing Family
    Posted by Maureen

    Pikecrop1 (2).jpg

    This is a fantastic family photo owned by Sharon Pike. It's actually a photo within a photo. In this card portrait, a stunning portrait of a well-dressed middle aged woman, Jane Rivers Meriwether (1829-1897) gazes directly into the camera. Let's look at some of the details.

    Hair
    It appears she has naturally curly hair, but in this period the Marcel Wave was a popular hairstyle. It was invented by Francois Marcel in 1872, created using heated curling irons to form small waves. The style remained popular into the 1930s. You can read more about Marcel here.

    Collar and Dress
    In the late 1870s and early 1880s, wide collars were commonplace. However, they were usually white and made from fabric. This woman's collar looks like small threads woven and knotted, like macrame. She's used the collar to accent her dress, which is a lovely fitted bodice with small buttons and some fullness to the sleeve.

    Jewelry
    All right, I admit it: I left the best detail for the end. Jane wears gorgeous drop earrings in what appears to be a floral pattern. Around her neck is a braided necklace made of either hair (yes, hair!) or silk. Both materials were common and popular. In the 19th century, women often wore jewelry made from the hair of their family and friends. Hair jewelry is a fascinating topic and the pieces are quite lovely. You can learn more about it and see examples in an online article from Victorian Magazine. These long braided ropes were often used as watch chains.

    The most prominent feature of this card photo is the piece of portrait jewelry at Jane's neckline. It's a large pin setting with a paper photograph of a middle-aged man. Photo jewelry came in all shapes and sizes. I'm particularly fond of it (although it often costs more than my pocketbook can bear <smile> ). The top experts on photographic jewelry are Larry J. West and Patricia Abbott. Their book, Tokens of Affection and Regard (published by the authors, out of print) took years to research and write.  It's a stunning volume filled with color plates of actual jewelry. You can view examples on the Smithsonian web exhibit based on their collection.

    Pike Pin.jpg

    The big question is "Who's the man on the pin?" Sharon wondered if it was Jane's father, who died in 1840, or could it be her husband, Ethelred Westcott, who died sometime between 1870 and 1895. He's a bit of a mystery man; Sharon doesn't have a specific death date.

    The dark color of her collar could mean the man in the photo deceased. Jane could have had this pin made from a small card photograph. The man's photo is difficult to see, but it could date from the early 1870s. His suit and tie are from that period. He has a full beard with lots of gray in it. I don't have a birth date for Westcott, but it could be him. Women often wore pins depicting children or a spouse.

    This photo of Jane Meriwether dates from the late 1870s or early 1880s. The light pink tone to the card and its gold trim makes me lean toward the late 1870s.

    You'll find advice for creating, sharing and saving your family's photographs in the Family Photo Essentials CD, from the editors of Family Tree Magazine and Memory Makers magazine.


    1870s photos | men | photo jewelry | women
    Monday, September 20, 2010 6:34:10 PM (GMT Daylight Time, UTC+01:00)  #  Comments [1]
    # Monday, April 06, 2009
    Why the Long Faces in Old Photos?
    Posted by Maureen

    Every so often I bump into a 19th century photo in which the subjects are grinning. It's a rare event. Occasionally, you see a Mona Lisa smile, but it's difficult to locate an image from the 19th century where folks actually showed teeth the way we do today. So, you're probably wondering—why the long face in most pictures?

    In the beginning, I imagine that sitters were nervous in front of the camera. It was new, and having your picture taken was an uncomfortable procedure.

    Look closely at your early photographs and see if you can spot a posing device such as a wooden stand behind the subjects' feet. This device sometimes extended as far up as the head and had clamps around a person's waist or head to keep him still for the long exposure time. Would you feel like smiling?

    In this 1870s tintype, you can see a chair with the adjustable back. This man holds the the chair back, but if you look closely at his feet, you can see a wooden brace stand.

    men046.jpg

    You can learn more about photographic patents and these tools in Janice G. Schimmelman's American Photographic Patents 1840-1880: The Daguerreotype & Wet Plate Era (Carl Mautz, $25.00). Unfortunately, I don't own a picture of a full clamping device. Anyone got one to share?

    I have a small collection of women and babies I call "hidden mothers." Women hid under blankets and rugs to keep their babies still for the camera.  In this photo, a mother or a photographer's assistant braces the toddler for the picture.

    babies022.jpg

    There were also devices to hold babies that look like medieval instruments of torture.

    Let's not forget another reason individuals didn't smile for the photographer: dental care. Forget cosmetic dentistry—few folks had a full set of pearly whites. In fact, dentistry was a new profession in the mid-19th century. The online Encyclopedia Britannica has a short article on the history of dental care.

    If you have a picture of a "hidden mother," a smiling ancestor, or a photo that includes a posing device, email it to me and I'll post it in this space. Both of the images above are from my research picture collection.


    1870s photos | children | men | photo backgrounds | women
    Monday, April 06, 2009 5:26:27 PM (GMT Daylight Time, UTC+01:00)  #  Comments [7]
    # Tuesday, February 10, 2009
    Pets in the Family on YouTube
    Posted by Maureen

    It's not hard to believe that the three installments of this blog on ancestors' adorable pets were among the most read. After all, it's family history from a different perspective—pets in the family. Since this week is the Westminster Dog Show, I thought I'd try a different presentation method for the photos.

    I've received a few more pictures for this album, but instead of posting them individually, I incorporated them into a video.

    I'm going to tweak it some more and see if I can boost the quality. I produced it in high definition but uploading it to YouTube compressed the files resulting in some blurring.

    Just in case you missed the series: 

    Pets in Pictures

    An Album of Ancestors' Family Pets

    Pet Photos: Our Ancestors Loved Their Dogs, Too!

    I'd like to thank everyone who sent in pictures! 

    (For more genealogy videos, see the Family Tree Magazine YouTube channel.)

    BTW—I have a new e-newsletter that lists my speaking schedule,and contains a link to the Photo Detective video podcast. It's absolutely free. Sign up is on my Web site.


    1870s photos | 1880s photos | 1890s photos | 1900-1910 photos | 1910s photos | 1920s photos | candid photos | children | men | Pets | Videos | women
    Tuesday, February 10, 2009 2:13:17 PM (GMT Standard Time, UTC+00:00)  #  Comments [0]
    # Monday, July 28, 2008
    The Weller Family Revisited
    Posted by Maureen

    My search for living descendants of the little girl in Finding Family Photos on the Web is ongoing. It's a perfect example of how not everything is on the web.

    Having looked at census records and whatever else was online, I ran into a virtual brick wall—I'm sure you know the feeling. Here are some of the sources I learned about and how I located them.
    • A reference librarian at the Littleton, NH, public library made my day when she found an obituary for "Fontie" WELLER Fitch in the Littleton Courier, the local newspaper. After marrying Henry Fitch, Fontenella and her new husband moved to Spokane, Wash., so he could accept a job with the Washington National Bank. She gave birth to a child in January 1892, and within three months, both mother and child were deceased. Their obituaries appeared in the Littleton Courier March 16, 1892.
    • Since I didn't have an obituary for Fontenella's father, I went back and tried locating one using the historical newspaper subscription site GenealogyBank. I finally found it by using Weller in the surname field with Littleton as a keyword. According to the Argus and Patriot (Montpelier, Vt.) of Dec. 12, 1877,  "Frank G. Weller, a well-known manufacturer of stereoscopic views, died at his residence in Littleton, NH, on Saturday, aged 44 years."
    Intrigued by the use of "well-known," I set out to discover more about the man behind that beautiful photo of a girl and a flag. Just how famous was Weller, and did he take any other stereo views of his family?

    A stereo view is a double picture taken with a binocular camera; it captured two slightly different images of the same view. You then used a special viewer to make the scene 3-D. Stereo views of people are rare. These double images were entertainment—you could purchase scenes of places you'd visited (or would like to visit) or play out with friends the tableau scenes in cards with allegorical and literary themes.
     
    A quick search of the Library of Congress Prints and Photographs Online Catalog using F.G. Weller in the author fieldturned up several images by him. I've posted two here; the other two aren't online. This one depicts "A Country Choir":

    weller11553v country choir.jpg

    In the 1870s, stereo photographers often created thematic scenes from literature. Without the catalog record, it's difficult to recognize the tableau below. It represents a card-playing scene from Francis Bret Harte's poem Plain Language From Truthful James. Harte was a American author who wrote about life in California.

    weller11554vmen.jpg

    The back of the card yielded some additional information. I wasn't aware that Weller had copyrighted his images. The stamp in the upper right hand corner provides a year for the card-playing view.

    weller11555rback men.jpg

    Weller was an accomplished photographer. The evidence is in the crisp quality of his images.  I'd love to see more.

    In the 1880s, after Weller's death, it's likely the family sold his negatives. His pictures began to be published by the Littleton View Company, and later, by the major producer of stereo views, Underwood and Underwood. Some depicted allegorical scenes, others focused on literature, and in a few instances, he took pictures of local scenes (as evidenced on a label on the back of one of his views).

    But he also was one of only two photographers in the pre-1875 period who specialized in photographing children. He called this series his "Stereoscopic Treasures." Perhaps he included his daughter and her friends in "The Tea Party" and the "Girl posed with a Tablet." Unfortunatley, neither is available online for comparision. This additional information is from John Waldsmith's Stereo Views: An Illustrated History and Price Guide (Krause, $24.95).

    Weller was an early stereoscopic photographer, a trailblazer in his field, who also used his talents to photograph his only child Fontenella. As far I as I know, no single repository holds Weller's images—they're in private collections or the Library of Congress. It's a pretty typical situation for a photographer's legacy.


    1870s photos | photographers imprints
    Monday, July 28, 2008 5:42:15 PM (GMT Daylight Time, UTC+01:00)  #  Comments [0]
    # Monday, July 14, 2008
    Finding Family Photos on the Web
    Posted by Maureen

    A couple of weeks ago I wrote about how one genealogist created a short video about her online photo discovery. I was so intrigued by her effort that I decided to try putting together a short piece with images depicting flags.  It's one of my collecting areas—I can't turn down a picture of the personification of flags and other American symbols. You can watch the video on Roots Television. It was only my second attempt at movie-making, so don't be too harsh.

    One of the photos I included came from the Library of Congress and serves as a good example of how family photos can also represent history.  It's a gorgeous stereo view of a young girl dressed as a symbolic figure.

    weller.jpg

    According to the cataloging record, this image is Fontinelle Weller posed as Columbia, taken on March 13, 1873, by F.G. Weller of Littleton, N.H. 

    The 1870 census provides additional details. The girl's name was actually Fontanella A. Weller and F.G. was her father Frank G., a photographer. (You can find this record using the following citation: 1870 U.S. census. Grafton County, New Hampshire, population schedule, Littleton, p. 567, dwelling 170, family 191, Frank G. Weller citing National Archives microfilm publication M 593, roll 841.)

    I used my Boston Public Library card to find Fontana on the subscription database Heritage Quest, but you can also locate her using Ancestry.com.

    The depicting of individuals as symbols of America goes back to the founding of this country. Fontanella has a serious expression on her face while holding the flag. Her white Roman-style dress with a crown identifies her as "Columbia, Mother of the Republic."

    In the late 18th and early 19th century, Columbia was a woman, but as seen here, in the mid-to later 19th century, she became younger. You can read more about American symbolism in David Hackett Fischer's Liberty and Freedom: A Visual History of America's Founding Ideas ( Oxford, $50).

    If you haven't searched the Library of Congress catalog of prints and photographs, try it and see if you can find images of the members of your family. Anyone out there related to Fontanella?  According to FamilySearch, she married Henry Fitch on June 13, 1890.

    If you've located family photos on the Library of Congress site, let me know by posting a comment below.


    1870s photos | children | props in photos
    Monday, July 14, 2008 8:39:54 PM (GMT Daylight Time, UTC+01:00)  #  Comments [4]
    # Monday, March 24, 2008
    Baby Photos
    Posted by Maureen

    In honor of Women’s History Month, I’ve decided to run another picture of a woman and baby—but this time only part of the woman appears in the picture.

    I’ve taken to categorizing images like this as “hidden mothers.” There's no way to say for certain the arm extending into the carriage to brace this child belongs to its mother, but it’s either a cautious mother, a nursemaid or a photographer’s assistant. I vote for the mother.

    Before I start dissecting this picture—do you have any images with partial women in them? I’d love to see them and feature them next week. Send them to me.

     

    So who’s this darling tot? Gwen Prichard doesn’t know. A genealogical Good Samaritan gave her the album it was in after finding it in an antique trunk in California. Several of the people are identified members of the Godfrey and Locke families who, according to the photographer’s imprint, posed for pictures in Jonesburg, Mo. 

    The woman who purchased the trunk wanted family members to have the photo album so she contacted Jonesburg Historical Society who in turn suggested she write to Gwen. It’s one of those odd serendipitous genealogical connections.

    Gwen thinks the album belonged to Olive Cornelia (Locke) Smith (born in 1861) based on the identified images. Now she’s trying to figure out who else is represented. This is one of the mystery pictures. There are four photos on a page—this baby, an older child, a man and a woman. They may be the baby’s parents, but before jumping to conclusions let’s date this picture.

    •  While the baby picture doesn’t have a photographer’s imprint the other three were taken in Moberly, Missouri.
    • The light green card stock of this small (4” x 2 ½”) photo was typical in the mid to late 1870s.
    • The toddler wears a white dress with colored sash and a necklace. This child’s attire is also typical for the early to mid-1870s.

    These last two details date the picture, but it’s the baby carriage that draws our attention. The first carriage that could be pushed was invented in 1848. Before this, baby carriages were drawn by ponies and other small animals. Newer carriages, like this one, enabled mothers, nursemaids and nannies to stroll with their children. This fringed model looks similar to the horse-drawn surrey carriages used by families in the 1870s. The top would protect the child from the sun. Babies faced front to be admired by passersby.

    This particular carriage is well padded with an animal fur lining and a checkerboard knitted blanket. A scalloped edged embroidered cloth decorates the inside. The woman has her hand underneath this cloth supporting the baby allowing us to see the beautiful stitching. You can see other examples of early carriages on the Wisconsin Historical Society website.

    While this is a picture puzzle, the date brings Gwen one step closer to figuring out who it might be. This baby (probably a girl because her thin hair in parted in the middle) was born in the mid-1870s.

    Anyone interested in helping me narrow the time frame? Check patent records to see if you can match up the design of this carriage. I’ll give you a hint: The leading baby carriage designer in this time frame was Adolph Meinecke. Don't forget you can respond in the Comments field below.


    1870s photos | children
    Monday, March 24, 2008 3:04:44 PM (GMT Standard Time, UTC+00:00)  #  Comments [1]
    # Friday, October 26, 2007
    Hunting for Clues Part Two
    Posted by Maureen

    For genealogists, it's easy to underestimate the power we yield. If you need proof, think about this: The recent Wall Street Journal (WSJ) article on The Photo Detective was the number one article read online at the WSJ for a week!

     This means thousands if not millions of people are interested in their family photographs. That's great news!

    A couple of folks who read that piece commented on the type of gun depicted in the cover photo. Last year I wrote a column, Hunting for Clues, about this picture of a hunter. Now new evidence has surfaced.



    There's a lot of discussion about what type of gun appears in the picture and the date for the image. Faced with the new facts, I could've been off by a few years. The man wears his old clothes for a soujourn into the wilds of New Jersey. Instead of just saying his photo is from the late 1860s, I'm stretching the time frame to include the early 1870s. It doesn't change my analysis, but the additional details add depth to this image. Here's what turned up:

    I spoke with LeRoy Merz of Merz Antique Firearms about the gun in the photo. While my original expert was right about it not being a Civil War piece, it's not a Winchester 66, either. Merz set me straight. It appears to be a double-barrel shotgun, and the shells around the man's waist are 10-gauge.



    Merz thinks this man holds a European model probably imported from England in the early 1870s. It was first introduced there in the late 1860s. In England, these shotguns were used for market hunting of water fowl. (Notice the game bag at the man's side.) It appears Majorie Osterhout's relative liked to go bird-hunting, probably for duck or geese, with his trusty four-legged friend. Though the dog (hard to see here) isn't a traditional breed for retrieving game, it could've been trained for the task.



    Merz's opinion is just one of several. All are in agreement the gun isn't a Winchester 66, but there's still lots of talk about the actual model and the gauge of the shells.

    Next week, I'll take a look at another earlier column and tell you more of the fascinating story behind a reader's family photo.


    1860s photos | 1870s photos | men | props in photos
    Friday, October 26, 2007 7:16:03 PM (GMT Daylight Time, UTC+01:00)  #  Comments [5]
    # Wednesday, October 10, 2007
    Could this happen to your family history treasures?
    Posted by Maureen

    Before diving into this week’s identification, I have a question for you: Have you specified in your will who’ll receive your heritage photos after you’re no longer here? If not, your relatives could find themselves in a battle.

    Carolanne, the owner of this week’s photo, has spent 17 years trying to gain ownership of her great-aunt’s pictures and family history materials. When Addie Mattilda Weed died in 1990 at age 106, the tenants in her house gave her manuscripts to a university and kept her photos.

    Carolanne, Addie’s closest living relative, finally got the photos, but she’s still battling the university—which currently expects her to pay even to copy the papers. So, make sure you’ve planned for the future of your genealogy collection.

    On to Carolanne’s question: Who are these people?
    She hopes they’re Addie’s mother, Laura Gilman (1844-1926), and father, James Wyatt Weed (1839-1888). 

        
    I think Carolanne’s right. Addie lived her whole life in one house—birth to death. Since these photos were in that house among her belongings, they’re likely her close relatives. Also, this couple is the right age to be her parents.

    That’s easy, but as usual, there are other questions: When were these images created, and what format are they?  

    Both are photographs enhanced with charcoal. Photographers generally took pictures first, then enlarged and enhanced them—turning an ordinary cabinet-style picture into a piece of art. I happen own a similar-style image in a large gilt frame. The frames for these images are missing, and if there were smaller photos, those are unfortunately lost as well.
        
    From about 1869 to 1875 women wore high, ruffled collars, long curls and ties at the neckline just as in this portrait. Notice her neck ribbon. Since Gilman and Weed married in 1873, it’s possible this is an engagement or wedding portrait.  

    It’s much more difficult to date the picture of her husband, due to the sparse costume details in his picture. If his picture was done at the same time as Addie’s, he’d be 34 years old. His beard resembles the untrimmed facial hair men wore in the mid-1870s. Unlike his wife’s unwrinkled face, he has lines around his eyes, suggesting hard work that required he squint into the sun. According to the 1880 US census, James Weed worked in a mill, but I imagine he also spent time outdoors in his native Maine.

    Caroleann sent a third family photo. I’ll tackle that next week, with a few more things to say about the three images. ‘Til then…

    1860s photos | 1870s photos | enhanced images | men | women
    Wednesday, October 10, 2007 7:50:43 PM (GMT Daylight Time, UTC+01:00)  #  Comments [3]