This lovely image depicts either someone's mother or stepmother. The question is, which one? It's a north-of-the-border mystery.

Chris Rye inherited this photo from his grandfather, who in turn inherited it from his mother. The back of this tintype reads "Enos Mother." Enos Storm is Rye's great-great-great grandfather. 

Enos' mother was Susannah (born in 1836), who died in childbirth in 1866 when Enos was born. The family lived in Vaughan, Ontario, Canada.

Susannah also had three daughters, born in 1859, 1861 and 1862. This woman is posed with a toddler on her lap. Notice the size of the toddler, as compared to the mother's diminutive size. She has large hands but a tiny body in contrast to her very hearty child.

Enos' father remarried a woman named Mary (born about 1847) and she had a daughter in 1879.

The clothing clues in this picture point to the 1860s.  The mother wears an everyday dress with cap sleeves and a small collar, and wears her hair pulled back. In the late 1870s, women's clothing featured more trim than this, and even everyday dresses had fitted bodices.

The little girl's dress also dates from the 1860s. 

This is an entrancing portrait. Susannah looks directly into the camera with a slight smile on her face, while her child sits still for the image. It's a family history treasure!

This is one of the three daughters, but which one? She could be any one of them depending on a specific year.  The toddler is likely around 3 years of age, meaning the photo was taken in approximately, 1862, 1864 or 1865.  Any photos of the girls taken later on would be useful for comparison.

This carte de visite of Daniel Frederick Bakeman commemorates his status as the last living Revolutionary War soldier in 1868. Bakeman died the following year. This image was widely available in the 19th century and Bakeman is generally accepted as the last living Revolutionary War soldier, but there is one problem: Other lesser-known men outlived him and were photographed. One such man was John Kitts of Baltimore, who died in September 1870.

Photographs of other members of the Revolutionary War generation exist in public, private and family collections. While I've collected 70 images of men, women and children who lived during the war, I know that additional images are still undiscovered. I'm hoping that by studying your family photograph collections that you'll find images that meet the following criteria: 

• Men who lived during the war and who were alive after 1839 when photography was introduced in the United States would be at least 80 years of age. These individuals could be patriots, soldiers, loyalists or non-participants in the war.

• Women may be wives or widows. Locating pictures of these women means looking at pictures taken anywhere from the advent of photography to the early 1900s. The last Revolutionary War widow died in 1906, according to this New York Times article.
  

Please contact me if you think you've located a picture of a Revolutionary War ancestor.

If you're interested in seeing my first collection of images, they appear in my new book, The Last Muster: Images of the Revolutionary War Generation (Kent State University Press, $45)


Revolutionary War research resources from Family Tree Magazine and ShopFamilyTree.com:

• Online Military Records: Document Your Family's Service webinar recording
• Family Tree University Military Records class (next session starts July 19)
• November 2008 Family Tree Magazine with online military records article

Bobbi Borbas wrote back after I posted her unidentified group portrait to say that after looking at her family history, she still isn't sure who the folks are in her mystery image. Some photo mysteries take a great deal of time and patience to solve. I still think the case can be cracked!

A similarly vexing mystery: I was on the road again this weekend meeting people at the Ruth E. Lloyd Information Center in Manassas, Va. I saw some gorgeous photos and new mysteries. One in particular stands out. A woman brought in a photo album that had been passed down in the family. She didn't know who any of the people were, but I really believe she can put the pieces together.

I don't have any photos to share, so I'll describe the album: It had two clusters of photos. The first half featured photos from the late 1880s, all taken in Grand Island, Neb. The last couple of pages had photos from the 1860s, with no photographer's name or address. It appeared that at least two generations were included.

Here's how I'd approach this problem (similar steps can work for your own photos):

• Research the population of Grand Island in the 1880s. That's the easy part. According to Wikipedia, less than 3,000 people lived there in 1880, but close to 7,500 did as of 1890. The reason for this population boom: the railroad. 
  

• When was the photographer in business? I'd start this search by contacting the Nebraska State Historical Society. Its reference department might have a list of photographers in the area.
  

• Next, look at surnames in the family and think about the following questions: Who lived in Nebraska in that time frame? When did they settle in the area and why? Those answers can lead to sources such as land and church records, which can fill in for the "lost" 1890 federal census schedules. 

• The number one spot in a photo album is key. In this case, that picture was a young boy, with the second and third images showing a couple, followed by two girls. Did the boy die?

• Look for facial similarities. In this album, there were clusters of pictures where it was clear from their noses and mouths that they were all close relatives.
  

• Re-examine the family history. By adding up all the clues, I think it's possible to assign some probable names to these individuals.
  

Every piece of evidence helps tell the story of a photo album. There was a reason behind the order of the images. Who created it often becomes clear, and by solving one of the picture mysteries, you get that much closer to figuring out the rest. 

This is one problem I'd love to help solve.  If the woman from RELIC would like some assistance, send me an e-mail. It'd make an interesting case study for a future column. 

Before diving into this week’s identification, I have a question for you: Have you specified in your will who’ll receive your heritage photos after you’re no longer here? If not, your relatives could find themselves in a battle.

Carolanne, the owner of this week’s photo, has spent 17 years trying to gain ownership of her great-aunt’s pictures and family history materials. When Addie Mattilda Weed died in 1990 at age 106, the tenants in her house gave her manuscripts to a university and kept her photos.

Carolanne, Addie’s closest living relative, finally got the photos, but she’s still battling the university—which currently expects her to pay even to copy the papers. So, make sure you’ve planned for the future of your genealogy collection.

On to Carolanne’s question: Who are these people?
She hopes they’re Addie’s mother, Laura Gilman (1844-1926), and father, James Wyatt Weed (1839-1888). 

    
I think Carolanne’s right. Addie lived her whole life in one house—birth to death. Since these photos were in that house among her belongings, they’re likely her close relatives. Also, this couple is the right age to be her parents.

That’s easy, but as usual, there are other questions: When were these images created, and what format are they?  

Both are photographs enhanced with charcoal. Photographers generally took pictures first, then enlarged and enhanced them—turning an ordinary cabinet-style picture into a piece of art. I happen own a similar-style image in a large gilt frame. The frames for these images are missing, and if there were smaller photos, those are unfortunately lost as well.
    
From about 1869 to 1875 women wore high, ruffled collars, long curls and ties at the neckline just as in this portrait. Notice her neck ribbon. Since Gilman and Weed married in 1873, it’s possible this is an engagement or wedding portrait.  

It’s much more difficult to date the picture of her husband, due to the sparse costume details in his picture. If his picture was done at the same time as Addie’s, he’d be 34 years old. His beard resembles the untrimmed facial hair men wore in the mid-1870s. Unlike his wife’s unwrinkled face, he has lines around his eyes, suggesting hard work that required he squint into the sun. According to the 1880 US census, James Weed worked in a mill, but I imagine he also spent time outdoors in his native Maine.

Caroleann sent a third family photo. I’ll tackle that next week, with a few more things to say about the three images. ‘Til then…